Other books that might interest you

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  Journal of a Black Queer Nurse

  Britney Daniels

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  In this searing, honest memoir, a Black queer emergency-room nurse works the front lines of care during COVID-19. 
   
   
   
  Britney Daniels is a Black, masculine-presenting, tattooed lesbian from a working-class background. For the last five years, she has been working as an emergency-room nurse. She began Journal of a Black Queer Nurse as a personal diary, a tool to heal from the day-to-day traumas of seeing too much and caring too much. 
   
   
   
  Hilarious, gut-wrenching, and infuriating by turns, these stories are told from the perspective of a deeply empathetic, no-nonsense young nurse, who highlights the way race, inequality, and a profit-driven healthcare system make the hospital a place where systemic racism is lived. 
   
   
   
  Whether it is giving one's own clothes to a homeless patient, sticking up for patients of color in the face of indifference from white doctors and nurses, or nursing one's own back pain accrued from transporting too many bodies, Journal of a Black Queer Nurse reveals the ways in which care is much more than treating a physical body and how the commitment to real care—care that involves listening to and understanding patients in a deeper sense—demands nurses, especially nurses of color, must also be warriors.

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  A Complete Recovery - From their...

  Barry Pain

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  Barry Eric Odell Pain was born at 3 Sydney Street in Cambridge on 28th September 1864. He was one of 4 children. 
  He was educated at Sedbergh School and then Corpus Christi College, Cambridge. 
  In 1889, Cornhill Magazine published his short story ‘The Hundred Gates’.  This opened the way for Pain to advance his literary career on several fronts. He became a contributor to Punch and The Speaker, as well as joining the staff of both the Daily Chronicle and Black and White.  
  Pain was also a noted and prominent contributor to The Granta and from 1896 to 1928 a regular contributor to the Windsor Magazine. 
  It is often said that Pain was discovered by Robert Louis Stevenson, who compared his work to that of Guy de Maupassant.  It’s an apt comparison. Pain was a master of disturbing prose but was also able to inject parody and light comedy into many of his works.  A simple premise could in his hands suddenly expand into a world very real but somehow emotionally fraught and on the very edge of darkness. 
  Barry Pain died on 5th May 1928 in Bushey, Hertfordshire.

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  The Heart of the Woods

  Wyl Menmuir

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  Just as a parent leaves a legacy to their child, a tree leaves a legacy to its surroundings. A deep and explorative companion piece to the Roger Deakin Award-winning The Draw of The Sea.Throughout history, trees have determined the tools we use, the boats we build, the stories we tell about the world and ourselves, the songs we sing, and some of our most important rituals. As such, our lives are intertwined with those of the trees and woodlands around us.In this journey deep into the woods, Wyl Menmuir travels the length and breadth of Britain and Ireland to meet the people who plant trees, the ecologists who study them, those who shape beautiful objects and tools from wood, and those who use them to help others.Wyl also explores how our relationship with trees is enduring, now and in the future – what we get out of spending time around trees, the ways in which our relationship with them has changed over time, and the ways in which our future is interconnected with theirs.Written in close collaboration with makers, crafters, bodgers, and woodsmen and women in order to better understand the woods they know so well, the joys and frustrations of working with a living material, and the stories of their craft and skills, The Heart of The Woods will delight anyone who enjoys walking among the trees, and anyone who, when lost, has found themselves in the woods.Chapters include:WOODLAND PLANTER: A woodland in becoming and an ancient yew grove on the border of North Wales and EnglandRITUAL WEAVER: Willow coffin making in CornwallWOODLORE GATHERER: Science among the trees at Wytham Woods, OxfordshireHEARTWOOD CARVER: Among the bodgers in a field outside CambridgeBOAT BUILDER: A woodland community in the heart of Glasgow’s former docklandsLANDSCAPE SHAPER: Re-wilding the Scottish Highlands and an organised trespass in DevonWISH WEARER: The clootie well at Munlochy on The Black Isle, Scottish Highlands, a family tree on Bodmin Moor, Cornwall, and the tree at Sycamore Gap, NorthumbriaFOREST BATHER: Swimming at Swallowship Pool, Devil’s Water, and Letah Woods NorthumberlandMYTH WALKER: Walks in the fictional woods at Wenlock Edge, ShropshireWAY FOLLOWER: Traditional carpentry in Takayama, JapanFIRE LIGHTER: The stories we find among the flames and embers, Ennistymon, Ireland SOUND CREATOR: A pub on Ireland’s west coast and a guitar-builder in North Wales APPLE WAILER: Wassailing in CornwallTREE WORSHIPPER: An ancient yew grove in North Wales

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  A Teenage Rhapsody 1966 to 1973

  R. J. Dickinson

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  "A Teenage Rhapsody 1966 to 1973" is autobiographical and describes my transition from adolescence to manhood at a time when the shackles of certain traditional social oppressions were been swept aside by optimism for a better future that previous generations were denied. 
  That better future started with the phenomenon called 'the teenager' who suddenly had a voice, a voice of freedoms, expression and of influence that helped create the Swinging Sixties. 
  I was there, yes I was there. What I was to experience growing up in the suburbs of Leeds at the time the book suggests, was that of hardship, laughter, fun, love and betrayal, juvenile violence and the explosion of alternatives that were now becoming accepted, as inevitable. 
  But also what I was experiencing, with the doctrine of Victorian values to keep me out of harm's way, was the freedom, without concern, to wander and explore for endless hours, the labyrinth of streets of back to back terrace houses that offered adventure around every corner. 
  The simplicity of life during the time of my teenage years, alongside a commonality of certain basic traditions passed down from generation to generation, that still apply and work regardless of generation. This was liberating, allowing me to develop my mind and character through trial and error at a pace of life that was less demanding and frenzied to what is to arrive in the next century, when all this description will be viewed in the format akin to a Sepia painting hanging with obscurity in a corner of a gallery. 
  This story had a need to be told.

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  Bang

  Sally Cook

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  Two near death experiences in one lifetime both involving loud, unexpected bangs. The author survived both a car collision and  a plane catching fire and recounts the events  with dramatic sound effects and clear recall.  This is a true and compelling account.

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  The Things I Came Here With - A...

  Chris MacDonald

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  “Does it hurt?” When you’re a tattoo artist, that’s the most universal question. For Chris MacDonald, the answer is simple: hurts less than a broken heart. Those words are painted above the entrance to his shop, Under My Thumb Tattoos, as a reminder.
  		 
  Chris and his brothers were as wild as the wind, in their house among the fields of Alliston, Ontario, when their parents divorced. Shell-shocked, they were uprooted and brought to Toronto by their dad. Their mother’s mental illness worsened in the aftermath, and she disappeared. As a teenager, Chris left home and found himself immersed in the city’s underbelly, a world where drugs, skateboarding, and punk rock reigned. Between the youth shelters, suicidal thoughts, and haunted apartments, a light shined: and it was art.
  		 
  He eventually found himself following the path of his brother, Rob, and pursuing life as a tattooist. Then, at the height of a destructive summer, everything changed: he met Megan, the girl who would become his rock of ages.
  		 
  This remarkable memoir examines what tattooing means to MacDonald and traces the connection his artistic motives have to both his family and childhood. The Things I Came Here With is about how crucial our past is to understanding our future, but it’s also a love letter to his daughter about the importance of expression, life’s uncertainty, and beauty.

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