Publisher: Tales of Terror
Steve Hutchison reviews 100 amazing slasher films from the 1990s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?
London has harbored many curious characters, but few more curious than the artist and visionary Austin Osman Spare (1886–1956). A controversial enfant terrible of the Edwardian art world, the young Spare was hailed as a genius and a new Aubrey Beardsley, while George Bernard Shaw reportedly said "Spare's medicine is too strong for the average man." But Spare was never made for worldly success and he went underground, falling out of the gallery system to live in poverty and obscurity south of the river. Absorbed in occultism and sorcery, voyaging into inner dimensions, and surrounding himself with cats and familiar spirits, he continued to produce extraordinary art while developing a magical philosophy of pleasure, obsession, and the subjective nature of reality. Today Spare is both forgotten and famous, a cult figure whose modest life has been much mythologized since his death. This groundbreaking biographical study offers wide-ranging insights into Spare's art, mind, and world, reconnecting him with the art history that ignored him and exploring his parallel London; a bygone place of pub pianists, wealthy alchemists, and monstrous owls.Show book
'Moore is wickedly charming - the naughty uncle you want to be sat beside at the dinner table' - Daily TelegraphToo often history focuses on the tales of kings, or those (often men) who were given the credit for shaping our stories. Yet, what fascinates most are the figures who have passed through the cracks of history, people like:- The fourteen-year-old boy who lived undetected in the chimneys of Buckingham Palace- Archie Lee, the re-inventor of Santa Claus- The women at Playtex who helped put the first man on the moon- Unknown war hero Tommy Brown, whose extraordinary bravery helped the code breakers of BletchleyBut it's not just forgotten heroes that you'll meet, this compendium also reveals the curious back stories behind everyday objects - the humble fork, the china cup, the real history of tea, and Queen Victoria's underwear - to name but a few.The Stuff of History is a thoughtful, entertaining and carefully curated miscellany of fascinating forgotten histories from Antiques Roadshow stalwart, and popular historian with a huge Instagram following, Steven Moore.Show book
A revised & expanded examination of the words and ideas of the man of letters and drummer extraordinaire of the rock band Rush. In January 2020, the world lost not only one of the greatest drummers, but also one of the most insightful lyricists. And a brilliant writer. Though Neil Peart was universally lauded as drummer for legendary rock band Rush, few studies have been devoted to his writings. Yet, Peart was very much a man of his words. He wrote lyrics, travelogues, essays, cultural criticism, short stories, and fantasy novels. The themes in his writings are timeless: personal journeys, exploration, excellence, growth, philosophy, art, satisfaction and happiness, religion, politics, individualism, natural history, life, love, loss, redemption, and beauty. Peart wanted every person to persevere through individual trials, find unique gifts and abilities and, ultimately, true happiness. He did not just profess such things; he lived them. Never satisfied with second best or any form of defeat, Peart challenged himself to live up to his own philosophy. And he always succeeded with grace, which earned him even more fervent admirers. Since his death in 2020, Neil Peart has continued to inspire thousands through his music, his words, and his example. This book—revised and expanded to incorporate Peart’s final years—carefully examines the influence that his life, his witness, and his words have had on others. Neil Peart lived life to the fullest, and he made us each better for it. “Includes some of the strongest analysis of Peart’s lyrics that you’ll find, and does a rigorous job of nailing down the tenets of Peart’s ever-evolving philosophy.” —PROG MagazineShow book
Wade Weissmann has a passion for and commitment to creating significant and highly detailed luxury residences for clients who want homes where memories can be made and each generation can add their mark. WWA aims to create a certain quality that captures romance, beauty, and history no matter what or where the project is. Every place has a unique identity, with specific resources and limitations; yet the unifying element is clients who want to stretch all possibilities of the imagination to achieve something beautiful and lasting. From farmhouses and waterfront retreats to a high-rise unit, a sports barn, and a new greenhouse for an avid horticulturist, properties shown here will inspire readers with the range, versatility, and timelessness of both architectural styles and interiors. The properties are located in Wisconsin, Tennessee, Florida, and Southern California.Show book
Pourquoi les femmes se maquillent-elles ? Les réponses des intéressées sont souvent évasives : «Pour se sentir bien...» Pourraient-elles cesser de se farder ? «Non !» L'idée de ne plus se maquiller peut même être perçue comme une atteinte à l'identité. Dans un style élégant et lumineux, l'auteur nous plonge dans une histoire du maquillage qui démontre l'importance, depuis que l'être humain se civilise, du geste cosmétique. «S'arranger» est un art du compromis, de l'ouverture, un jeu bienveillant plutôt qu'un artifice trompeur. Derrière un rouge à lèvres, un mascara, il y a toute une manière d'être, plus nuancée, plus enchantée, moins violente que celle des hommes.Show book
In the US alone, the arts are a $763 billion sector whose 100,000+ organizations serve almost every community in the nation. There's no reason arts organizations should struggle to make ends meet. Running your arts organization like a business is your path forward to: ● Grow audiences and keep them coming back again ● Make our organizations more inclusive ● Get younger attendees in the seats and on the donor rolls ● Continue to create the art we love—without the stress of figuring out how to afford it Just because arts organizations are non-profits doesn't mean they shouldn't make money; it means the money they make goes back to fund the mission—whether that's music, visual arts, theatre, dance, or one of many other mediums that enrich our lives. The for-profit world knows how to achieve success across customer engagement, user experience, company culture, the subscription economy, technology and media, new revenue streams, and brand relevance. Run It Like a Business provides a powerful, proven framework to help all arts organizations revitalize their economic engines and ultimately serve the arts and its patrons.Show book
