Casa editrice: Tales of Terror
Two popular subgenres converge. Film critic Steve Hutchison covers 50 excellent apocalyptic disease films and ranks them mathematically. A synopsis, five ratings, and a review are provided for each film. How many have you seen?
A revised & expanded examination of the words and ideas of the man of letters and drummer extraordinaire of the rock band Rush. In January 2020, the world lost not only one of the greatest drummers, but also one of the most insightful lyricists. And a brilliant writer. Though Neil Peart was universally lauded as drummer for legendary rock band Rush, few studies have been devoted to his writings. Yet, Peart was very much a man of his words. He wrote lyrics, travelogues, essays, cultural criticism, short stories, and fantasy novels. The themes in his writings are timeless: personal journeys, exploration, excellence, growth, philosophy, art, satisfaction and happiness, religion, politics, individualism, natural history, life, love, loss, redemption, and beauty. Peart wanted every person to persevere through individual trials, find unique gifts and abilities and, ultimately, true happiness. He did not just profess such things; he lived them. Never satisfied with second best or any form of defeat, Peart challenged himself to live up to his own philosophy. And he always succeeded with grace, which earned him even more fervent admirers. Since his death in 2020, Neil Peart has continued to inspire thousands through his music, his words, and his example. This book—revised and expanded to incorporate Peart’s final years—carefully examines the influence that his life, his witness, and his words have had on others. Neil Peart lived life to the fullest, and he made us each better for it. “Includes some of the strongest analysis of Peart’s lyrics that you’ll find, and does a rigorous job of nailing down the tenets of Peart’s ever-evolving philosophy.” —PROG MagazineMostra libro
The artist Norman Thelwell (1923–2004) was famous for his much-loved cartoons depicting stubborn, plump ponies and their determined young riders. In this book, originally published in 1982, he gives expert advice on how to draw ponies and horses of all temperaments, shapes and sizes. He focuses on topics including the anatomy of horses, and how they move and stand. Writing in an entertaining style and featuring many of his wonderful illustrations, Thelwell offers clear guidance, top tips and encouragement to aspiring artists. He shares his skill, knowledge and experience in a down-to-earth way and provides a fascinating insight into his work.Mostra libro
Of all the great actors of the 20th century, none personifies acting royalty more than Laurence Olivier, and some of this is simply due to the fact that he was actually knighted in 1947, along with a lengthy list of other honors that include being named a life peer in 1970 and admission to the Order of Merit in 1984. To speak of The Right Honourable Lord Laurence Olivier is not a figure of speech but rather a fact. Of course, in addition to the literal sense of the term, there is undeniably a manner in which Laurence Olivier qualifies as acting royalty, as it is not for nothing that Spencer Tracy once referred to Olivier as “the greatest actor in the English-speaking world” (Bacall). It is also important to note that Tracy refers to Olivier not as a film or theater actor specifically, because much of Olivier’s lofty standing derives from his ability to successfully navigate different mediums like stage, film, and television. The breadth of mediums in which he worked, the various roles he inhabited within them (actor, producer, director), and the formidable time span of his career lend Olivier’s career a scope of perhaps unmatched magnitude. In the 1960s, the most popular actor in the world was Richard Burton, a hard-drinking Welshman who was nevertheless so professional that he was one of the preeminent stage performers of his day. In fact, he performed Shakespeare so magnificently that he was compared to British legend Laurence Olivier, and that success ultimately led to a film career that earned him 7 Academy Award nominations, as well as BAFTA and Golden Globe awards for Best Actor. Given his accomplishments on the stage and in Hollywood, Burton became one of the world’s most recognizable leading men, so it seemed fitting that he engaged in one of Hollywood’s most legendary romances with Elizabeth Taylor.Mostra libro
Gothic art finds its roots in the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe for more than 200 years. Leaving curved Roman forms behind, the architects started using flying buttresses and pointed arches to open cathedrals to the daylight. A period of great economic and social change, the gothic era also saw the development of a new iconography celebrating the Holy Mary, in contrast to the fearful themes of dark Roman times. Full of rich changes in all the different arts (architecture, sculpture, painting, etc.), Gothic art gave way to the Italian Renaissance and International Gothic.Mostra libro
. We toss out paper, chemicals, garden waste, and plastic without thinking about where they goes and what that does to our environmentMostra libro
A unique guide to every aspect of putting on your own solo show: choosing the subject, raising the finance, booking the venue - and performing it! More and more actors – faced with ever longer periods of unemployment – are turning to the solo show as a way of keeping active, keeping visible, and keeping the wolf from the door! This book is essential reading for anyone contemplating such a move, and comprehensively covers every aspect of putting on your own one-person show. Being a veteran of the solo-show circuit, as a writer, performer and director, Gareth Armstrong is the ideal guide. He takes you step by step through each stage of the process: Choosing the right material – or devising your own Raising the finance Finding the venues Hiring a bookings manager and other personnel Arranging publicity Winning an audience There is a special section on that mecca for solo shows, the Edinburgh Fringe, and an extensive appendix covering funding bodies, venues, festivals and more. Throughout the book, Armstrong illustrates his points with case studies of actual solo shows by performers such as Miriam Margolyes, Linda Marlowe and Guy Masterson. 'So You Want To Do A Solo Show? is a thorough, meticulous, hands-on, "how-to-do" manual, covering everything from the germination of an idea right through to the costing of the flyers. It is, I think, the most valuable read for any performer who has ever thought "If only I could have some control over the way my career is going"' Maureen Lipman, from her ForewordMostra libro
