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  Ten Days that Shook the World

  John Reed

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  Ten Days that Shook the World (1919) is a book by American journalist and socialist John Reed about the October Revolution in Russia in 1917 which Reed experienced firsthand. Reed followed many of the prominent Bolshevik leaders, especially Grigory Zinoviev and Karl Radek, closely during his time in Russia. 
   
  John Reed died in 1920, shortly after the book was finished, and he is one of the few Americans buried at the Kremlin Wall Necropolis in Moscow, a site normally reserved only for the most prominent Soviet leaders. 
   
  Max Eastman recalls a meeting with John Reed in the middle of Sheridan Square during the period of time when Reed isolated himself writing the book: 
  "...he wrote Ten Days that Shook the World - wrote it in another ten days and ten nights or little more. He was gaunt, unshaven, greasy-skinned, a stark sleepless half-crazy look on his slightly potato-like face - had come down after a night's work for a cup of coffee. 
  'Max, don't tell anybody where I am. I'm writing the Russian revolution in a book. I've got all the placards and papers up there in a little room and a Russian dictionary, and I'm working all day and all night. I haven't shut my eyes for thirty-six hours. I'll finish the whole thing in two weeks. And I've got a name for it too - Ten Days that Shook the World. Good-by, I've got to go get some coffee. Don't for God's sake tell anybody where I am!' 
  Do you wonder I emphasize his brains? Not so many feats can be found in American literature to surpass what he did there in those two or three weeks in that little room with those piled-up papers in a half-known tongue, piled clear up to the ceiling, and a small dog-eared dictionary, and a memory, and a determination to get it right, and a gorgeous imagination to paint it when he go it. But I wanted to comment on now was the unqualified, concentrated joy in his mad eyes that morning. He was doing what he was made to do, writing a great book. And he had a name for it too - Ten Days that Shook the World!" (From Wikipedia)

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  Voice of the Fish - A Lyric Essay

  Lars Horn

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  Lars Horn's Voice of the Fish, the latest Graywolf Press Nonfiction Prize winner, is an interwoven essay collection that explores the trans experience through themes of water, fish, and mythology, set against the backdrop of travels in Russia and a back injury that left Horn temporarily unable to speak. In Horn's adept hands, the collection takes shape as a unified book: short vignettes about fish, reliquaries, and antiquities serve as interludes between longer essays, knitting together a sinuous, wave-like form that flows across the book.Horn swims through a range of subjects, roving across marine history, theology, questions of the body and gender, sexuality, transmasculinity, and illness. From Horn's upbringing with a mother who used them as a model in photos and art installations—memorably in a photography session in an ice bath with dead squid—to Horn's travels before they were out as trans, these essays are linked by a desire to interrogate liminal physicalities. Horn reexamines the oft-presumed uniformity of bodily experience, breaking down the implied singularity of "the body" as cultural and scientific object. The essays instead privilege ways of seeing and being that resist binaries, ways that falter, fracture, mutate. A sui generis work of nonfiction, Voice of the Fish blends the aquatic, mystical, and physical to reach a place beyond them all.

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  In the Lion’s Den - Married to a...

  Marianne Guillemin

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  Married just a few months, Marianne gradually discovers that her husband is self-centered and domineering. Attractive and charming in public, he belittles her in private, imposes his habits and favors his own career over that of his wife. Psychological violence is compounded by physical violence.
  Marianne learns to decipher the moods of this perverse man, and implements strategies to avoid conflict and protect her three children. Not daring to talk about it, and because she thinks her children need their father, she lives ten years in the lion's den. 
  Years after her divorce, she still dreads returning home. Time is what she needs to rebuild her life. 
  Now, she offers a thoughtful account of the mechanisms of narcissistic perversity and withdrawal, and urges women to stop keeping silent.

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  VOTES FOR WOMEN: Complete...

  Elizabeth Cady Stanton, Jane...

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  This book is produced by women's suffrage leaders: the Great Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage & Ida Husted Harper. It presents the complete history of the women's suffrage movement, primarily in the United States. This edition presents the major source for primary documentation about the women's suffrage movement from its beginnings through the ratification of the Nineteenth Amendment to the U.S. Constitution, which enfranchised women in the U.S. in 1920. 
  In addition to the remarkable history of suffrage movements this collection is enriched with the biographies of the most influential figures of American movement for women's suffrage: Elizabeth Cady Stanton, Susan B. Anthony, Anna Howard Shaw, Jane Addams, Lucy Stone, Carrie Chapman Catt and Alice Paul.

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  Bill Pickett: The Life of the...

  Charles River Editors

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  The Wild West made legends out of many men and women through the embellishment of their stories, but it was Buffalo Bill Cody who truly brought the Wild West to life and provided the images that people still associate with the 19th century West today. Though he had a long career that spanned service in the Civil War, trapping, and even a stint with the Pony Express, Buffalo Bill eventually became synonymous with his world-famous Wild West Show. By depicting stereotypical Western scenes like riding the Pony Express, and gunfights between cowboys and Indians, Buffalo Bill became one of the men most responsible for establishing how the public remembered the Wild West, and the show influenced subsequent film and literature. The show also featured several kinds of activities that are still part of rodeos today, including riding bucking broncos, roping livestock, and target shooting.  
  	Almost absent in the perceptions of modern America is the comprehension of African Americans participating so prolifically in the building of the nation. Print fiction idealizing the cowboy life to Eastern readers would not depict what had ignited the war for which so many had an utter revulsion. The black man of the post-war years did not inspire the white spirit so essential for reveling in the old system. The 20th century’s television and cinematic offerings operated on the same drive, and the existence of black cattle workers was all but blotted out. Indeed, many of the modern age are barely aware that an African-American ever “stepped foot on the West bank of the Mississippi River.”[1] No one saw the black cowboy on screen or in print, the two information industries that shaped our perception of America’s westward expansion. Therefore, a collective assumption that they must never have existed at all was nationally internalized.

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  On Rocky Top - A Front-Row Seat...

  Clay Travis

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  “The best book on college football I’ve read in a generation….If you love college football, you’ll love this book.”— Jeff Pearlman, New York Times bestselling author of Boys Will Be Boys and The Bad Guys Won!Part Season on the Brink, part Fever Pitch, On Rocky Top is a rollicking, all-access pass to the rough-and-tumble world of University of Tennessee football. The book chronicles the 2008 season, during which the team suffered its second worst record ever and Head Coach Phil Fulmer, the most beloved and recognized man in Tennessee, was fired. Author of Dixieland Delight, Clay Travis offers a fascinating inside look at the inner workings of a major college sports program, and chronicles a season of promise that went terribly wrong, ending a long, fabled era.

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