Editora: BookRix
Screenplay about Sirenhead taking over the world, with an all star cast from Trevor Henderson’s mythos. Enjoy the scary walk adventures. In this third and final book enjoy!
Gulf Coast Paranormal returns for an all new season of paranormal investigations! Faced with the challenge of building a new team, Sierra and Joshua accept a landmark paranormal activity case. After receiving Midas's blessing, the McBrides quickly call in favors to meet the deadline so the new owners of Wayland Manor can safely open the historic home to the public. The new paranormal investigators include Macie Graves, the sister of the late Jocelyn Graves. Everyone brings their A-game to discover who or what may be haunting the historic home, but will it be enough? Books fly off shelves, jewelry disappears, and even worse, a collection of haunted dolls seem to have a mind of their own. After one of the team members disappears, Sierra uses her skills as a medium to connect to the other side. One particular entity makes his presence known with inappropriate and terrifying behavior. Will the Gulf Coast Paranormal team be able to put the owner's fears to rest? Will they all survive?Ver livro
She lived the life they gave her. Then she found the one they took. A hidden room. A ghost in the mirror. A girl unraveling everything she was raised to forget.Emily was raised to obey. To pray. To forget.For as long as she can remember, her family has been her whole world. Her safe place. Her calling. But when late-night noises lead her to a hidden room inside her bedroom wall, Emily begins to see things she can't explain. A destroyed teddy bear. A scrap of pink fabric. A girl in the mirror who isn't her. As buried memories rise from the cracks, so do questions—about her past, her identity, and what really happened to the girl who came before her. The more Emily remembers, the more dangerous it becomes to stay. But she's not alone. A quiet man who doesn't follow the rules she was raised to obey. A friend who helps her find the courage to ask forbidden questions. Together, they become her lifeline through the dark.Because the house isn't just haunted by a ghost. It's haunted by everything she was made to forget.Ver livro
David Sellers can’t stop thinking about the beautiful California Napa Sonoma Mendocino Coastline, even though he’s never been there before. He’s grateful for the opportunity to go, thanks to a suggestion and a pair of tickets from his boss’s secretary. It’s a welcome distraction from the dangerous situation he’s currently embroiled in back home. He had planned to return soon, but that all changed when he met Charlotte Von Shillingsfurst. Meanwhile, Jasper Symthe and Otto Weinberger are puzzling over a relic or artifact found on the Von Shillingsfurst estate. Jasper, an architect tasked with remodeling the estate, and Otto, a university professor of archaeology and theology, are both intrigued. Jasper has no idea what the object is, and Otto is hesitant to investigate further. As it turns out, Charlotte, an heiress who has never been in danger before, suddenly finds herself under attack. Someone or something is determined to protect her, and the quiet town she’s lived in her whole life is not what it seems. 26 years ago, the town welcomed a wealthy royal couple and their child, Charlotte. But now, things have taken a dangerous turn.Ver livro
Title: The Metamorphosis Author: Franz Kafka Narrator: Jonathan Dunne Original Publication: 1915 Public Domain: Yes Series Placement: Number 14 in the Timeless Terrors series Description: The Metamorphosis by Franz Kafka is a landmark work of early 20th-century literature, blending existential dread, psychological horror, and absurdity. First published in 1915, it tells the story of Gregor Samsa, a man who awakens one morning to discover he has been transformed into a monstrous insect. As his family grapples with his shocking metamorphosis, Gregor experiences alienation, despair, and the unraveling of his identity in a world that suddenly feels hostile and incomprehensible. This recording is narrated by Amazon bestselling horror author Jonathan Dunne, bringing Kafka’s darkly surreal vision to life. While the text is in the public domain, this performance is an original work and copyright © 2025 Jonathan Dunne. Listeners should prepare for a disturbing, thought-provoking tale that has influenced generations of writers and continues to challenge perceptions of humanity and isolation.Ver livro
Amelia Ann Blanford Edwards was born on 7th June 1831 in Islington, London. She was educated at home by her mother and showed early promise as a writer, publishing her first poem at the age of 7 and her first story at 12. Thereafter several popular periodicals published her poetry, stories and articles. In addition she also illustrated some of her own writings and painted scenes from books she had read. This talent was not supported by her parents, who saw an artist’s life as scandalous. Undeterred Amelia took up composing and performing music until a bout of typhus caused throat damage. Other interests soon followed until, early in the 1850s, Amelia focused exclusively on writing. Her early novels were well received, and with ‘Barbara's History’ in 1864, a work revolving around bigamy, her reputation was established. Amelia’s pen was also the purveyor of ghost stories for magazines and are still anthologized as classic tales to this day. In January 1851, Amelia became engaged, apparently to please her parents, but she quickly broke it off. In reality her emotional attachments were almost exclusively with women. From the early 1860s she lived with Ellen Drew Braysher, a widow 27 years her senior, until both women died in early 1892. During this relationship other women also entered and left her life. Her frequent travelling companion, Lucy Renshaw, accompanied her to Egypt in the winter of 1873 and there she found a life-changing interest in Egyptology. Aware of increasing threats from tourism and modern development she became an advocate for their research and preservation. To advance the work Amelia largely abandoned much of her writing in favour of Egyptology and even took on strenuous lecture tours to raise funds. After catching influenza, Amelia Edwards, ‘the Godmother of Egyptology’ died on 15th April 1892 at Weston-super-Mare. She was 60. In this Venetian set story Edwards follows the trail of a man who, after the briefest of meetings, falls in love with a young Jewish girl, who has but one request of him.Ver livro
