Other books that might interest you

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  This Must Be the Place (NHB...

  Brad Birch, Kenny Emson

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  This Must Be the Place is a play comprising two short ballads about migration, missed connections, and life on the edge of respectability.
  Two friends, fugitives from their problems, try and start again in the big smoke but find themselves waiting on the margins still. A man in the midst of crisis tries for a clean break from technology, connectivity and the pressures of city life.
  Brad Birch and Kenny Emson's This Must Be the Place was first performed at Latitude Festival in July 2016, before transferring to the 2017 VAULT Festival, London, where it was named Show of the Year.
  'A very modern tale of very modern detachment, written with humour and vigour... observant, angry, compelling, oh, and it's funny too. Very funny.' - LondonTheatre1
  'A dynamic piece of new writing… freshly biting and crisply unsentimental' - Exeunt Magazine

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  Mary Stuart

  Friedrich Schiller

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  Schiller's tragedy depicts the final days of Mary, Queen of Scots, who has been imprisoned by her cousin, Queen Elizabeth I, because of her potential claim on the English throne. The action of the play revolves around an attempt to rescue Mary from prison and Elizabeth's indecision over whether or not to have her executed. The 1801 translation is by Joseph Mellish, a friend of Schiller's. (Summary by Elizabeth Klett)Cast:Queen Elizabeth: Elizabeth KlettMary Stuart: Arielle LipshawEarl of Leicester: David GoldfarbEarl of Shrewsbury: Bruce PirieLord Burleigh: Andy MinterEarl of Kent: Mark F. SmithSir William Davison / Officer / Melvil: Algy PugSir Amias Paulet: Martin GeesonSir Edward Mortimer: mbCount L'Aubespine: om123O'Kelly / Burgoyne: Dale BurgessCount Bellievre: Matthew ReeceHannah Kennedy: AvailleMargaret Curl: lavahnaPage: PhilippaFirst Woman: Lucy PerryNarrator: Roseanne SchmidtAudio edited by: Elizabeth Klett

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  Arabian Nightmares (NHB Modern...

  Henry Naylor

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  Three timely one-act plays set in war-torn Syria and Iraq, by 'one of our best new playwrights' (The Times), featuring the epic and bloody adventures of an Iraqi translator, a London schoolgirl and a crackshot sniper.
  The Collector is a tale of creeping darkness, set during the Coalition's occupation of Iraq, as a team of prison guards become brutalised by war. 'Outstanding new writing… first class' (Scotsman)
  Echoes is a bloody story of colonialism – ancient and modern – and the rhyme of history, drawing astonishing parallels between the lives of a Jihadi bride and a Victorian pioneer. 'A dark and daring look at colonial cruelty… hugely impressive' (Guardian)
  Angel is set in a Syrian town, where the apparently indestructible Angel of Kobane – a crackshot sniper with a hundred kills to her name – is all that stands between the town's citizens and the fearsome approach of ISIS. 'War reportage at its best – and great theatre' (The Times)
  All three plays premiered at the Edinburgh Festival Fringe between 2014 and 2016, and have subsequently toured the UK and globally, including runs in London, around Australia and at New York's 59E59 Theaters. They have won eleven major international fringe awards, including several Fringe Firsts, and Angel was one of The Times' Top 10 Best Plays of 2016.

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  Travels with Athóma

  Daniel Scott

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  Travels with Athóma is a fictional memoir in verse where a man describes his childhood encounters with Athóma, a sibyl. This wise woman befriends him and in additon to instructing him about herbs and nature, teaching him travel songs that are used to shift his spirit into trees - fir, cedar, willow; birds - eagle, crow, swallow; insects - dragonfly, ladybird; otters, horses and stone. The story brings to life encounters with the natural world, not looking at it from outside but experiencing it from inside. The boy discovers the immensity and aliveness of the world and thropugh his friendship with Athóma his life is shaped by hs travels beyond the ordinary.  The book has attracted readers across  a wide range of ages, from young adoescents to seniors for whom some of the journeys awwaken their own memories

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  Sea Fever

  John Masefield

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  LibriVox volunteers bring you 24 different recordings of Sea Fever by John Masefield. This was the weekly poetry project for the week of September 16th, 2007.

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  Marquis de Sade's Midsummer...

  Ophelia T'Wat, Robert Dwight...

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  Full-Cast Audiobook! 
  Go Beyond Your Wettest Dreams... as If You Are Penniless and Yet Listening From Outside the Globe Theater! 
  In the last decade of the 16th century, William Shakespeare could not dare write A Midsummer Night's (Wet) Dream unabridged. By the happenchance of his birth-century, The Bard wrote in a poetic 'Shakespearean Code', hinting at sexualities and paraphilias he fully intended to compose and expose his Elizabethan audience to. His intended 'erotica for every fetish' morphed instead into a 'humane and wise drama' by happenchance.  
  But What If? there was a multiversal reality where the Marquis de Sade deciphered the Shakespearean Code during his long stay at the lunatic asylum at Charenton. But now Ophelia T'Wat, living in a much more sexually accepting century, can reach across realities to snatch these pages from the bloody quill of the Marquis and finally, fatefully publish the Wettest Midsummer Night'sDream conceivable! 

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