Altri libri che potrebbero interessarti

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  Apocalypse Television - How The...

  David Craig, Robert Iger

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  On November 20, 1983, a three-hour made-for-TV movie, The Day After, premiered on ABC. Set in the heartland of Lawrence, Kansas, the film depicted the events before, during, and after a Soviet nuclear attack with vivid scenes of the post-apocalyptic hellscape that would follow. The film was viewed by over 100 million Americans and remains the highest rated TV movie in history. 
   
   
   
  The path to primetime for The Day After proved nearly as treacherous as the film's narrative. Battles ensued behind the scenes at the network, between the network and the filmmakers. But these skirmishes pale in comparison to the culture wars triggered by the film in the press, alongside a growing Nuclear Freeze movement, and from a united, pro-nuclear Right. Once efforts to alter the script failed, the White House conducted a full-throttled propaganda campaign to hijack the film's message. 
   
   
   
  Apocalypse Television features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, the backlash from the conservative movement and Religious Right, the challenges encountered by the film's production team, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot.

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  Shahid Bhagat Singh

  Anil

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  Bhagat Singh was a legend person. He had liberated the country with his greatness, he was a true patriot, he gave his life for the country, because of him today we are living in freedom.

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  Take a Closer Look

  Daniel Arasse

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  What paintings can teach us—if we can really learn to see themWhat happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? In six engaging, short narrative "fictions," each richly illustrated in color, Daniel Arasse, one of the most brilliant art historians of our time, cleverly and gracefully guides readers through a variety of adventures in seeing, from Velázquez to Titian, Bruegel to Tintoretto.By demonstrating that we don't really see what these paintings are trying to show us, Arasse makes it clear that we need to take a closer look. In chapters that each have a different form, including a letter, an interview, and an animated conversation with a colleague, the book explores how these pictures teach us about ways of seeing across the centuries. In the process, Arasse freshly lays bare the dazzling power of painting. Fast-paced and full of humor as well as insight, this is a book for anyone who cares about really looking at, seeing, and understanding paintings.

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  The World's Greatest Vocal Warm-ups

  Stan Munslow

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  Warm up your voice, increase your range, improve your vocal agility, and sharpen your ear...in minutes! The three warm-up exercises presented on this audio will do all that and more! 
  You will learn the ins and outs of solfege while developing your ability to handle even the most demanding vocal situations that may come your way. This program includes a free link to the pdf handout sheets you'll need for the program. 
  Get your copies at http://www.stanmunslow.com/vocal_warmups.html

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  Kanye West's My Beautiful Dark...

  Kirk Walker Graves

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  In the first decade of the twenty-first century, Kanye West created the most compelling body of pop music by an American artist during the period. Having risen from obscurity as a precocious producer through the ranks of Jay Z's Roc-A-Fella records, by the time he released My Beautiful Dark Twisted Fantasy (MBDTF) in late 2010, West had evolved into a master collagist, an alchemist capable of transfiguring semi-obscure soul samples and indelible beats into a brash and vulnerable new art form.A look at the arc of his career, from the heady chipmunk soul exuberance of The College Dropout (2004) to the operatic narcissism of MBDTF, tells us about the march of pop music into the digital age and, by extension, the contradictions that define our cultural epoch. In a cloud-based and on-demand culture – a place of increasing virtualization, loneliness, and hyper-connectivity – West straddles this critical moment as what David Samuels of The Atlantic calls ""the first true genius of the iPhone era, the Mozart of contemporary American music."" In the land of taking a selfie, honing a personal brand, and publicly melting down online, Kanye West is the undisputed king. Swallowing the chaos wrought by his public persona and digesting it as a grandiose allegory of self-redemption, Kanye sublimates his narcissism to paint masterstroke after masterstroke on MBDTF, a 69-minute hymn to egotistical excess. Sampling and ventriloquizing the pop music past to tell the story of its future – very much a tale of our culture's wish for unfettered digital ubiquity – MBDTF is the album of its era, an aesthetic self-acquittal and spiritual autobiography of our era’s most dynamic artist.

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  Music For All Creatures

  Paul Winter

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  A conversation with a pioneering musician about his music and his motivation. Here Winter describes the unique thrust of the music he has created in harmony with whales, wolves, dolphins and other creatures of the planet. Insights on how music shapes consciousness abound in this conversation.

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