Other books that might interest you

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  Crime Classics

  Elliott Lewis

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  This series features true crime stories from the records and newspapers of every land, from every time. Your host each week is Mr. Thomas Hyland—a connoisseur of crime, student of violence, and teller of murders.
  
  This collection contains episodes of Crime Classics that aired between 1953 and 1954. Each episode has been digitally remastered and restored for ease of listening.

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  Ear Training Course for Guitar:...

  Julia Whitlock

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  Hi, fellow music lover! Congratulations on starting your music-making journey. I won't waste your time with a long introduction, but let me say a few words just to get us off on the right foot. 
  Ear training is one of the most rewarding skills you can develop, and it’s one that you can work on every day. Which makes total sense: music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: when you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that. 
  This lesson is broken into several chapters, each of them focusing on two or three related intervals. There are plenty of examples for each interval, so you can work straight through the lesson or hop around as much as you like. 
  The last chapter is a sort of final exam. It brings together all the intervals we’ve covered and mixes them up for an extra challenge. But you don't have to fear that chapter. Just give it a go every once in a while to measure your progress. 
  Best of all, this lesson doesn’t limit itself to dry theory: every concept we discuss here is played on a real guitar by a real guitarist. 
  Oh, and before I forget, the most important tip of all: have fun! 
  What's inside:all intervals from prime to octave coveredreal guitar recordings throughoutwell chosen interval comparisons, e.g., fifth vs. fourth, minor second vs. major seventh.10+ hours of interval recognitionnice & encouraging female narrator

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  Philistines at the Hedgerow -...

  Steven Gaines

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  Bestselling author Steven Gaines's "richly entertaining" (People) and juicy social history of the Hamptons.As one of America's most fabled communities--long a magnet for artists, celebrities, the very rich, and their respective hangers-on--the Hamptons have been a scene of constant collision among the established old guard, New Money, and the local families who farmed and fished the region for generations. In serving up three centuries of Hamptons history, Steven Gaines introduces a host of colorful characters including Jackson Pollock, Ron Perelman, Lauren Bacall, and the Bouvier Beales of Grey Gardens infamy.Philistines at the Hedgerow is a mesmerizing feat of storytelling--a book that takes us behind the privet hedges and rolling sand dunes and brings vivid life to the curious passions and personalities that animate the Hamptons.

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  Off the Planet - Music Sound and...

  Rebecca Leydon, Shuhei Hosokawa,...

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  Essays on the use of music and sound in films from Godzilla to Star Wars and beyond.   In recent years, music and sound have been increasingly recognized as an important, if often neglected, aspect of film production and film studies. Off the Planet comprises a lively, stimulating, and diverse collection of essays on aspects of music, sound, and science fiction cinema.   Following a detailed historical introduction to the development of sound and music in the genre, individual chapters analyze key films, film series, composers, and directors in the postwar era. The first part of the anthology profiles seminal 1950s productions such as The Day the Earth Stood Still, the first Godzilla film, and Forbidden Planet. Later chapters analyze the work of composer John Williams, the career of director David Cronenberg, the Mad Max series, James Cameron’s Terminators, and other notable SF films such as Space Is the Place, Blade Runner, Mars Attacks!, and The Matrix. Off the Planet is an important contribution to the emerging body of work in music and film, with contributors including leading film experts from Australia, Canada, Japan, New Zealand, the United Kingdom, and the United States.

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  How To Teach Drama To Kids

  HowExpert, Julie Johnson

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  If you want to learn how to teach drama to kids, then get "How to Teach Drama To Kids" written by a person with real life experience teaching drama to children. 
  This guide, “How to Teach Drama to Kids” will take someone unsure of the main principles of teaching theatre arts to various ages, through the basic categories and components principally considered to be the heart of the study of Drama. Whether you are a music or English teacher hired to teach a semester of Drama, or an actor commissioned to do a series of children’s workshops, this guide will take you through a stage-by-stage process including exercises for the under 10 age group, the pre-teens, and the high-school ages. The author adds her own tips for making particularly challenging games or exercises “work,” and presents her own hints for keeping your resources and equipment to an inexpensive and manageable budget. 
  With chapters from the basics of “Movement,” “Voice,” “Improvisation,” “Role-Playing” and “Scene Work” to the more intricate additions of “Story-Telling,” “Puppetry” “Stage-Fighting” and “Chorus-Line Dancing Steps,” this guide is broken down so that you may choose to eliminate certain chapters from your planning or to add the author’s hints for extending an exercise to make it last longer and to be more enriching to the students. 
  About the Expert 
  With her first on-stage appearance at age 4, her first leading role at age 11 and her professional stage roles culminating primarily in character parts in comedies, and for troupes catering to parties and murder mystery dinner theatres, Julie Johnson decided in 1997 that she would be well-suited to TEACH Drama to others. After graduating with a four-year specialist degree in teaching the Performing Arts, she moved to England to further work in both schools and theater. 
  HowExpert publishes quick 'how to' guides on all topics from A to Z by everyday experts.

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  Girl Power - The Nineties...

  Marisa Meltzer

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  In the early nineties, riot grrrl exploded onto the underground music scene, inspiring girls to pick up an instrument, create fanzines, and become politically active. Rejecting both traditional gender roles and their parents' brand of feminism, riot grrrls celebrated and deconstructed femininity. The media went into a titillated frenzy covering followers who wrote "slut" on their bodies, wore frilly dresses with combat boots, and talked openly about sexual politics. The movement's message of "revolution girl-style now" soon filtered into the mainstream as "girl power," popularized by the Spice Girls and transformed into merchandising gold as shrunken T-shirts, lip glosses, and posable dolls. Though many criticized girl power as at best frivolous and at worst soulless and hypersexualized, Marisa Meltzer argues that it paved the way for today's generation of confident girls who are playing instruments and joining bands in record numbers. Girl Power examines the role of women in rock since the riot grrrl revolution, weaving Meltzer's personal anecdotes with interviews with key players such as Tobi Vail from Bikini Kill and Amy Ray of the Indigo Girls. Chronicling the legacy of artists such as Bratmobile, Sleater-Kinney, Alanis Morissette, Britney Spears, and, yes, the Spice Girls, Girl Power points the way for the future of women in rock.

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