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  Menopause: The Anthology

  Cherry Potts, Catherine Pestano

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  The subject of Menopause is just beginning to break the barrier of taboo, and become a mainstream discussion point, but that discussion has until now been very serious, medical, and, we would argue, heterosexual and white. This anthology of poems and short fiction aims to address that, with wild and wonderful writing from humour and anger, relief and distress, by women who have experienced menopause, whether naturally or as a result of surgery; with a healthy dose of views from the global majority and the lesbian, bisexual and trans communities.

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  The Orchid Folios

  Mok Zining

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  “When you take an orchid out of its pot, you must first loosen the roots’ hold on the soil. Late last evening as I unravelled the braids of the shattered phalaenopsis, I saw how the ends were white and shrivelled from neglect. You have to do it gently—it’s like combing hair. I remember Mum’s fingers running through mine, and mine through hers, until the final months when all of it started to fall.” 
   
   
  A pot shatters. An arrangement falls apart. A florist finds herself amidst the scattered leaves of history. At once a poetry collection and a documentary novella, The Orchid Folios reimagines the orchid as a living, breathing document of history: a history that enmeshes the personal, colonial, linguistic, and biotechnological with the Vanda Miss Joaquim, the symbol of Singapore’s postcolonial hybridity. While the Orchid has shaped the fantastical narratives that govern our multiracial City in a Garden, it continues to shape-shift and bloom on its own terms, challenging us to imagine a decolonised Singapore. This is the organism at the heart of The Orchid Folios—by turns stark and unruly, documenting and challenging the narratives that are the roots of our national consciousness.

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  Phantasmagoria

  Lewis Carroll

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  Phantasmagoria, Lewis Carroll's longest poem, was first published by Macmillan and Co., London, in 1869. Written in seven cantos, it tells the tale, in quintains, of a gentleman called Tibbets and his experience conversing with a phantom. This amusing "epic" takes us through their initial fear of each other, a fierce debate over the goings-on of the supernatural world, and finally, to a touching mutual admiration.

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  The Eclogues and Georgics

  Virgil

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  Though it is for the sparkling epic, Aeneid, that the Roman poet Virgil is best known, it was these two poems, The Eclogues and Georgics, which first established his reputation.  Cast in the tradition of pastoral poetry, The Eclogues were written between 41 BCE and 37 BCE when Virgil (Publius Vergilius Maro, to give him his full name) was in his thirties. The Eclogues (the word means ‘Selections’ in Greek) contain 10 poems, a combination of dialogues and monologues. They drew on the ‘bucolic’ (rural) style of the ancient Greek poet Theocritus (c 300BCE-c 260 BCE), but Virgil weaves many references to contemporary Roman events. Though The Eclogues have perhaps existed in the shadow of Georgics, they have been highly regarded and studied by academics and poets down the centuries. They are presented here in the 20th century translation by the British poet R. C. Trevelyan, and read in multi-voice format as they were originally written, with clearly delineated characters bringing the content to life with verve and temperament. 
  Though also pastoral in nature, Georgics is very different in style. Published in 29 BCE, the main subject is agriculture (the title reflects the Greek word ‘georgika’, agricultural things), and vigorously promotes traditional means of farming. Again, Virgil weaves into his verse cultural and political themes. Cast in four Books, the dynamic expression draws on numerous Classical, mythical and contemporary references, while explaining the best methods for ploughing, animal husbandry, observing weather patterns, the life of bees and the like. Increasingly, the rise and fall of man’s endeavours can be reflected in the vicissitudes of agricultural life. The 20th century translation of Georgics used on this recording is by the highly respected translator of Latin poetry, Smith Palmer Bovie. It is read by Jamie Parker. Closer study of both works while listening is possible through the complete texts that come with the recording. 
   
  PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

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  Encyclopaedia

  Chloe Elliott

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  Chloe Elliott's Encyclopaedia is playful and visceral, exploring boundaries of identity and the search for meaning in poems that delight with richly tactile language. Formally varied, these poems are unflinching in their physicality.

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  Rhyme A Dozen A - 12 Poets 12...

  Ambrose Bierce, Ella Wheeler...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Art - An Introduction 
  2 - An Art Critic by Ambrose Bierce 
  3 - Art and Heart by Ella Wheeler Wilcox 
  4 - Colors by Stephen Vincent Benet 
  5 - Jade by Edith Wharton 
  6 - My Last Duchess by Robert Browning 
  7 - On Mr Alcock of Bristol, an Excellent Miniature Painter by Thomas Chatterton 
  8 - On Seeing the Elgin Marbles For the First Time by John Keats 
  9 - Ozymandias by Percy Bysshe Shelley 
  10 - Rome - Building a New Street in the Ancient Quarter, April 1887 by Thomas Hardy 
  11 - Sonnet 13 -  Summer Fruit by Rainer Maria Rilke 
  12 - Written Under a Portrait of Keats by John Boyle O'Reily 
  13 - Portrait d'une Femme by Ezra Pound

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