Otros libros que te pueden interesar

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  Ragdoll

  Katherine Moar

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  'You love the attention. You always have.'
  1978. Holly, a young heiress, sits in a California prison awaiting trial for her role in a string of armed robberies that have captivated the nation. Her only hope? Her hotshot lawyer, Robert – who might make his name, if he can save hers.
  2017. Robert, now one of the most famous attorneys in America, faces a different kind of trial: the court of public opinion. In a last-ditch bid for redemption, he turns to the one former client who could help him plead his case. But will she?
  Inspired by the real-life trial of Patty Hearst, Katherine Moar's play Ragdoll is a psychedelic swirl of celebrity, violence and scandal. It premiered at Jermyn Street Theatre, London, in 2025, directed by Josh Seymour.

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  The Unlikely Pilgrimage of...

  Rachel Joyce, Passenger

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  'You'd think it should be the simplest thing. Walking. Just one foot in front of the other. But it never ceases to amaze me how complicated things can be.'
  Harold Fry never meant to be a hero. An ordinary man in an ordinary life, until a letter from a long-lost friend sends him out the front door… and he keeps on walking.
  Strangers turn into companions, kindness appears in unexpected places, and the road reveals more than Harold ever imagined. Back home, his wife Maureen begins her own journey, one that might bring them together again.
  Funny, profound and uplifting, The Unlikely Pilgrimage of Harold Fry is a joyous celebration of the human spirit, adapted by Rachel Joyce from her multi-million-selling novel, with music and lyrics by the chart-topping musician Passenger. 
  Originally commissioned by Chris Harper Productions, it was first performed in a critically acclaimed, sold-out run at Chichester Festival Theatre in 2025. The production transferred to the Theatre Royal Haymarket, London, in 2026, directed by Katy Rudd, starring Mark Addy and Jenna Russell.

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  The Eclogues and Georgics

  Virgil

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  Though it is for the sparkling epic, Aeneid, that the Roman poet Virgil is best known, it was these two poems, The Eclogues and Georgics, which first established his reputation.  Cast in the tradition of pastoral poetry, The Eclogues were written between 41 BCE and 37 BCE when Virgil (Publius Vergilius Maro, to give him his full name) was in his thirties. The Eclogues (the word means ‘Selections’ in Greek) contain 10 poems, a combination of dialogues and monologues. They drew on the ‘bucolic’ (rural) style of the ancient Greek poet Theocritus (c 300BCE-c 260 BCE), but Virgil weaves many references to contemporary Roman events. Though The Eclogues have perhaps existed in the shadow of Georgics, they have been highly regarded and studied by academics and poets down the centuries. They are presented here in the 20th century translation by the British poet R. C. Trevelyan, and read in multi-voice format as they were originally written, with clearly delineated characters bringing the content to life with verve and temperament. 
  Though also pastoral in nature, Georgics is very different in style. Published in 29 BCE, the main subject is agriculture (the title reflects the Greek word ‘georgika’, agricultural things), and vigorously promotes traditional means of farming. Again, Virgil weaves into his verse cultural and political themes. Cast in four Books, the dynamic expression draws on numerous Classical, mythical and contemporary references, while explaining the best methods for ploughing, animal husbandry, observing weather patterns, the life of bees and the like. Increasingly, the rise and fall of man’s endeavours can be reflected in the vicissitudes of agricultural life. The 20th century translation of Georgics used on this recording is by the highly respected translator of Latin poetry, Smith Palmer Bovie. It is read by Jamie Parker. Closer study of both works while listening is possible through the complete texts that come with the recording. 
   
  PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

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  Short Poetry Collection 036

  Various

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  LibriVox’s Short Poetry Collection 036: a collection of 20 public-domain poems.

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  On the Morning of Christ's Nativity

  John Milton

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  John Milton's On the Morning of Christ's Nativity is no ordinary Christmas poem. Written when he was just twenty-one, it reveals an early glimpse of the depth and ambition that would later shape Paradise Lost. Here, the nativity is not sentimental but cosmic: a quiet moment that echoes across heaven, earth, and myth.
  This is poetry as vision—blending classical imagery, biblical themes, and rich musical language. Angels descend, stars pause in wonder, and the natural world falls into a hush. Pagan gods retreat into silence, as if even they recognize the shift in power. The newborn Christ is portrayed not as a helpless child but as a divine force whose presence alters the very fabric of time and meaning.
  Milton's language is grand but not distant. Each stanza is alive with texture, rhythm, and the gravity of ideas beyond the page. This is not a poem that tells a story—it opens a door. And on the other side is a world both ancient and eternal, where poetry and theology walk hand in hand.
  Listeners will find here not just a work of seasonal reverence but a meditative, imaginative journey. It's a bold start from a young poet already aware of the weight of words—and how they can shape both heaven and earth.

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  A Gateway Has Opened

  Liam Blackford

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  A Gateway Has Opened is a poetry collection by Hong Kong-based poet, LIAM BLACKFORD, containing 36 missives on truth and reality, anger and rage, complexity and change, and power as manifested in people, corporations, governments, borders and cultures. The poems inhabit a chaotic and psychedelic world where water flows into the sky, nightclubs have hundreds of floors and where banks and malls publish theories on knowledge and personhood. Therein, human society is fraught with harm and violence but also euphoric with the widening horizons of possibility. The collection is notable for its strict adherence to a unique poetic form (each poem has six stanzas, each stanza with six lines, and each line with six syllables), which in its red-eyed absoluteness suggests that the poems are giving voice to an alien, an angel or a machine. Though avant-garde and philosophical, the collection is highly reflective of the poet’s place and time, in which Hong Kong is at the epicentre of epochal political and cultural change. 
  “The poems ... ‘quiver with tension’ as the speaker straddles the liminal space between dreams and the mundane.” —Ryan Fenton. “In Blackford’s verse, one is in our world, with its political and environmental anxieties, with its affluence and parallel unease.”―Andrew S. Guthrie, Proverse Prize Finalist 2013. “... what bubbles beneath the surface is the courage to find astounding beauty and inspiration amidst confounding and cruelty, and hold them both.” —Jack Mayer, Winner of the Proverse Prize 2019. “...unique explorations of poetic form.”—Philip Mead, Emeritus Professor, University of Western Australia.  “Blackford’s worlds are jarring and harsh; psychedelic yet pungent with our reality. His strict form is muscular and fascinating. Gateway seethes with energy – I loved it.”―David West, Western Australia.

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