Other books that might interest you

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  Roy Jackson: Ugly People Cause...

  Roy Jackson

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  Roy Jackson has been making people laugh his whole life with his innate ability to find humor in just about anything. On Jackson's debut album, Ugly People Cause Problems, he attacks his comedy with a "tell it like it is" approach.

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  Our Miss Brooks - Volume 8 - The...

  Al Lewis

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  Our Miss Brooks was a big radio hit from the get go.  Eve Arden may not have been the original first choice but she made the role her own and gathered individual awards by the armful. 
   
  All the way up until its debut in 1949 women had been, as in much of life, the subordinate gender, supporters and flag-wavers rather than equals or the stars.  
   
  Our Miss Brooks helped change that. Here was a woman, not confined to life as a housewife.  She was confident, funny and layered with sometimes conflicting emotions, trying to gain a boyfriend of her choosing and holding down a job as a high-school teacher.  It was quite a menu.  
   
  Jeff Chandler played her shy biology teacher love interest, Mr Boynton.  And the dynamics and laughs between themselves, the students, their colleagues, and principal, all played by a very fine cast, make this situation comedy one of radios funniest and finest.  
   
  -Let’s go join the fun.

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  Nicole Burch: Never Been Kissed

  Nicole Burch

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  Nicole has been through the wringer when it comes to dating. Then one night she meets her childhood crush and celebrity, Michael Vartan. Could he be the one who saves her from an unlucky streak or will Nicole find another way to sabatoge fate?

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  Forgotten Tales of New York

  Melanie Zimmer

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  Learn the Empire State’s little known history—from bone-stealing dogs to the world’s largest puzzle—by the author of Curiosities of the Finger Lakes.   Few New Yorkers remember the night when firemen, in tuxedos and top hats, were dragged from a ball to extinguish a Waterloo blaze, or the typographical error that reported Theodore Roosevelt taking a “bath” instead of his presidential “oath.” Still fewer remember Cephas Bennett, a missionary from Utica and printer of the first Burmese Bible, or H. L. Mencken’s humorous article on the history of the bathtub, still quoted today as factual although entirely invented. Seasoned storyteller Melanie Zimmer seamlessly weaves together these hard-to-believe, yet entirely true, tales. From the monster of Seneca Lake to the man who inspired the American icon Uncle Sam, discover the lost secrets of the Empire State.   Includes photos!

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  Damon Runyon Theater - Big...

  Damon Runyon

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  The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.

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  Making Radio - Early Radio...

  Shawn VanCour

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  The opening decades of the twentieth century witnessed a profound transformation in the history of modern sound media, with workers in U.S. film, radio, and record industries developing pioneering production methods and performance styles tailored to emerging technologies of electric sound reproduction that would redefine dominant forms and experiences of popular audio entertainment. Focusing on broadcasting's initial expansion during the 1920s, Making Radio explores the forms of creative labor pursued for the medium in the period prior to the better-known network era, assessing their role in shaping radio's identity and identifying affinities with parallel practices pursued for conversion-era film and phonography. Tracing programming forms adopted by early radio writers and programmers, production techniques developed by studio engineers, and performance styles cultivated by on-air talent, it shows how radio workers negotiated a series of broader industrial and cultural pressures to establish best practices for their medium that reshaped popular forms of music, drama, and public oratory and laid the foundation for a new era of electric sound entertainment.

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