Other books that might interest you

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  The Tenth Elegy - Lyrical poem...

  Rainer Maria Rilke

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  René Karl Wilhelm Johann Josef Maria Rilke was born into a troubled marriage on the 4th December 1875 in Prague, then part of the Austro-Hungarian Empire.  His mother, having previously lost a baby girl, would dress the young boy up in girl’s clothing.   
  Later his father dispatched him to a military academy at age 10 but after a miserable 5 years the young Rilke left due to illness and instead entered first Prague and then Munich and finally Berlin university to study art history, philosophy and literature. 
  His initial forays into literature was in poetry.  His intense, mystical and lyrical style was much admired and over time inspired many in succeeding generations.    
  His short prose collection ‘Stories of God’, written in an impassioned burst over several nights was published in 1900 and offers a beguiling view of much of Rilke’s influences and outlook.  
  The following year he married the pioneering sculptor and artist Clara Westhoff.  The union produced one child, a daughter Ruth.   
  He lived in Paris for most of the Century’s first decade where he mixed with many great minds of the time.  Although he continued to write he also worked as a secretary to the sculptor, Rodin.   
  It was only after they settled in Switzerland in 1919 that his writing output was in full flow.  Here he wrote profusely in both German and French, which included much on his previous travels, his left-wing sympathies, his religious and existential thoughts, all part of a unique and consummate style. 
  From 1923 on, Rilke increasingly struggled with his health which was now in constant decline and often spent time rehabilitating at a sanatorium.   
  Rainer Maria Rilke died of leukaemia on the 29th December 1926 in Montreux, Switzerland.  He was 51.

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  Meeting of Minds - Volume IX

  Steve Allen

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  By " assembling" some of the most fascinating figures in world history, Meeting of Minds provided a groundbreaking opportunity for audiences to be exposed to ideas by way of a medium not normally known for its intellectual vigor. Portrayed by actors, panelists engage in stimulating round-table discussions that were conducted like any other talk show but featured prominent influencers from bygone generations— not just philosophers and politicians, but poets, playwrights, and presidents. From activists and artists to international leaders— both famous and infamous— these conversations are unfailingly witty, thought-provoking, and genuinely entertaining.
  An innovative series, Meeting of Minds remains one of the most delightful ways of gaining historical perspective ever devised, and these original soundtrack recordings capture the intellectual and spirited debates of the episodes hosted by Steve Allen.
  This installment breaks the pattern of other episodes by featuring playwright William Shakespeare surrounded not by other illustrious historical figures, but with the fruits of his own imagination. Following a brief discussion of his early life, Shakespeare is joined by the Dark Lady of the Sonnets, Hamlet, Romeo, Othello, and the Ghost of Hamlet's Father. Expounding on the theme of love, the most enigmatic and compelling of Shakespeare's characters challenge each other and their mutual creator to resolve long-standing controversies about their identities and inner conflicts.

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  What Is Amazing

  Heather Christle

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  Inspired by a voracious curiosity about humans and other subjects, the poems in Heather Christle's What Is Amazing describe and invent worlds in an attempt to understand through participation. The book draws upon the wisdom of foolishness and the logic of glee, while simultaneously exploring the suffering inherent to embodied consciousness. Speakers play out moments of bravado and fear, love and mortality, disappointment and desire. They socialize incorrigibly with lakes, lovers, fire, and readers, reasoning their way to unreasonable conclusions. These poems try to understand how it is that we come to recognize and differentiate objects and beings, how wholly each is attached to its name, and which space reveals them. What Is Amazing delights in fully inhabiting its varied forms and voices, singing worlds that often coincide with our own.

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  The Black Man's Lament or How to...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  Peak Stuff

  Billie Collins

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  'I like having things. I like having lots of things. It reminds me that I'm... Y'know? A person.'
  Alice is done with fast fashion. Ben can't stop buying trainers. And Charlie just wants to sell out… one organ at a time.
  Billie Collins's play Peak Stuff is a fast-paced, funny, fearless deep-dive into consumer culture. In an age of retail therapy, climate crisis and click and collect - how does our 'stuff' define us? And have we reached peak stuff?
  The play was commissioned by ThickSkin and Lawrence Batley Theatre, was a winner of the New Play Commission Scheme, and was first presented on tour of the UK in 2024.

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  The Timeless Love of Billy B for...

  David Moore

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  Balthazar dreams of the perfect woman, one he can summon or dismiss at will on his computer screen. But as time passes, he becomes ensnared in his own creation, consumed by an obsession with this non-existent figure. As Balthazar spirals downward, losing everything from his identity to the use of his body, reduced to just his mind and the fingers tapping at the keyboard, she, in contrast, rises. She transforms into a modern-day 
  Scheherazade, learning to command her prince.
   
  Baltha B was unaware,No more sits he upon the chair.The relics of his body’s ruin,Are the one last bastionOf his undoing.Death beckons when the hands they clap,To say, ‘Enough! Your time is up’

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