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  Accidents After Happening - Poems

  Robert Priest

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  “One of the most imaginatively inventive poets in the country.” — Pacific Rim Review of Books
  		 
  The accidents of Priest’s collection are definitely not all “happy.” They move through a full range of human emotions: dread, grief, anger, ecstasy, lust and empathy. Plus some magic levity. This is poetry you will want to recite aloud: lyrical love poems, sonnets, satires, ghazals, curses, and bitter invective. These are not snobby poems — they want and welcome readers who love euphony, who enjoy tasteful eroticism, who rage at injustice. People who grieve and gush — smart people who think critically and form their own opinions. And for those with a taste for “brevity forever.” Accidents After Happening also contains a whole new catalog of Priest’s aphorisms, proverbs, maxims, and sayings — the kind of work that recently prompted Canadian literary icon Margaret Atwood to take to Twitter and praise Priest’s “snappy funny spot-on micro poems — plus much more.”
  		 
  Celebrated as “the people's poet,” Priest’s words have been debated in the Ontario legislature, posted in the Transit system, quoted in the Farmer's Almanac, embedded in cement, sung on Sesame Street, and turned into two hit songs: “Song Instead of a Kiss,” a number one hit for Alannah Myles, and the recent top ten hit by Indigenous balladeer Julian Taylor “Seeds (They Tried to Bury Us).”

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  Through the Mud

  Apphia Campbell

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  'It's our duty to fight for our freedom. It is our duty to win.'
  Assata Shakur, a notorious Black Panther, is accused of murdering a state trooper in New Jersey in 1973. Ambrosia, a college student in 2014, is at the birth of the Black Lives Matter movement in Ferguson, Missouri, finding herself swept up in the consequences of protesting.
  Two generations of women activists involved in the struggle for Black liberation in America.
  Against a stunning soundtrack of gospel and blues, Apphia Campbell's Through the Mud explores what it takes to become a revolutionary. Originally performed in Edinburgh in 2017, with the title Woke, it won a Scotsman Fringe First, a Highly Commended Award from Amnesty International, and was shortlisted for the Filipa Bragança and Scottish Art Club Theatre Awards.
  This edition was published alongside the revival at Summerhall during the 2024 Edinburgh Festival Fringe, co-produced by Stellar Quines and The Royal Lyceum Theatre Edinburgh, winning a Summerhall Lustrum Award.

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  Poems of This Century and Poems...

  Briony Kapoor

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  In this volume a young woman grows through and beyond erotic love to reach the love known as agape. 
  Poems of This Century is a book that rises from the human to explore the divine. Reflecting the joy of youth and the wisdom of age, shaped by the pain of the human condition, this poetry takes the reader on a journey of hope. 
  This book, in parts only too human and scattered with wry and humorous observations, is nevertheless an attempt to describe that intensified experience of the mystical called by others, the cloud of unknowing, the heat of love, the lightness of being, ecstasy, the peak experience. . .

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  Frankenstein Retold Inclusively

  Mary Shelley, Kath Shone

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  Frankenstein was written in the Romantic literary period. The literary trend of the early 1800s produced poems that described how nature elevated and blissed human minds. Most literary work at this time was written and published by men. 
  In amongst these ecstatic reveries of nature, the 19 year old, Mary Shelley wedged the chilling story of Frankenstein into the literary landscape and our minds forever. 
  Her story filled an empty space in humankind's collective consciousness. That empty space was waiting for this story of over-reaching scientific madness. 
  This version of Frankenstein is a translation not an abridged telling. I have translated the Old Romantic era English into easy-to-read accessible English. 
  • The same characters say the same things at the same times in the story. 
  • Plot point for plot point the story stays the same. 
  • The themes are all preserved. 
  • The transcendent and brutal settings of the story are still on the pages. 
  • References to poems and other literature are explained. 
  • Supplementary information supports understanding of the text. 
  This book is for 
  • humans who like to read archetypal literature in easy-to-read language, 
  • neuro-diverse readers, 
  • young readers, 
  • English second language speakers, 
  • English literature students who need a study guide to unravel the original Frankenstein. 
  • anyone (I think that's most of us) who finds old English inaccessible but would like to read Frankenstein. 
  This accessible Frankenstein is part of Inclusive Books (Inc!Bs) journey to rewrite history inclusively.

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  Scenes from a Repatriation

  Joel Tan

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  'All of human history? It's basically people taking things from each other.'
  A thousand-year-old statue of the Bodhisattva Guanyin lives in the British Museum. When it emerges that the statue was stolen from its original home, the museum attempts to deflect both the public response and controversial repatriation claims from the Chinese government.
  As statesmen scheme and grease their palms, beneath the statue, witches dance, a cleaner prays, and spirits weep.
  Joel Tan's daring, shape-shifting play unfolds the statue's journey from China to Britain and back again, stirring up age-old ghosts and asking who can claim cultural artefacts – and why?
  Scenes from a Repatriation was first performed at the Royal Court Theatre, London, in 2025, directed by experimental theatre-makers emma + pj.

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  Above the Bejeweled City

  Jon Davis

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  In his seventh poetry collection, Jon Davis exhibits the range and mastery that is the result of fifty years of study, teaching, and practice. Above the Bejeweled City opens and closes with homages to Federico Garcia Lorca' s dream-struck ballad " Romance Soná mbulo." In between, he inhabits what the philosopher Maurice Merleau-Ponty calls the " inexplicable existence" that marks our passage here on Earth.
  
  Part absurdist, part satirist, part tender correspondent, Davis writes in the slipstream of writers like Joyce, Beckett, Parra, and Plath. In an age that calls out for hopeful verse, Above the Bejeweled City offers, instead, a treatise on defeat and despair— and on how letting go is a way of holding on.

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