Otros libros que te pueden interesar

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  The Stalled Ox

  Hector Hugh Munro

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  When Theophil Eshley, the bovine painter, is called upon by his neighbour Adela Pingsford to remove a stray ox from her garden things go inevitably and comically wrong. No oxen are harmed in the course of this story, but sadly the same cannot be said of assorted chrysanthemums, drawing rooms and egos.

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  Your Duck Is My Duck - Stories

  Deborah Eisenberg

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  A much-anticipated collection of brilliantly observant short stories from one of the great American masters of the form, performed by a remarkable cast: Deborah Eisenberg, Julianne Moore, Josh Hamilton, and Wallace Shawn. 
  At times raucously hilarious, at times charming and delightful, at times as solemn and mysterious as a pond at midnight, Deborah Eisenberg’s stories gently compel us to confront the most disturbing truths about ourselves—from our intimate lives as lovers, parents, and children, to our equally troubling roles as citizens on a violent, terrifying planet. 
  Each of the six stories in Your Duck is My Duck, her first collection since 2006, has the heft and complexity of a novel. With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand. 
  In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

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  The Water Took Us Away

  Priyanshu Sinha

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  On a rainy day, an earthquake strikes, followed by a tsunami warning for the Digha region. Chaos erupts as people rush to escape. Umla and her family flee in their car, taking a shortcut through a forest. The road is blocked by a fallen tree, and they're forced to continue on foot. Suddenly, the tsunami hits. In the panic and rising waters, Umla is separated from her family and trapped under a log. She's injured, bleeding, and alone in the forest. 
  As the tsunami waves return, she's swept away, suffering severe injuries, including the loss of her arms. She briefly regains consciousness in a destroyed house, only to realize her dire state—and that the severed hand beside her is her own. The final wave hits, and she is consumed completely by the water. 
  This haunting story highlights the terrifying power of natural disasters and the heartbreaking fragility of life in their path.

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  The Inspired 'Busman - From...

  Elinor Mordaunt

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  Evelyn May Clowes was born on 7th May 1872 in Cotgrave, Nottinghamshire.  
  Growing up in genteel circumstances, her early childhood was spent at Charlton Down House near Cheltenham, Gloucestershire, and her teenage years near Heythrop in the Cotswolds.  
  She was educated at home by governesses, excelling at German, Latin, Greek, shorthand, landscape painting, and fabric and wallpaper design. 
  In 1897 she went to Mauritius as companion to her cousin Caroline and in 1898 married Maurice Wilhemn Wiehe, the owner of a sugar plantation. She gave birth to two stillborn children. After a few years of marriage, she found life difficult and returned to England. Shortly afterwards she went by herself to Australia, arriving in June 1902 and gave birth to a son a few months later.   
  She lived in Melbourne for about eight years.  To earn a living she took on a wide and varied range of jobs; she edited a woman's fashion paper, wrote short stories and articles, made blouses, designed embroideries, tilled gardens, acted as a housekeeper, and did other artistic work. Her health was not strong, but she undertook any kind of work which would provide a living for herself and her infant son. This gained her an experience of life which was readily put to use in her literary works. 
  Her first book, ‘The Garden of Contentment’, was published in 1902 under her pen-name Elinor Mordaunt. It was the first of many works that covered fiction, short stories, travel and autobiography. 
  She changed her name by deed poll to Evelyn May Mordaunt on 1st July 1915 and gained a further reputation as a writer of short stories for magazines which display both her humour and sense of tragedy. Travel was always high on her priority and the experiences used not only for pleasure but in her writings and, as travel books, ideas in themselves.  
  On 27th January 1933 at Tenerife, in the Canary Islands, she married a retired barrister from Gloucestershire. In her own words, the marriage ‘ended in tragedy.’ 
  Elinor Mordaunt died on 25th June 1942 at the Radcliffe Infirmary, Oxford. She was 70.

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  Green Tea

  Sheridan Le Fanu

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  🎬 Experience the atmospheric visual edition of this tale by searching “Jonathan Dunne Horror” on YouTube. 
  Title: Green Tea 
  Series Name: Timeless Terrors 
  Series Entry: 142 
  Author: Sheridan Le Fanu 
  Narrator: Jonathan Dunne 
  Original Publication: 1869 
  Public Domain: Yes 
  Description: 
  Green Tea is one of Sheridan Le Fanu’s most haunting and influential tales of supernatural psychological horror — a chilling descent into isolation, obsession, and unseen terror. 
  The story follows the Reverend Mr. Jennings, a learned and deeply thoughtful clergyman whose quiet scholarly life begins to unravel after an encounter with obscure occult research and long periods of nervous exhaustion. As his health and peace of mind deteriorate, Jennings becomes increasingly troubled by strange experiences he cannot explain and dares not fully confess. 
  Concerned by his growing distress, a physician specializing in disorders of the mind and spirit attempts to understand the nature of the affliction consuming him. Yet the deeper the investigation goes, the more uncertain the boundary becomes between psychological collapse and something far more sinister. 
  Le Fanu masterfully sustains an atmosphere of creeping dread, allowing terror to emerge gradually through suggestion, ambiguity, and mounting paranoia. Rich with Gothic unease and spiritual anxiety, Green Tea remains a landmark work of Victorian horror — a disturbing meditation on guilt, perception, and the terrifying possibility that some doors, once opened, can never truly be closed.

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  The Light That Burns

  Karyne Norton

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  This is a tragedy. 
  It’s also a love story with threads of hope. 
  But it’s important that you go into it expecting a tragedy. 
  In The Half-Light Chronicles, nearly every book and story references Lovers’ Falls, a waterfall near the center of Vendaras inhabited by sprites. It’s named for the skeletons embracing at the cave’s entrance, and its origin is a favorite story among bards and storytellers because it can be tweaked to emphasize various morals, making it a warning or inspiration, depending on the audience’s need. 
  But this version is the true story, the one that tells just how the skeletons got there (hence the tragedy) and how their story connects to others you may know.

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