Outros livros que poderiam interessá-lo

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  The Haystack in the Floods - The...

  William Morris

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  William Morris was born in Walthamstow, London on 24th March 1834 he is regarded today as a foremost poet, writer, textile designer, artist and libertarian.  
  Morris began to publish poetry and short stories in 1856 through the Oxford and Cambridge Magazine which he founded with his friends and financed while at university. His first volume, in 1858, The Defence of Guenevere and Other  Poems, was the first published book of Pre-Raphaelite poetry. Due to its luke-warm reception he was discouraged from poetry writing for a number of years.  
  His return to poetry was with the great success of The Life and Death of Jason in 1867, which was followed by The Earthly Paradise, themed around a group of medieval wanderers searching for a land of everlasting life; after much disillusion, they discover a surviving colony of Greeks with whom they exchange stories. In the collection are retellings of Icelandic sagas. From then until his Socialist period Morris's fascination with the ancient Germanic and Norse peoples dominated his writing being the first to translate many of the Icelandic sagas into English; the epic retelling of the story of Sigurd the Volsung being his favourite.  
  In 1884 he founded the Socialist League but with the rise of the Anarchists in the party he left it in 1890.  
  In 1891 he founded the Kelmscott Press publishing limited edition illuminated style books.  His design for The Works of Geoffrey Chaucer is a masterpiece.  
  Morris was quietly approached with an offer of the Poet Laureateship after the death of Tennyson in 1892, but declined.  
  William Morris died at age 62 on 3rd October 1896 in London.

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  More Than Weeds

  L Kiew

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  More Than Weeds, the debut poetry collection by L. Kiew, explores the language of migration and how it is used in relation to plant and animal species, as well as peoples. These knowledgeable and verdant poems draw deeply on botanical and ecological detail and reveal secret histories thriving in the gaps between definitions; here are precious seedlings, unforced flowers, tongues of leaves, tangled roots and rhizomes.
  With roots in decolonialising botany and horticulture movements, and influenced by the impact of the climate crisis and regenerative gardening practices, Kiew's poetry is alive and thronging with the interconnected nature of things – and the formative forces of nurture, family, food, refuge and love. Human and plant voices speak for themselves of experiences of belonging and displacement, as well as encounters with violence. These vivid poems that ask us to scrutinise what is really contained or constrained by demarcations – whether those of weed or wildflower, or of borders and hostile environments.

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  The Day-Breakers

  Michael Fraser

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  Saturated with locutions lifted from the late 19th century, The Day-Breakers deeply conceives of what African Canadian soldiers experienced before, during, and in the immediate aftermath of the American Civil War.
  		 
  “It is not wise to waste the life / Against a stubborn will. / Yet would we die as some have done. / Beating a way for the rising sun” wrote Arna Bontemps. In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African-Canadian, fighting for the freedom of their brethren and the dawning of a new day. Brilliantly capturing the rhythms of their voices and the era in which they lived and fought, Fraser’s The Day-Breakers is an homage to their sacrifice and an unforgettable act of reclamation: the restoration of a language, and a powerful new perspective on Black history and experience.

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  The Machine

  Upton Sinclair

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  A three-act drama about political corruption in early–twentieth century New York, from the Pulitzer Prize–winning author of The Jungle. First published in 1912, Upton Sinclair’s The Machine tells the story of political grafting in New York City. The corrupt politicians of the Tammany Hall syndicate are using their business connections for their own financial gain, while some of the city’s most vulnerable are drawn into a human trafficking ring. But a journalist, a lawyer, and an activist are eager to go up against the broken system and take it down . . .

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  Wear Me

  Mike Blake

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  Wear Me. 
  A poem about relationships that are tanking, reaching burnout, esp. caused by War The need to resolve and trust to rekindle for longevity.  
  Keep bruising with life together, rather than the inevitable breakup. 
  ***** Please leave your Review/feedback, many thanks. ***** 
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  Skunk in the Wilderness

  LOUIS GIGNAC

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  I believe in God when I see 
  a dandelion pressing through the rupture in the pavement. 
  A tiny golden sun forcing its way through the darkness, 
  hell-bent on growing. 
    
  Recognizing the sacred in the everyday, protecting an ailing earth, opening to wonder—these reflections, along with contemplations on the importance of poop, skunks, monarch butterflies, and even bacteria became the urgent subjects of poems written in the space of a few weeks in the winter of 2020-2021. Skunk in the Wilderness reflects the global concerns of that moment in history, in the midst of the pandemic, as well as the personal concerns of the poet’s relationship to his ageing parents and his own life path. Louis Gignac writes passionately and provocatively of the need to protect the earth and connect to nature, with a multitude of subthemes, ranging from relationships to pollution, and from screen addiction to water fasting. Skunk in the Wilderness is above all about becoming conscious. 
    
  . . . Inspiration: 
    
  I know I need it. 
  Can't live without it. 
  I'm always searching for it. 
    
  Can I offer it to you? 
    
  About the Author:  
  Louis Gignac is a visual artist who lives in New Brunswick, in an oceanside village “located halfway between the oyster shells and the sun.” Illustrated throughout with the author’s black and white drawings, this is his first poetry collection. 
  For more information, please visit www.louisgignac.com

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