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  The Thorn of Your Name

  Víctor Terán

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  Víctor Terán has been described as the most 'personal' poet of the Zapotec Isthmus of Oaxaca, Mexico. His poems, highly lyrical and imagistic, explore two deep passions: the electricity that passes between bodies in love, and Terán's fierce devotion to the Indigenous land and language of his birth. This carefully curated selection of poems, drawing from the whole of Terán's poetic oeuvre, is translated into English by his long-time translator and interlocutor, the poet Shook, working from Spanish bridge-translations made by the author.
  The Poetry Translation Centre's World Poet Series showcases the most exciting living poets from Africa, Asia, the Middle East and Latin America.
  "These are stunning, halting, lilting poems of flesh and flower, of boulder and bone. Vivid and meditative, I hummed among their hills, they hummed in mine." - Inua Ellams
  "These beautiful, subtle, sumptuous translations set alongside the original work make for a feast for the ears and the eyes alike." - Adam O'Riordan
  "In Víctor Terán's poetry, the elements of nature are sentient, almost mischievous, and share blood ties with the people of Juchitán, the poet's birthplace and the father of the hurricane wind, the mother of the sun. The north wind raises its whip, trees laugh, the day gets fed up, the afternoon eats its meal, the clamour of winged ants announce the rains, the world opens up her thighs, while a white flower spurns no one. And within this universe, poems of love and resistance share in the ritual and celebrations, suffused with light and devotion: 'the lit tulip of your lips'; 'breath of god, / breath that lights and snuffs out / the candle flame / that is life.' In Shook's luminous translations, the emotions of longing open up their eyes in the night, alive and breathing as the moon: 'Delirious moon, like a colander / that dreams of overflowing with water.'" - Juana Adcock

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  GAZA Today - Would You Turn Your...

  Mike Blake

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  GAZA Today: Would You Turn Your Back. 
  (Harmony-Join Book 4) 
  Everyone knows what Gaza is. A strip of land in the Middle East, being vociferously fought over. 
  I don't want to get into the Politics of it, but at least a brush with it is unavoidable if you attempt 
  any kind of dialogue or description of the occurrences that are happening there - truly awful. 
  This poem is a short one, and keeps to the suffering of its people, and not delving too much into sides 
  of the Political spectrum. 
  I think the suffering in a modern day scenario with instant and graphic footage of this one-sided war 
  is horrific. 
  Regardless of who did what to who, and who did it first etc, it should be focused on the humanitarian side 
  in any conflict lest we lose sight of what we maybe fighting for - I think the focus on humanity has been totally 
  lost. 
  Are we to Turn Our Back on these people. The West should push for extreme Sanctions to reign in the seemingly 
  unstoppable gungho aggression of the combatants - There is a Geneva convention you know. 
  It can only mean something if it is enforced... 
  Footnote: This Poem is all about the kids in this conflict. Whose right and whose wrong, shouldn't come into it 
  on the humanitarian field of view.

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  All My Sons

  Arthur Miller

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  World War II is over and a family, mourning a son missing in action, plants a memorial tree and tries to go on with their lives. A storm blows down the tree and a devastating family secret is uprooted, setting the characters on a terrifying journey towards truth. Based upon a true story, All My Son is a classic drama by one of America’s greatest playwrights. 
   
  At the heart of All My Sons lies a scathing criticism of the American Dream. After its publication Arthur Miller was called to appear before the House Un-American Activities Committee, where he famously refused to give evidence against others. 
   
  Tony Award Winner for Best Author (1947) 
   
  AudioFile Magazine review: “One of the strengths of L.A. Theatre Works is their skill at selecting quality plays previously unavailable on audio. Arthur Miller’s 1947 breakthrough play is at once a postwar family drama, an indictment of false societal values and a searing tragedy. James Farentino plays businessman Joe Keller with a gruff bluster that sometimes masks a sacrificial love for his son Chris (Arye Gross), an idealist home from the war. Julie Harris, as the mother, Kate, is alternately needy, demanding, lovingly solicitous and willfully blind to the past. The live responses of the audience underscore the touches of humor that season the early acts of this landmark American drama.” 
   
  An L.A. Theatre Works full-cast performance featuring James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O'Neil, Nathan Taylor and Jerry Whiddon.

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  The Rupture Tense - Poems

  Jenny Xie

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  Shaped around moments of puncture and release, The Rupture Tense registers what leaks across the breached borders between past and future, background and foreground, silence and utterance. In polyphonic and formally restless sequences, Jenny Xie cracks open reverberant, vexed experiences of diasporic homecoming, intergenerational memory  
  transfer, state-enforced amnesia, public secrecies, and the psychic fallout of the Chinese Cultural Revolution. Across these poems, memory—historical, collective, personal—stains and erodes. Xie voices what remains irreducible in our complex entanglements with familial ties, language, capitalism, and the histories in which we find ourselves lodged. 
   
  The Rupture Tense begins with poems provoked by the photography of Li Zhensheng, whose negatives, hidden under his floorboards to avoid government seizure, provide one of the few surviving visual archives of the Chinese Cultural Revolution, and concludes with an aching elegy for the poet’s grandmother, who took her own life shortly after the end  
  of the Revolution. This extraordinary collection records the aftershocks and long distances between those years and the present, echoing out toward the ongoing past and a trembling future.

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  Stumblings

  Keith Ravenscroft

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  ‘Better to have questions you can’t answer than answers you can’t question.’
   
  The author describes these poems as ‘stumblings’ because they are stumbling attempts to understand what can seem beyond understanding. In his writing he confronts the issues that are inescapably a part of being human, as he sees them playing out in the maelstrom of his own life. He takes us into areas of desperation, confusion, even despair, but also of acceptance, fulfilment, ecstasy, obstinate faith, and above all of tender love.
   
  The poems range widely through philosophical musings, urgent questioning about what it is to be human, irony, self-mockery, overwhelming passion – and always with an intensity that acknowledges that everything matters, everything has meaning if only we could decode it. And throughout this volume the writer attempts to comprehend and reach the elusive God who 
  he believes in but fails so comprehensively to connect with as deeply as he longs to. 
   
  Any readers who are prepared to stumble with the writer on this poetic journey through life may find themselves in a place where they can at least begin to understand, accept, and even glory in their imperfect humanity as the writer does. And maybe hope to stumble into Grace, 
  enlightened and affirmed.

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  Poets & Their Inner Demons –...

  John Keats, Percy Bysshe...

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  The stereotypical image of a poet is one of unknown talent starving in a garret and who’s faithfulness and legacy to the art is discovered only after their death. 
  In some cases this is undoubtedly true, but Poets being human and with the same building blocks of physical and mental health as the rest of us, also had the same afflictions and problems as the rest of us.   
  The long roll call of names and the truncated legacies that were left behind is filled with these lost talents. 
  In this volume we bring together those writers of verse and poetry who sadly died so young that their works may be small in number but glint with such brave, revealing and inventive verse that one can only imagine what heights poetry with their full lives could have been taken to.

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