Otros libros que te pueden interesar

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  Christ Brings All Newness -...

  Robert P. Imbelli

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  St. Irenaeus teaches that “Christ brought all newness in bringing himself.” This representative collection of the writings of Father Robert Imbelli proclaims, celebrates, and sounds the depths of the newness of Jesus Christ and the radical transformation to which Christ calls believers. Rooted in Scripture and the Fathers of the Church, these essays, reviews, and reflections explore the Christian faith’s rich liturgical, artistic, literary, and theological traditions across the centuries. At a time when Catholic theology too often risks being reduced to sociology and Christian faith and discipleship diluted to mere moralism, the author proposes a vibrant and profound mystagogic theology. In such theology, the mystery of Christ is not only notional but real, not only described but evoked. Imbelli offers a theology and vision of the Christian faith at once intellectually stimulating and deeply affective.

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  The Beastie Boys' Paul's Boutique

  Dan LeRoy

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  Derided as one-hit wonders, estranged from their original producer and  record label, and in self-imposed exile in Los Angeles, the Beastie Boys  were written off by most observers before even beginning to record  their second album - an embarrassing commercial flop that should have  ruined the group's career. But not only did "Paul's Boutique" eventually  transformed the Beasties from a fratboy novelty to hiphop giants, its  sample-happy, retro aesthetic changed popular culture forever.

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  The Midnight Special - The...

  Colin Asher

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  This innovative history explores the rich tradition of music behind bars and shows how policing and prisons have shaped our musical culture from blues to hip-hop. 
    
  In American popular music, we often glorify rebellious artists and “outlaws.” But in The Midnight Special, Colin Asher tells a deeper story about the criminal justice system’s impact on our musicians, explored through compelling portraits of five artists whose careers span the twentieth century. 
    
  Opening with folk and blues artist Huddie “Lead Belly” Ledbetter, who was made to perform wearing prison clothes, Asher traces the intertwined histories of music and incarceration, from Southern prison farms of the Jim Crow era, through the heroin-driven mid-century drug wars that villainized a generation of jazz artists, and to our present era of mass incarceration. 
    
  Asher shows how the suggestion of criminality has often benefited white artists, while prosecutions often hurt Black musicians. Comparing the divergent trajectories of jazz pianist Elmo Hope with country singer Johnny Cash, Asher examines how violent and discriminatory policing stifled Hope’s career and led to the creation of his album Sounds from Rikers Island (1963), while forgiveness and lenience brought us Cash’s masterpiece At San Quentin (1969). 
    
  With keen musical analysis and sociological insight, The Midnight Special examines key themes in culture and criminal justice, from the movement for prison reform that allowed soul musician Ike White to stage thrilling concerts while locked up and record his album Changin’ Times (1977), to the crushing cultural weight of mass incarceration a generation later. Closing with Tupac Shakur’s Me Against the World (1995) and stories of music in prisons today, The Midnight Special recounts how prisons occasionally incubate talent but more often shorten careers and distort the public’s perception of musicians and their value to society. 
    
  An urgent book about the ways music can affirm an individual’s sense of humanity in dehumanizing circumstances, The Midnight Special writes the history of prisons into American music—a story as important as it is overlooked. 
    
  "Asher creates rich, vivid portraits of all five of his subjects … He discusses at length these artists’ morally ambiguous songs about murderers and convicts, written with a touch of grace and a recognition of shared humanity. This chronicle is full of little epiphanies … A well-written and mesmerizing group portrait of five musical outlaws."—Booklist (starred review)

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  Britannia Rules the Stage: The...

  Philip Palette

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  The British Invasion of musical theater in the 1980s was a transformative moment in the genre's history. Shows like "Cats," "Phantom of the Opera," and "Les Misérables" were unprecedented hits and helped to bring musical theater to a broader audience than ever before. This book will examine the lasting impact of the British Invasion and consider what we can learn from this period of innovation and success.

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  So Here It Is - The Autobiography

  Dave Hill

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  Slade's music and style dominated and defined the 1970s. With six consecutive number one singles they were the UK's number one group and sold millions of records all over the world. At their peak, Slade enjoyed success and adulation not seen since The Beatles. Now, for the first time, the man whose outlandish costumes, glittering make-up and unmistakable hairstyle made Slade the definitive act of Glam Rock tells the story of his rise from working-class lad to global star.
  Growing up in a council house in 1950s Wolverhampton, Dave always knew he wanted to be a musician and in the mid-sixties, with Don Powell, founded the band that in 1970 would settle on the name Slade. Their powerful guitar-driven anthems formed the soundtrack for a whole generation, and their  Top of the Pops  performances, led by their flamboyant, ever-smiling lead guitarist, became legendary.
   Told with great heart and humour, So   Here It Is  reveals that there is much more to his life than  Top of the Pops  and good times. Packed with previously unseen personal photos, the book uncovers surprising family secrets, tells the inside story of the original band's painful break-up, explores his battles with depression, his decision to reform Slade and go back on the road, and his recovery from the stroke that threatened to cut short his career.

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  Depeche Mode's 101

  Mary Valle

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  Depeche Mode’s 101 is, at first glance, a curious thing: a live double-album by a synth band. A recording of its “Concert for the Masses,” 101 marks the moment when doomy, cultish, electronic Depeche Mode, despite low American album sales and a lack of critical acclaim, declared they had arrived and ascended to the rare air of stadium rock. On June 18, 1988, 65,000 screaming, singing Southern Californians flocked to Pasadena’s Rose Bowl to celebrate DM’s coronation.The concert also revealed the power of Southern California radio station and event host KROQ, which had turned Los Angeles into DM’s American stronghold through years of fervent airplay. KROQ’s innovative format, which brought “new music” to its avid listeners, soon spread across the country, leading to the explosion of alternative rock in the 1990s.Eight years after its founding in Basildon, Essex, Depeche Mode, rooted in 1970s Krautrock, combined old-fashioned touring, well-crafted songs, and the steadfast support of KROQ to dominate Southern California, the United States, and then the world, kicking open the doors for the likes of Nirvana in the process. 101 is the hidden-in-plain-sight hinge of modern music history.

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