Outros livros que poderiam interessá-lo

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  Don't Walk Alone

  G. G.M.Hague

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  Look inside the mind of a psychopathic killer - the worst kind. James never believes he is anything but normal. A man who falls in love with beautiful young women, just like everyone else. He's the perfect lover, a successful professional, wealthy, and living his dream. He doesn't care that the women he loves disappear, never to be seen again. He's careful to hide all traces and cover his tracks. No one would ever suspect James lives another life behind his kindly, benevolent persona.Then things start to slowly unravel when James takes things too far because the true love of his life is suddenly within reach. His intricate web of deceit is in danger of unravelling.But James hasn't survived this long in the shadows without being clever and resourceful. He can still have everything he wants and never reveal the truth.Don't Walk Alone will make think twice about who to trust, who to believe, and who to allow through your door.

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  Konfessions of an Elizabethan...

  bp Nichol

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  Better break out your sledgehammer – it's time for a little concrete! Concrete poetry, that is. Concrete what? Well, it's poetry that's a lot like art – its meaning comes from what it looks like instead of the order of the words, so it's full of great visual puns and word puzzles. And one of its foremost practitioners is bpNichol, one of Canada's best experimental writers.
     
  Konfessions of an Elizabethan Fan Dancer is Nichol's very first book. Originally published in England by Bob Cobbing in 1967, and then in Canada in 1973 by Nelson Ball's Weed/Flower Press, it has been unavailable for a dog's age. This new edition, curated by poet and antiquarian bookseller Nelson Ball, redresses this wrong. One of the few Nichol books that is dedicated entirely to concrete poetry, Konfessions is, like all of Nichol's work, playful, sincere, explorative, intelligent and human.

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  Mother Goose for Grown-Ups

  Guy Wetmore Carryl

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  "Mother Goose for Grown-Ups" is a delightful reinvention of classic nursery rhymes tailored for a more mature audience. In this witty and irreverent collection, Carryl puts a humorous spin on beloved childhood favorites such as "Humpty Dumpty," "Jack and Jill," and "Mary Had a Little Lamb," with each rhyme being transformed into a clever and comical tale. If nostalgia is calling your name, but the intellectual side of your brain won't let you be whimsical, throw this on your headphones and let Guy Wetmore Carryl appeal to both sides of your fancy with "Mother Goose for Grown-Ups!"

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  Feel Happier in 9 Seconds

  Linda Besner

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  I learned the secret of serenity by waterboarding daffodils. My Buddha is landfill. My mantra choked from a bluebird’s neck. It’s ruthless, the pursuit of happiness. Eighteen seconds have elapsed.
     
  This collection is a universe where minimalism and maximalism work in harmony. Ethics, economics, glamour and alternative physics arejust a few of the vehicles Besner uses in her jaundiced pursuit of knowledge and joy. At the collection’s core is a series of brilliantly illuminated poems patterned on a scientific study of synaesthesia and Fisher Price refrigerator magnets. Besner’s courageous comparisons and musicality provide the critical happiness we all need.
     
  ‘Besner’s imagination doesn’t appear to have an upper or outer limit … Reading her poems is a bad trip and a transformational experience.’
     
  – Ken Babstock
     
  ‘Besner is one of the funniest poets writing in this country.’
     
  – National Post

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  The Poetry of Elizabeth Siddal -...

  Anônimo

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  Elizabeth Eleanor Siddall was born on the 25th July, 1829 in London into a working-class family where she received an ‘ordinary education’.   
  Whilst accounts differ, it is clear that she met the Pre-Raphaelite painter William Deverell whilst working in a millinery shop and he asked her to model for him, describing her as "magnificently tall, with a lovely figure, and a face of the most delicate and finished modelling ... she has grey eyes, and her hair is like dazzling copper, and shimmers with luster."  She personified female beauty for the Pre-Raphaelite Brotherhood and her face became well known in Victorian Britain, gracing many famous paintings such as John Everett Millais's Ophelia, where she is portrayed drowned, floating in a pond. From the experience she also caught pneumonia.  
  Although Siddal (she later changed the spelling of her name) endured a toxic and probably controlling relationship with Dante Gabriel Rossetti, who wouldn’t allow her to model for anyone but himself, she made great strides under his tuition and in her endeavours as an artist.  She was the only woman to exhibit with the Pre-Raphaelites in 1857 where she sold one of her paintings to an American collector. 
  She created many paintings, often inspired by Medieval themes, but her output of poetry was scant despite the positive reception to her verse.  Their motifs were sad and often tragic, dwelling on lost or doomed love.  As well they suggest a strong connection with nature and often plead with God with a haunting yet evocative simplicity. 
  Allied to this was a laudanum addiction which may have contributed to a still-born birth in 1861 and from which she never fully recovered.   
  Elizabeth Siddal committed suicide by an overdose, whilst pregnant, on the 11th February 1862.  She was 32.

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  Ten Years On - An unmissable...

  Alice Peterson

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  Rebecca is happily married and content with her job in a London art gallery. But when tragedy strikes and her life comes crashing down around her, she flees to her childhood home in the country, hoping time will help her heal.
  Born in the same country town, Joe had a falling out with Rebecca and hasn't seen or spoke to her in a decade. Now he's the successful owner of a wine bar, and is breaking local hearts.
  Rebecca finds living with her parents again a challenge. Nor is it easy to discover that Joe lives and works too close for comfort. When she sees him again, bittersweet memories rush back to haunt her, along with unanswered questions.
  Will she ever be able to forgive, forget and move on?

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