Altri libri che potrebbero interessarti

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  Cliché-Verre - Miniatures On Glass

  Brian Allan Skinner

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  Cliché-verre is a technique of etching and painting directly on photographic negatives. The term means “glass negative” in French and is as old as photography itself, dating to the 1840s and earlier. The first successful photographic process involved coating glass plates with light-sensitive chemicals from which reversed (positive) prints could be made. Artists experimented with drawing, etching, and combining images directly on the glass, resulting in fanciful black-and-white prints. But few artists were inspired to develop the idea further until the advent of color photography in the early 20th Century. 
  The Magic Lantern, long predating photography, was invented by Christiaan Huygens, a Dutch astronomer and physicist, in the 1600s. It is a simple device for projecting images, based upon the centuries-old principles of the “camera obscura” or “darkened room.” When the photographic process evolved to  
  film rather than glass plates, the technology spread. Color film arrived in the 1930s. There were now both film negatives and positives (slides). 
  Brian Allan Skinner is the author of six volumes of illustrated fiction. His experiments with cliché-verre began in the 1960s. Here are 50 examples of his work from the past half-century, in brilliant color. In the epilogue, he explains his process in detail.

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  The Very Best of Bob and Ray -...

  Anonimo

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  Before Bob & Ray, comedians told jokes. After Bob & Ray, they told stories. When they first got together in 1946 on WHDH-AM Boston, no one guessed that their subtle, intelligent, deadpan brand of humor would revolutionize the comedic landscape. With a gift for an improvisation and a keen understanding of the absurd, Bob Elliott and Ray Goulding created a universe of wonderful characters and rewrote the rules for what’s funny. Consider any important comedy star since—Bob Newhart, Garrison Keillor, Woody Allen, Johnny Carson, George Carlin, Jay Leno, David Letterman, Jerry Seinfeld—and you can hear the debt to Bob & Ray. This collection honors the two and only with selections from their early years (1950s, ’60s, and ’70s) and public radio years (’80s), their 1984 Carnegie Hall performances, and previously unreleased archival recordings.

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  Monument Eternal

  Alice Coltrane, Ashley Kahn

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  The long-awaited reissue of Alice Coltrane’s original spiritual teachings and reflections, which provide powerful insight into her transcendent music, cherished by millions across the globe.  
  ALICE COLTRANE (1937–2007) was a composer, master of various musical instruments, improviser, spiritual leader, and wife of John Coltrane. Throughout her adult life, she worked within and combined a broad range of musical genres, including gospel, R&B, bebop, free jazz, Indian devotional song, and Western art music. She recorded more than twenty full-length albums for Impulse and Warner Bros. Her music speaks to her experiences as a child playing for church congregations in Detroit; the transcendent and mind-bending avant-garde improvisations she performed with her husband John Coltrane; and her religious pilgrimages to India.  
  When Monument Eternal was originally published in 1977, Alice Coltrane was living in Southern California and had recently become a swami, building and nurturing an alternative spiritual community. In these pages, she says that the book is “based upon the soul’s realizations in Absolute Consciousness and its spiritual relationships with the Supreme One.” Monument Eternal offers deep insight into Coltrane’s tremendous musical output and shines a light on her transformation from Alice McLeod, Detroit church organist and bebopper, to sage thought leader Swami Turiyasangitananda. It also reflects the extraordinary fluidity of American religious customs in the mid- and late-twentieth century.  
  Akashic’s long-awaited reissue of Monument Eternal includes a new foreword by Ashley Kahn.

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  PIANO & Keyboard Exercises for...

  Jessica Gilbert

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  When you’re learning to play the piano or electric keyboard, knowing what the lines and spaces on a staff represent and how the notes on your instrument correspond to those on sheet music isn’t enough to become a proficient musician. Although you’re a beginner, you can improve your abilities in many ways. You don’t only need to know the correct keys to press and when to play them. A vast world of music theory and compositional variety greatly changes certain aspects of a song and ways to craft and play musical pieces to express yourself more freely. 
  Having the knowledge to reproduce what you read on sheet music is a wonderful skill, but music isn’t about rigidly following directions. Every composer and musician should develop their style and form. You can hand a piece of sheet music to a dozen talented piano players, and each will perform it uniquely. The song’s structure is the same, but there will be little techniques and flourishes that set them apart from the others. How music feels when you play is as important as hitting the right notes in the correct order.  
  Everybody has to start somewhere when learning a new instrument. Thanks to the simplicity of the piano’s layout, there is intuitiveness to each key moving from one note to the next. They span from A to G♯ (A♭) and reset back to A so the cycle of notes can repeat. With practice, you will locate the correct notes without looking at the W 2 keyboard. It helps with reading sheet music since you can focus on it instead of constantly looking down at the keys. Once you have a handle on reading sheet music, you can play songs tailored to novice musicians in no time. 

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  Worship Songs and the Law - How...

  Stephen Robert Cass

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  Church leadership: Did you know that only 42.4% of churches in North America are paying song copyright holders for their work? Do you know why church music licenses exist, who collects these fees and distributes the money? 
  Did you know that there's a clause in copyright law specifically for churches in the US? Let me tell you about the opportunities that this brings to songwriting and church ministries. 
  Do you know how independent songwriters and music publishers share in the revenue generated from church song licenses? 
  Worship songwriters: Would you like to know the exact method to document your songs and register them for the maximum royalties? Give this money to the church or build your songwriting ministry. 
  All these questions are answered in this 2023 Christian Indie Award Finalist comprehensive special report that promotes spreading the gospel and honoring the creative people who help to make all church ministries possible. Pass this report on to songwriters, musicians, worship pastors, and church leadership so they are informed about current copyright laws and the practices of paying for the use of intellectual property. 
  Stephen Robert Cass is an author, songwriter, worship leader, and musician playing and leading worship since 1970. He has over 70 titles in his song catalog at Christian Copyright Licensing International.

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  Paddy Reilly - From The Fields...

  Paddy Reilly

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  Patrick 'Paddy' Reilly is an Irish folk singer and guitarist. Born in Rathcoole, County Dublin, he is one of Ireland's most famous balladeers and is best known for his renditions of "The Fields of Athenry", "Rose of Allendale" and "The Town I Loved So Well". Reilly released his version of "The Fields of Athenry" as a single in 1983; it was the most successful version of this song, remaining in the Irish charts for 72 weeks.
  After years a solo performer, he joined The Dubliners in 1996 as a replacement for long-time member Ronnie Drew. He played with the group for nine years before leaving for New York City.
  In this memoir, Paddy is gracious and generous about sharing his memories, good and bad, with the readers who have helped make him Ireland's best loved balladeer for almost 60 years.

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