Other books that might interest you

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  A Rare Recording of Film Icon...

  Deborah Kerr

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  Deborah Jane Trimmer (September 30, 1921 - October 16, 2007), known professionally as Deborah Kerr, was a British actress who was nominated six times for the Academy Award for Best Actress. Kerr was known for her roles as elegant, ladylike but also sexually repressed women who deeply yearn for sexual freedom. Kerr won a Golden Globe Award for her performance in the 1956 musical film The King and I. The following recording includes clips from a variety of tv interviews.

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  As you like it

  William Shakespeare

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  William Shakespeare's comedy "as you like it" 
  Done as a radio play. Immerse yourself in the forest of arden where all the action happens  including usurped dukes, love sick young men, a clown, and of course an impossible love story that eventuality works itself out.

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  Rik Mayall's Famous! (Last Words)

  Mike Bennett, Rik Mayall

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  This audiobook contains explicit content. 
   
  Welcome to Rik Mayall’s outrageous outtakes from his last ever audio work, which with the comic genius in the editing chair, was his interpretation of a series of Grimms style fairytales, reimagined by Mike Bennett. But there is a twist in the tale! Sit down and witness the man himself off-grid, delivering the stories in his unique, inimitable, crooked style with all the humility he could muster. Rik rehearses, chats, adlibs, cusses, and blasphemes in a way that only he could get away with. 
   
  'Rik Mayall’s Famous! ...(Last Words)' marks the tenth anniversary of Rik’s untimely passing in June 2014.

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  Rich Mullins (25th Anniversary...

  James Bryan Smith, Brennan Manning

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  Experience Rich Mullins's Legacy of Joy and Real Compassion 
   
   
   
  Beloved contemporary Christian musician Rich Mullins lived his life with abandon for God, leaving the spotlight to teach music among a Navajo community. An accident cut his life short in 1997, but his songs and ragamuffin spirit continue to teach many. 
   
   
   
  In honor of the twenty-fifth anniversary of Rich's homegoing, this edition of Rich Mullins: An Arrow Pointing to Heaven delivers an intimate look at the experiences that sparked praise hits and the values behind his Christ-like candor. James Bryan Smith captures just what Rich wished for when he said, "I hope I would leave a legacy of joy—a legacy of real compassion." 
   
   
   
  See the layers of his story through reflections from friends and family, an afterword by Rich's brother David Mullins, and Smith's own bond with him. And in remembrance, be inspired to enjoy God's world as Rich did.

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  Steel Drivin' Man: John Henry...

  Scott Reynolds Nelson

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  The ballad "John Henry" is the most recorded folk song in American history and John Henry--the mighty railroad man who could blast through rock faster than a steam drill--is a towering figure in our culture. 
  In Steel Drivin' Man, Scott Reynolds Nelson recounts the true story of the man behind the iconic American hero, telling the poignant tale of a young Virginia convict who died working on one of the most dangerous enterprises of the time, the first rail route through the Appalachian Mountains. Using census data, penitentiary reports, and railroad company reports, Nelson reveals how John Henry, victimized by Virginia's notorious Black Codes, was shipped to the infamous Richmond Penitentiary to become prisoner number 497, and was forced to labor on the mile-long Lewis Tunnel for the C&O railroad. Equally important, Nelson masterfully captures the life of the ballad of John Henry, tracing the song's evolution from the first printed score by blues legend W. C. Handy, to Carl Sandburg's use of the ballad to become the first "folk singer," to the upbeat version by Tennessee Ernie Ford. 
  Attractively illustrated with numerous images, Steel Drivin' Man offers a marvelous portrait of a beloved folk song--and a true American legend.

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  Chronicling Stankonia - The Rise...

  Regina Bradley

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  This vibrant book pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Regina N. Bradley, Outkast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. 
   
  Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern black identity.

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