Other books that might interest you

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  Atlanta Architecture - Art Deco...

  Robert M. Craig

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  An in-depth look at the commercial, professional, and government building styles and contemporary designs that emerged in late-1920s Atlanta.   Having been one the most successful boomtowns of the early twentieth century, Atlanta saw a transition from a town known for its Southern charm and history to a business hub. The result is a colorful mix of antebellum restorations and modern styles.   Dr. Robert M. Craig analyzes two distinct styles emerging out of the city’s twentieth-century development between the 1920s and the 1960s—Art Deco and Modern Classic. Art Deco brought in cosmetic and theatrical elements to facades and interiors with examples like the Southern Bell Telephone Company Building, the Atlanta City Hall, and the W. W. Orr Doctors Building. Meanwhile, the Modern Classic was born out of the Public Works Administration projects of the Great Depression. Emphasizing a minimized classicism and trading artistic ornamentals for a more bureaucratic look, these buildings exemplify the style of the New Deal era as seen in the Federal Post Office, the Masonic Temple, and the public housing project of Techwood Homes.   Craig also gives past-due credit to the designers themselves like Pringle & Smith, G. Lloyd Preacher, and A. Ten Eyck Brown, who deserve to be remembered among the century’s noteworthy architects. From government offices to houses to movie theatres to retail stores, their history and features are covered in detail in this work, which adds to the resources available for historians, architects, and architectural aficionados.

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  Van Dyck

  Percy M. Turner

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  A biography and critique of Van Dyck in The Masterpieces in Colour series. The Plates of the paintings are fully described and the artistic periods in his life's work are given as well as his place in history. (Summary by Susan Morin)

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  I AM not amused - A Christian...

  Thomas Murosky

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  Media Entertainment has taken over the western world and with every passing year it overtakes us with increasing voracity. As Christians, we have a duty to be salt and light in a waning world and that is where I AM Not Amused enters the picture. Two errors have arisen in the Christian world with regards to entertainment:Non-critical InvolvementTotal Separation 
  I AM Not Amused is about learning to balance being in the world, but not of the world. Throughout this book, we will learn how to weigh our involvement in pop culture against our call to be holy, using the popular arts as a springboard to reach lost people in the world. We also gain an understanding of what is at stake if we continue consuming Hollywood productions without thinking about the consequences. This book is a journey through the early days of media including the history of ratings, propaganda, and some of the legal matters impacting the entertainment industry as a whole. Finally we learn about the steps we should take to evaluate our own entertainment. 
  In brief summary, I first explain my purpose and motivation for writing this book as I journey through my adolescence in a media-saturated home. I talk about how music, movies, and video games shaped my life both for the better and the worse as I was raised in a home without boundaries. 
  The next two chapters examine whether or not media entertainment can actually impact us as we consume music, movies, and video games. Rather than take a usual Christian approach, we see what the artists and producers themselves say including quotes from Michael Greene, George Lucus, Marilyn Manson, and more. After examining how we can be impacted we see specifically what artists themselves say about the message behind the content they produce. This section does a deep dive into the messages behind Manson, George Harrison, and Insane Clown Posse among others. 
  After seeing what the entertainment industry produces, we tour through the Bible looking for what God’s Word has to say about media, our involvement, and our purpose. We start with a call to letting our minds dwell on holy things, then living out our life as a believer rather than a member of the world. Finally we address the two critical errors highlighting the benefits and pitfalls of each as we develop a plan to live better before God in our media-saturated times. 
  After a brief detour through the struggles of addiction including steps to overcome besetting sins, we provide steps for believers to incorporate into their lives to determine if certain forms of amusement are profitable for us to consume. 
  All together, this book is a guide to interacting with Media Entertainment for our amusement, and for our engagement with the world as we seek to fulfill the Great Commission. 
  You can find more information about Thomas Murosky and his other books at www.ourwalkinchrist.com.

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  PIANO & Keyboard Exercises for...

  Jessica Gilbert

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  The piano is a musical instrument that has been around for centuries. It has been the instrument favored by many of the greatest composers who ever lived. They used the piano to create some of the most impressive, expressive, and emotionally-complex pieces of music that are still as beloved by a modern audience as they were when they were first composed. Names like Wolfgang Amadeus Mozart, Johann Sebastian Bach, Ludwig van Beethoven, Frédéric Chopin, Joseph Haydn, Johannes Brahms, Richard Wagner, and Pyotr Ilyich Tchaikovsky are indelibly etched into the fabric of history, celebrated for the mastery of their craft and ability to conjure music from the depths of their souls like magic. Many people hope to follow in their footsteps by taking up the piano themselves. As a budding pianist, you are in great company.  
  Beginning your piano-playing journey is as simple as deciding you want to start tickling the ivories. Anyone can sit down behind the keyboard and start hitting notes. The difficulty comes when you actually want to translate what you see on sheet music or hear within your mind into actual music. Some basic skills, techniques, and knowledge can give you a huge boost in the early stages of your career as a pianist. Once you have committed to learning how to play the piano, you will need to learn how to read sheet music, gain a foundation in music theory, and become familiar with the hand T 2 positions and finger exercises necessary to smoothly transition from neophyte to expert. 

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  Sam Houston's Texas

  Sue Flanagan

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  With engaging text, extensive quotations, and more than 100 striking photographs, this volume captures the world of the iconic Texas Revolutionary.   When Sam Houston crossed the Red River for the first time in 1832, he termed Texas the “finest portion of the Globe that has ever blessed my vision.” His diplomatic, military, political, and personal activities took him all over what is now the eastern half of the state—and he fell in love with every foot of it. With panoramic vision and broad descriptive power, he expressed his lasting affection for the country in everything he said and wrote.   Having followed the trail of every trip he made in Texas, Sue Flanagan presents the Texas Houston knew—through his picturesque language and her own evocative photographs.  The face of Texas east of San Antonio is pictured in all its varied features. With great discernment, Flanagan captures the landscapes, buildings, and objects in the most revealing light and in the best atmospheric conditions.   These spots in nature which Houston saw, these objects which he knew, these houses where he was entertained and where he lived—all are tangible reminders of “this colorful, cagey, and controversial man,” this Texas hero whose life was a tragedy in divided loyalties.

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  Cinema & Counter-History

  Marcia Landy

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  Despite claims about the end of history and the death of cinema, visual media continue to contribute to our understanding of history and history-making. In this book, Marcia Landy argues that rethinking history and memory must take into account shifting conceptions of visual and aural technologies. With the assistance of thinkers such as Gilles Deleuze and Félix Guattari, Cinema and Counter-History examines writings and films that challenge prevailing notions of history in order to explore the philosophic, aesthetic, and political stakes of activating the past. Marshaling evidence across European, African, and Asian cinema, Landy engages in a counter-historical project that calls into question the certainty of visual representations and unmoors notions of a history firmly anchored in truth.

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