Other books that might interest you

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  A Legacy of Love - Shh! Finding...

  Analee Vizcarra Vinyard

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  Losing her mother at 15, Analee’s life changed dramatically. Thrust into a manipulative, controlling, and abusive environment, Analee’s childhood dreams were shattered, and her future was stolen by those who’d promised to love and protect her. 
  Forced into a loveless marriage at 18, Analee, like her mother before her, tried to make the most of the brutal situation, conforming to the will of her husband and in-laws through years of suffering and abuse. The neglect of her husband and the growing vitriol of his family took a terrible toll on Analee, physically, emotionally, and spiritually. There seemed to be no light at the end of the tunnel. 
  Recalling her mother’s faith, Analee turned to Jesus—to survive. 
  "He will wipe every tear from their eyes, and there will be no more death or sorrow or crying or pain. All these things are gone forever. He who sits on the throne says, ‘Look, I am making everything new!’” 
  (Rev. 21:4-5) 
  Analee’s story is one of faith’s triumph over tragedy, the sufficiency of God’s grace and strength in our weakness, and the discovery of His overwhelmingly tender love. When Jesus, the Author and Finisher of our faith enters in, tragedy, grief, and brokenness will not have the last word. 
  Today, happily remarried, Analee embraces the legacy of her mother Alma, following in her footsteps, ministering encouragement and hope to others.

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  The Road to Riverdance

  Bill Whelan

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  Riverdance exploded across the stage at Dublin's Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer.
  In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk.
  Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton's Wing, Noel Pearson, Seán Ó Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley.
  Written with wry, inimitable Irish humour and insight, Bill Whelan's self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the 'Best Musical Show Album.' Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

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  Elton John's Blue Moves

  Matthew Restall

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  By 1976, Elton John was the best-selling recording artist and the highest-grossing touring act in the world. With seven #1 albums in a row and a reputation as a riveting piano-pounding performer, the former Reggie Dwight had gone with dazzling speed from the London suburbs to the pinnacles of rock stardom, his songs never leaving the charts, his sold-out shows packed with adoring fans. Then he released Blue Moves, and it all came crashing down.Was the commercially disappointing and poorly reviewed double album to blame? Can one album shoot down a star? No, argues Matthew Restall; Blue Moves is a four-sided masterpiece, as fantastic as Captain Fantastic, as colorful as Goodbye Yellow Brick Road, a showcase for the three elements--piano-playing troubadour, full orchestra, rock band--with which Elton John and his collaborators redirected the evolution of popular music. Instead, both album and career were derailed by a perfect storm of circumstances: Elton’s decisions to stop touring and start his own label; the turbulent shiftings of popular culture in the punk era; the minefield of attitudes toward celebrity and sexuality. The closer we get to Blue Moves, the better we understand the world into which it was born--and vice versa. Might that be true of all albums?

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  The Shocking Truth about...

  Zoey Fraisers

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  Sustainable living has become one of the most widely discussed topics in modern society. From eco-friendly products and renewable energy to ethical farming and carbon offsetting, the idea of reducing environmental impact has been embraced by individuals, corporations, and governments alike. The push for sustainability is often framed as a moral responsibility—one that promises a better future for the planet and future generations. But beneath the surface of these well-intentioned efforts lies a reality that is far more complex than most people realize.  
    
  This book challenges the widely accepted belief that sustainable living is always beneficial and without trade-offs. While reducing waste, conserving energy, and making mindful consumption choices are undoubtedly valuable, many so-called “green” solutions are not as effective—or as ethical—as they seem. In some cases, the environmental costs of these initiatives may be just as damaging, if not worse, than the problems they aim to solve. The truth is that sustainability has become a multi-billion-dollar industry, driven by marketing strategies that capitalize on people’s desire to do good.  
    
  Consider the rise of organic farming. While it is often marketed as a superior alternative to conventional agriculture, it requires significantly more land to produce the same amount of food, contributing to deforestation and biodiversity loss. Similarly, electric vehicles are widely praised as the key to a cleaner future, yet their production depends on intensive mining for lithium and rare earth metals, which comes with severe environmental and human rights concerns. Even recycling, which many believe to be a simple and effective way to reduce waste, has its own limitations, as much of what is intended for recycling never actually gets repurposed. 

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  Gentle Chaos - Poems Tales and...

  Tyler Gaca

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  From the wild imagination of Tyler Gaca, also known as TikTok's Ghosthoney, comes a beautiful compendium of poems, personal stories, and vignettes that explore magic, queerness, Tyler’s unique story, and the enchantment and comfort to be found in the weird, the dark, and the different. In this raw yet enchanting collection of poems and essays, Tyler Gaca dreamily navigates themes of magic and queerness, offering readers an intimate look inside his mind and his worlds, real and imagined. The writings in Gentle Chaos reflect on growing up queer and in love with magic, discovering yourself and your place in the world, and daring to seek out love and hope. The result is a whimsical, vulnerable, and transporting journey into the gentle chaos within us all.

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  Death of a Salesman

  Arthur Miller

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  Stacy Keach and Jane Kaczmarek star in Arthur Miller’s 1949 masterpiece, a searing portrait of the physical, emotional, and psychological costs of the American dream. Willy Loman (Keach) is the play’s iconic traveling salesman, whose family is torn apart by his desperate obsession with success and social acceptance. As his two sons cast about aimlessly for their station in life, Willy begins to come unraveled when the reality of his life threatens his long-cherished illusions. 
   
  Recorded before a live audience at the Skirball Cultural Center, Los Angeles in March 2011. 
   
  Directed by Eric Simonson 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full cast performance featuring: 
  Steven Culp as Biff Loman 
  Maureen Flannigan as Letta/Jenny 
  Jason Henning as Bernard/Stanley 
  Jane Kaczmarek as Linda Loman 
  Stacy Keach as Willy Loman 
  Kathryn Meisle as The Woman 
  Tim Monsion as Uncle Ben 
  Sam McMurray as Charley 
  John Sloan as Happy Loman 
  Kate Steele as Miss Forsythe 
  Kenneth Alan Williams as Howard 
   
  Recording, Editing and Mixing Engineer: Mark Holden for The Invisible Studios, West Hollywood 
  Sound Effects Artist: Tony Palermo

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