Other books that might interest you

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  Crossways

  William Butler Yeats

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  The first collection by Irish-born poet William Butler Yeats. Many decades before his mysterious and austere Modernist verse earned him a nobel prize, Yeats achieved renown as one of the last major poets in the High Romantic tradition. These poems showcase his Celtic imagination, his love for Irish folk-tales, and his commitment to the Romantic ideal of love. (Summary by Kasper Nijsen)

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  Captured By COVID - Deceit...

  Michael E. Bowers

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  Captured by COVID is a true story that begins with author Michael Bowers’ hospitalization and evolves into a series of unimaginable events. The details of torture, abandonment, and betrayal are real. Captured by COVID is an emotional journey that begs the question "Is reality real?" How would you know? 
  Captured by COVID provides insight that many will find eye-opening. This is a must-listen for ICU doctors, nurses, or anyone who wonders what goes through the brain of a near-death comatose patient.

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  Lady No

  Kim Hyesoon

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  From the legendary avant-garde poet Kim Hyesoon, a landmark collection documenting her first and only work of digital performance art to date. 
  “Poetry in Korea has been a vaunted form—and traditionally left to men. Kim broke away from the masculine styles that came before her. . . . Kim has pursued a vernacular that’s intensely Korean yet open to the world.” —E. Tammy Kim, New Yorker 
  In March 2014, Kim Hyesoon, the grand dame of contemporary Korean poetry, began to post anonymously on the online blog of Munhakdongne, a major South Korean publisher. Rather than use her own name, Kim Hyesoon’s chosen persona for these blog posts was Lady No. Fittingly, Lady No’s writings are dissenting, combative, subversive, and ontologically feminine; formally, they defy any attempt at easy categorization. They are neither poems, nor are they prose, but a radical innovation Kim calls shisanmun—an ungovernable style that heralds her internationally acclaimed works Autobiography of Death and Phantom Pain Wings. 
  The entries in this seminal collection, arranged chronologically and in their entirety here for the first time, are an eclectic hybrid of opinion editorials, aphorisms, recipes, daydreams, travelogues, art criticism, as well as treatises on the metaphysics of poetry and the current state of international literature. They take place in and around the world but most often they return to a country called Aerok, a frightening yet familiar mirror of contemporary Korea. First unwittingly, and then with concentrated grief, they chart the course of one of the most politically significant years in recent South Korean history: the sinking of the MV Sewol on the morning of April 16th that killed 304 people, including 250 high school students, and the reverberations of this national tragedy that culminated in the impeachment and ouster of the country’s then-sitting president. Taken together, these writings bear witness to the people’s shame, mourning, and perseverance under a corrupt administration—a painful public reckoning not dissimilar from our own. 
  Surreal but visceral, and inflected with both humor and rage, Lady No contains perhaps the most accessible of Kim Hyesoon’s writing to date and documents her first and only work of digital performance art. Totaling 179 individual entries, Lady No explores the inner and outer lives of contemporary Korean women and embodies the inextricable link between social justice and literary citizenship. 
  Supplemental enhancement PDF accompanies the audiobook.

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  Shanghai Dolls

  Amy Ng

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  'Stick a woman in fatigues, put a wrench in her hand, an axe, a machine gun – they're just props, unless she can live her life freely – take lovers, have abortions, make art not babies!'
  Two penniless actresses meet at auditions for a production of Ibsen's A Doll's House in Shanghai – and they quickly become inseparable.
  As political upheaval rips through China, their tumultuous friendship will alter not only the course of their lives, but the course of history. One will become China's first female theatre director. The other, the architect of the Cultural Revolution.
  Amy Ng's play Shanghai Dolls tells the untold true story of two of the most influential women in Chinese history – Madame Mao and Sun Weishi – and how the personal truly is political. It opened at Kiln Theatre, London, in 2025, in association with Paines Plough, directed by Katie Posner.

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  Mrs Warren's Profession

  Bernard Shaw

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  'I am my mother's daughter. I am like you. But my work is not your work, and my way is not your way.'
  Vivie Warren is a woman ahead of her time. Estranged from her wealthy mother, she delights in a glass of whisky and a good detective story, and is determined to carve herself a sparkling legal career in an age ruled by men.
  Her mother, however, is a part of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune and paid for her daughter's expensive education – but at what cost?
  Bernard Shaw's incendiary moral classic was written in 1893, but, after being banned by the Lord Chamberlain, didn't receive a full public production in London until 1925. This version of the play, edited and introduced by director Dominic Cooke, was produced at the Garrick Theatre in London's West End in 2025, starring real-life mother and daughter Imelda Staunton and Bessie Carter.

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  The Long Weekend

  Rita Ann Higgins

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  From saints' days to Halloween and the many other celebrations on the Irish calendar, this collection of poetry from Rita Ann Higgins sets a tone for all seasons.
  Featuring bank holiday poems as heard on RTÉ Radio, such as 'Lúnasa' and 'Coming Out of Winter', and others like 'My Mother Loved Me in Red', 'The Púca', 'Visiting My Father at Christmas' and 'All Souls' Day', The Long Weekend leaves no question that Rita Ann Higgins is the people's poet.
  'The people's poet. She's magic. She's a one-off.' Brendan O'Connor
  'A haunting, beautiful collection of poems that commands attention and bears witness to life's struggle. This collection confirms Higgins as one of our greatest poets.' Elaine Feeney
  'A work of immense thoughtfulness.'Susannah Dickey

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