Other books that might interest you

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  A Very Byzantine Journey -...

  J. Richard Smith

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  From the earliest days of the Church, Christians have used icons—images of Christ—to engage with the story of their faith. However, icons are far more than ancient pictures of Jesus: they are windows on the holy and transcendental, and they tell the New Testament story in a way that makes it real even to those exploring it from a distance.
  
   
  Knowing that this is a story based in geographical fact, J. Richard Smith has visited many of the places where the New Testament story happened, and here he takes us along on his travels tracing the story of icons, to places like Jerusalem, Athens, Istanbul and Cairo, and also to the final resting place of the Cloth of Edessa hidden in the hills in southern Italy. Combining spiritual writing, art history and travelogue, J. Richard Smith invites us to discover that there is more to icons than meets the eye.

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  How To Run An Indie Label

  Alan McGee

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  A no-holds-barred rampage through gigs, clubs, boardrooms, drugs and booze, mad scenes, brilliant signings, machine gun quotes and a resilient wild spirit. 
   
  Music is like no other business. 
  It's about being at the right place at the right time, following your nose and diving in feet first. It's about being plugged into the mystical electricity and about surfing on the wild energy. It's about how to fuck up and how to survive and be sustained by the holy grail of the high decibel. 
  No-one captures this wild feral spirit better than Alan McGee whose helter-skelter career through music has made him a major force. Wilder than his bands, more out of control than his most lunatic singer, more driven than his contemporaries and closer in spirit to the rock'n'roll star he could never be himself, McGee was always in a rush. Creation would sign people and not just the music. McGee understood that running an indie label is mainly about the charisma, the game changers, the iconography and the story. It's about never being boring. 
  His ability to start a raw power ruckus brought the visceral danger back to a moribund mid-eighties music scene. His nose for danger and his ear for classic guitar rock'n'roll brought us The Jesus and Mary Chain, Primal Scream, My Bloody Valentine, Teenage Fanclub and Ride before topping out in the nineties with the biggest band in the world, Oasis. 
  By no means a conventional instruction manual or business audiobook, How To Run an Indie Label tells you everything you need to know about how to be a creative force.

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  Australia - A History of the...

  Lillian Brooks

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  Australia is a land of remarkable geological history, shaped over millions of years by natural forces. Its distinctive landscapes, vast deserts, tropical rainforests, and rugged mountain ranges offer a glimpse into the ancient past of the continent. The story of Australia's land begins long before human habitation, when it was part of the supercontinent Gondwana. 
  Approximately 300 million years ago, Gondwana began to break apart, and Australia, once connected to Antarctica, began its slow drift northward. Over millions of years, Australia became isolated, allowing unique plants and animals to evolve in this distant, isolated environment. This geological isolation contributed to the development of Australia’s unique biodiversity, with species found nowhere else on Earth. The landscape was sculpted by forces such as tectonic shifts, volcanic activity, and erosion, leading to the creation of natural wonders like the Great Barrier Reef, the outback, and the Blue Mountains. 
  When the first humans arrived on the continent, around 65,000 years ago, Australia’s land was already a place of immense natural beauty and complexity. The Aboriginal peoples, the continent’s first inhabitants, established deep and enduring connections to the land. For Indigenous Australians, the land is not just a physical space but a living, spiritual entity that is central to their cultural identity. This profound connection is expressed through stories, rituals, and a deep understanding of the natural world.

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  Karma's Child - The Story of...

  Subhash Ghai, Suveen Sinha

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  Subhash Ghai is the man behind some of Hindi cinema's most iconic movies. Of the sixteen films he made between 1976 and 2008, twelve-Kalicharan, Karz, Vidhaata, Hero, Karma, Ram Lakhan, Meri Jung, Saudagar, Khal Nayak, Pardes, Taal and Yaadein-were blockbusters, and the others were critically acclaimed. Known for the strong stories, the memorable music and the grandeur of his films, Ghai not only helmed dream-cast multi-starrers but also signed on rank newcomers who went on to become established names in Bollywood. With his innovative thinking, he brought the crowds flocking back to the theatres when video piracy was at its peak, was the first in India to release the music of a film on audio CD and was a pioneer in taking Hindi cinema to global markets. 
  A self-made man who rose to dizzying heights, Ghai proved the adage that destinies are created-and destroyed-every day in the Mumbai film industry. Today he runs Whistling Woods, the country's foremost film institute: his legacy to future generations of filmmakers.  
  Karma's Child, his memoir, written with Suveen Sinha, tells the story of a man who believed he was destined to direct his own future, no less dramatically than a Subhash Ghai film-and did so.

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  Comic Sans - The Biography of a...

  Simon Garfield

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  A compact and charming history of the font we love to hate by the New York Times bestselling author of Just My Type. 
   
   
   
  Since its improvised creation at Microsoft in the mid-1990s, Comic Sans has become one of the most used and talked-about typefaces of the digital age. The subject of April Fools pranks and endless internet discourse, it has spawned a movement to ban it, inspired revivals and spinoffs, and continues to be widely promoted by educators. In this delightful history, bestselling author Simon Garfield tells the story of how Comic Sans emerged from speech bubbles on educational software to become one of the most recognized—and reviled—typefaces on earth. He considers how the computer transformed type into something that anyone could use and have an opinion on, explores how new fonts emerge with changing times and technology, and meets die-hard Comic Sans adherents and haters. He concludes the book by asking the unimaginable: Could Comic Sans now be the coolest typeface ever made?

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  Snakebit

  David Marshall Grant

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  Jennifer and Jonathan, a showbiz couple, leave their ailing daughter in New York City to come to Hollywood, so Jonathan can audition for a film. And when Jennifer stays with her old friend Michael, a dancer turned social worker, past sins shed new light on the present in the age of AIDS.   
   
  This play is part of L.A. Theatre Works’ “Chicago Theaters on the Air” series, produced in conjunction with Remains Theatre.  
   
  Recorded before a live audience at Chicago’s Guest Quarters Suite Hotel in February 1993. 
   
  Theatrical Direction by Campbell Scott 
  Directed for Radio by Mary McAuliffe 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full-cast recording, starring: 
   
  Talia Balsam as Jennifer 
  John Benjamin Hickey as Michael 
  Harry Hutchinson as the Man 
  D.W. Moffett as Jonathan 
   
  Radio Producer: Robert Newhouse 
  Recording Engineer: Larry Rock 
  Production Stager Manager: Jan Watson 
  Live Sound Effects: Kim Soren Watson

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