Otros libros que te pueden interesar

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  Only Wanna Be with You - The...

  Tim Sommer

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  In 1985, Mark Bryan heard Darius Rucker singing in a dorm shower at the University of South Carolina and asked him to form a band. For the next eight years, Hootie & the Blowfish—completed by bassist Dean Felber and drummer Soni Sonefeld—played every frat house, roadhouse, and rock club in the mid-Atlantic and Southeast, becoming one of the biggest independent acts in the region. 
   
   
   
  In Only Wanna Be with You, Tim Sommer, the ultimate insider who signed Hootie to Atlantic Records, pulls back the curtain on a band that defied record-industry odds to break into the mainstream by playing hacky sack music in the age of grunge. He chronicles the band's indie days; the chart-topping success—and near-cancelation—of their major-label debut, cracked rear view; the year of Hootie (1995) when the album reached no. 1, the "Only Wanna Be with You" music video collaboration with ESPN's SportsCenter became a sensation, and the band inspired a plotline on the TV show Friends; the lean years from the late 1990s through the early 2000s; Darius Rucker's history-making rise in country music; and one of the most remarkable comeback stories of the century. Featuring extensive new interviews with the band members, some of their most famous fans, and stories from the recording studio, tour bus, and golf course, this book is a must-listen for Hootie lovers and music buffs.

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  Transcendentalism - The Greatest...

  Hector Davidson

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  Transcendentalism is a philosophical and literary movement that emerged in the early 19th century in America, primarily associated with thinkers like Ralph Waldo Emerson, Henry David Thoreau, and Margaret Fuller. It developed as a reaction to the industrial revolution, the growing materialism of society, and the influence of traditional European intellectual thought. Transcendentalism posited that knowledge transcends the senses and that reality can be understood through intuition and spiritual insight rather than empirical observation alone. This belief is rooted in the idea that each individual has access to divine truths through personal experience and direct communion with nature. 
  At its core, Transcendentalism emphasizes the importance of the individual and the power of self-reliance. It encourages a connection to nature as a means of finding spiritual clarity and understanding. Nature, for the transcendentalists, was not simply a physical world to be studied but a living, divine entity that could guide personal growth and spiritual development. They argued that individuals should look within themselves and to nature for truth, rather than relying on societal conventions or religious institutions. 
  The roots of Transcendentalism are found in a variety of sources, including German idealism, Eastern philosophy, and the American Puritan tradition. However, it was through figures like Emerson, who published his seminal essay Nature in 1836, that the movement gained significant traction. Emerson’s ideas about self-reliance, individualism, and the divine presence in nature resonated with many Americans seeking an alternative to the rigid societal structures of the time.

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  Anarchy in High Heels

  Denise Larson

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  A San Francisco porno theater might be the last place you'd expect to plant the seed of a feminist troupe, but truth is stranger than fiction. 
  In 1972, access to birth control and a burn-your-bra ethos were leading young women to repudiate their 1950s conservative upbringing and embrace a new liberation. Denise Larson was a timid twenty-four-year-old actress wannabe when, at an after-hours countercultural event called The People's Nickelodeon, she accidentally created Les Nickelettes. This banding together of like-minded women with an anything-goes spirit unlocked a deeply hidden female humor. For the first time, Denise allowed the suppressed satirical thoughts dancing through her head to come out in the open. Together with Les Nickelettes, which quickly became a brazen women's lib troupe, she presented a series of feminist skits, stunts, and musical comedy plays that led The Bay Guardian to describe the group in 1980 as "nutty, messy, flashy, trashy, and very funny." 
  With sisterhood providing the moxie, Denise took on leadership positions not common for women at the time: playwright, stage director, producer, and administrative/artistic director. But, in the end, the most important thing her time with Les Nickelettes taught her was the power of female friendship.

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  Heian Period - The Golden Age of...

  Rolf Hedger

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  The Heian Period, spanning from 794 to 1185 CE, marks one of the most culturally rich and politically significant eras in Japanese history. This chapter lays the groundwork for understanding the historical context, political dynamics, and societal structure that defined the early stages of the Heian era. The period officially began when Emperor Kanmu moved the imperial capital from Nara to Heian-kyō, present-day Kyoto. This relocation was intended to establish a new seat of power free from the influence of powerful Buddhist monasteries that had grown too entwined with politics in Nara. 
  The move to Heian-kyō signified more than a change in geography—it was the beginning of a new political and cultural identity. The city was meticulously planned, modeled after the Chinese capital of Chang’an, with a grid-like structure that reflected a vision of order and centralized authority. However, over time, the influence of the emperor waned as powerful aristocratic families, particularly the Fujiwara clan, rose to prominence. By marrying their daughters into the imperial family and acting as regents, the Fujiwara effectively controlled the court, shaping policy and governance from behind the scenes. 
  The political landscape of early Heian Japan was one of ceremonial grandeur and subtle manipulation. Real power resided in the hands of a few elite families, and the imperial court became increasingly detached from the provinces. This created a division between the cultured, refined life of the capital and the often turbulent realities of rural Japan, where local warrior clans began to assert their own authority.

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  Greatest Drama Shows Volume 8 -...

  Various Various

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  OASIS AUDIO CLASSIC RADIO SHOWCASE SERIES   Oasis Audio has gone into the vaults and dusted off the very earliest form of audio book, old time radio shows, for our listeners. Introduced episode by episode by Jim Engel, old time radio authority and board member of the Museum of Broadcast Communications in Chicago, this series of classic radio shows is sure to have something for everyone. Celebrity casts and top-notch writers made the 1920s through the early 1950s, the golden era of radio. The series features seven exciting themes with 100 episodes in each. That is 700 classic radio programs in all.   Greatest Drama Shows   Cling to the edge of your seat for the Adventures of Sherlock Holmes, The Green Hornet, The Third Man. Hear classic stores brought to radio by celebrity casts such as Brave New World with William Conrad, The Pickwick Papers starring Orson Welles, and so many more. 100 great Drama classics in ten volumes. Volume 8 Rocky Jordan 9-11-49 Adventure with AndrayaRocky Jordan 10-2-49 Pattern for RevengeScreen Directors Playhouse 2-13-49 Magnificent Obsession with Irene DunneScreen Directors Playhouse 2-20-49 The Prisoner of Zenda with Ronald & Benita ColmanScreen Directors Playhouse 11-9-50 Shadow of A Doubt with Cary Grant & Betsy DrakeFront Page Farrell 8-12-49 The High Explosive with Staats CottsworthScreen Guild Theatre 4-26-43 Casablanca with Humphrey Bogart & Ingrid BergmanScreen Guild Theatre 11-18-48 Rebecca with Loretta Young & John LundThe Silent Men 12-9-51 Pirates, Twentieth Century Style with Douglas Fairbanks, Jr.The Silent Men 1-13-52 Little White Lies with Douglas Fairbanks, Jr.

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  J Dilla's Donuts

  Jordan Ferguson

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  From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying?Drawing from philosophy, critical theory and musicology, as well as Dilla’s own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist’s declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.

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