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  Men Without Women

  Ernest Hemingway

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  Originally published in October 1927, the second short-story collection published by Pulitzer Prize winner and Nobel Laureate Ernest Hemingway contains the following fourteen stories: The Undefeated In Another Country Hills Like White Elephants The Killers Che Ti Dice La Patria? Fifty Grand A Simple Enquiry Ten Indians A Canary for One An Alpine Idyll A Pursuit Race Today is Friday Banal Story Now I Lay Me Themes and subject matter range from bullfighting, boxing, and prizefighting to divorce, infidelity, and death. Critics at the time praised Hemingway's concise language and powerful prose. Content Warning: As a part of the public domain, Men Without Women is a literary work that reflects the time in which it was published—both its good and its ill. The original text of Men Without Women contains slurs and depictions that represent prejudiced and harmful beliefs regarding race, ethnicity, and religion. To erase or bury this representation of inequity and prejudice would be akin to pretending it never existed, a denial that only perpetuates and extends the original harm done. Thus, in the interest of preserving and documenting both the faults and highlights of literary history—an instrumental, crucial function of works entering the public domain—this text is unedited and uncensored in this audiobook recording. Please proceed with discretion.

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  The Two Destinies

  Wilkie Collins

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  George and Mary were childhood friends. But then George’s father discovers his thirteen-year-old son feels true passion for his bailiff’s daughter. Determined to end the affair, George’s father sacks the bailiff and takes his son to America. Years later George returns to his native Suffolk to trace his lost love. Though she has long gone, George is determined to find Mary at any cost.

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  Post Mortem - From their pens to...

  Barry Pain

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  Barry Eric Odell Pain was born at 3 Sydney Street in Cambridge on 28th September 1864. He was one of 4 children. 
  He was educated at Sedbergh School and then Corpus Christi College, Cambridge where he read classics and contributed to and edited Granta. 
  Four years of service as an Army coach followed before he moved to London. In 1889, Cornhill Magazine published his short story ‘The Hundred Gates’.  This opened the way for Pain to advance his literary career on several fronts. He became a contributor to Punch and The Speaker, as well as joining the staff of both the Daily Chronicle and Black and White.  
  In 1897 he succeeded Jerome K Jerome as editor of To-Day but still contributed regularly, until 1928, to the Windsor Magazine. 
  It is often said that Pain was discovered by Robert Louis Stevenson, who compared his work to that of Guy de Maupassant.  It’s an apt comparison. Pain was also a master of disturbing prose but able to inject parody and light comedy into many of his works.  A simple premise could in his hands suddenly expand into a world very real but somehow emotionally fraught and on the very edge of darkness as many of these short stories demonstrate.   
  Despite applying his talents to several genres and forms today Pain is more readily thought of, especially during the first decade of the 20th Century, as perhaps the leading British humorist of his day.  These stories reveal a darker side and beg to differ. 
  Barry Pain died on 5th May 1928 in Bushey, Hertfordshire.

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  Miss Brill

  Katherine Mansfield

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  "Miss Brill" is a short story by Katherine Mansfield (1888-1923). It was first published in Athenaeum on 26 November 1920, and later reprinted in The Garden Party and Other Stories.
  Miss Brill is an English teacher living near the Public Gardens in a French town. The narrative follows her on a regular Sunday afternoon, which she spends walking about and sitting in the park.

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  Ultor De Lacy: A Legend of...

  Joseph Sheridan Le Fanu

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  "The shadows of Cappercullen hold more than just memories; they hold the restless spirits of those we betrayed."
  
  Returning to the rugged landscape of Munster, Le Fanu weaves a tale of the doomed De Lacy family. Ultor De Lacy, a man whose family was ruined by their loyalty to the lost Jacobite cause, lives a shadow of a life in the decaying Tower of Cappercullen. But the physical ruin of his estate is nothing compared to the spiritual rot within. When his daughters encounter a mysterious and beautiful stranger in the woods, they unknowingly reopen a door to a supernatural debt that has remained unpaid for generations. It is a story where political exile meets ghostly visitation, proving that for the De Lacys, the war never truly ended.
  
  History Haunted by Myth: Le Fanu brilliantly utilizes the real-world tension of the 18th-century Jacobite rebellions to ground his ghost story. The "legend" isn't just a campfire tale; it is a manifestation of the trauma of a defeated aristocracy. The ghosts of Cappercullen are symbols of a bygone era that refuses to die or stay silent.
  
  The "Stranger" in the Woods: A recurring theme in Le Fanu's work is the deceptive nature of the supernatural. The figure who haunts the periphery of the De Lacy estate is both alluring and terrifying, representing the "Otherworld" of Irish folklore. The story explores the vulnerability of innocence when faced with an ancient, calculating evil.
  
  Atmospheric Mastery: From the "death-tick" in the walls to the chilling descriptions of the secret chamber hidden within the tower, Le Fanu builds a sense of mounting dread. Ultor De Lacy is a masterclass in the "liminal" ghost story—where the horror is found in the transition between the historical world we know and the spectral world we fear.
  
  Step into the tower of shadows. Purchase "Ultor De Lacy: A Legend of Cappercullen" today.

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  Madam Crowl's Ghost and the Dead...

  Joseph Sheridan Le Fanu

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  "The dead do not always rest, and the past is never truly buried."
  
  In this collection, Le Fanu takes us into the dark corners of the human conscience. "Madam Crowl's Ghost" tells the story of an ancient, wealthy woman whose deathbed secrets refuse to remain hidden. As a young servant girl discovers, the old woman's spirit continues to wander the corridors of Applewale House, driven by a terrifying need to reveal a hidden crime. In "The Dead Sexton," the focus shifts to the mysterious and grim Mr. Toby Appleby, a man whose life—and death—are bound up with a sinister bargain. These stories are not merely about things that go bump in the night; they are about the weight of guilt and the inevitability of justice from beyond the grave.
  
  The Terror of the Domestic: Le Fanu excels at making the familiar feel threatening. A rustle of silk in an empty room, a misplaced key, or the sight of a familiar face where it shouldn't be—these are the tools he uses to create a sense of profound unease. He pioneered the idea that the most terrifying ghosts are those tied to our own families and histories.
  
  The "Hanging Past": Both stories explore the theme of the "Unresolved." Whether it is a hidden will in a secret drawer or a soul sold for earthly gain, Le Fanu's ghosts are active agents of fate. They don't just haunt; they demand a reckoning. This collection showcases his ability to blend traditional folklore with a sophisticated psychological edge.
  
  A Legacy of Influence: These tales were famously rediscovered and praised by M.R. James, the father of the modern ghost story. To read "Madam Crowl's Ghost" is to see the blueprint for every "secret in the attic" horror story that followed. It is essential reading for anyone who loves the classic, atmospheric thrill of the Victorian macabre.
  
  Turn the page and face the past. Purchase this classic collection today.

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