Begleiten Sie uns auf eine literarische Weltreise!
Buch zum Bücherregal hinzufügen
Grey
Einen neuen Kommentar schreiben Default profile 50px
Grey
Jetzt das ganze Buch im Abo oder die ersten Seiten gratis lesen!
All characters reduced
The Other Boleyn Girl - (stage version) - cover

The Other Boleyn Girl - (stage version)

Philippa Gregory

Verlag: Nick Hern Books

  • 0
  • 0
  • 0

Beschreibung

Henry VIII's court is a stage for love and treachery, where the weapons of choice are sex, marriage – and the executioner's axe. As Henry's mistress, Mary Boleyn is a pawn in her family's lust for power. Queen Katherine of Aragon hasn't produced a male heir, and Mary's ruthless uncle scents the chance of putting his niece on the throne.
But Henry's wandering eye has fallen on another: Mary's headstrong sister, Anne, whose ambition not only threatens to destroy her bond with Mary, but shakes the foundations of Church and State.
Based on Philippa Gregory's internationally bestselling novel, The Other Boleyn Girl is a brilliant evocation of intrigue at the Tudor court – a racy and riveting drama of events that changed the course of English history. This stage adaptation by Mike Poulton was premiered at Chichester Festival Theatre in 2024, directed by Lucy Bailey.
Verfügbar seit: 25.04.2024.
Drucklänge: 112 Seiten.

Weitere Bücher, die Sie mögen werden

  • Everlasting Flowers - cover

    Everlasting Flowers

    D.H. Lawrence

    • 0
    • 0
    • 0
    LibriVox volunteers bring you 9 different recordings of Everlasting Flowers by D. H. Lawrence.
    Zum Buch
  • A Midsummer Night’s Dream - cover

    A Midsummer Night’s Dream

    Pierre Arthur Laure, William...

    • 0
    • 0
    • 0
    Shakespeare’s most imaginative and merry play is set in an enchanted wood amidst fairies and sprites. 
    When Oberon, King of the Fairies, uses his magic upon four runaway lovers in a midsummer wood outside Athens, chaos ensues. Who really loves whom? Meanwhile, a band of well-meaning but bungling local actors have their rehearsal sabotaged by the mischievous Puck, who bewitches their leader, Bottom, and Titania, the Fairy Queen. The result is a lively and anarchic comedy which can only be resolved by an elaborate disentangling of spells. 
    Hermia is played by Amanda Root, Oberon by David Harewood, and Bottom by Roy Hudd. 
    ACT IScene 1. In Athens, preparations are underway for the wedding of Duke Theseus to Hippolyta, Queen of the Amazons. An angry father, Egeus, comes to the ducal palace and accuses Lysander of bewitching his daughter Hermia, even though she is already betrothed to Demetrius. Hermia confesses her love for Lysander, and Theseus tells her that according to the law, she must either die or enter a nunnery if she refuses to marry the man chosen by her father. He gives her until the new moon to decide. Hermia and Lysander decide to run away; they agree to meet the following night in a wood outside the city. They tell Helena, Hermia’s childhood friend, of their plan; she, however, is in love with Demetrius, who has rejected her for Hermia, and she hopes to regain his favor by telling him of the lovers’ intentions.Scene 2. A group of Athenian workmen, “rude mechanicals,” are preparing an entertainment to be performed at the Duke’s wedding. They have chosen “the most lamentable comedy and most cruel death of Pyramus and Thisby.” 
    ACT IIScene 1. In a wood near Athens, Oberon and Titania, King and Queen of the Fairies, argue over a changeling boy. Titania has adopted him, but Oberon wants him for an attendant. When Titania refuses to give in, Oberon summons his servant, the mischievous sprite Puck. Oberon instructs him to find an enchanted flower, the juice of which, when laid on a sleeper’s eyelid, will cause him or her to fall in love with the first creature seen on awaking. He thus hopes to force her into giving him the boy. While Puck is gone, Oberon observes Helena and Demetrius, who have followed Hermia and Lysander into the wood. Demetrius rejects Helena peremptorily. When Puck returns with the flower, Oberon tells him to lay some of its juice on the eye of the “disdainful youth,” whom he will know by his Athenian clothes.Scene 2. Oberon squeezes the juice of the magic flower on Titania’s eyelids. Lysander and Helena fall asleep nearby. Puck mistakes Lysander for Demetrius and drops the juice on his eye. Demetrius and Helena arrive and Lysander awakes, promptly falling in love with Helena. Hermia wakes to find herself left alone. 
    ACT IIIScene 1. Near where Titania lies sleeping, the “rude mechanicals” rehearse their play. Puck, who has been watching the rehearsal with amusement, places the head of an ass on Bottom’s shoulders. His fellow actors run away terrified. Titania awakes and falls instantly in love with Bottom.Scene 2. Oberon is delighted at what has happened to Titania, but angered when he realizes that the sprite has mistaken Lysander for Demetrius. To right the error, he lays juice on the lids of the sleeping Demetrius. When the young man wakes, the first person he sees is Helena, and he duly falls in love with her. Helena, now beloved of both the youths, is certain they are teasing her cruelly. Hermia is distraught when Lysander rejects her and accuses Helena of stealing her beloved. Lysander and Demetrius leave to settle their quarrel over Helena by combat, but Oberon orders Puck to send them to sleep. Puck then lays an antidote to the love juice on Lysander’s eyelids. Meanwhile Helena and Hermia fall asleep beside their lovers. 
    ACT IVScene 1. Oberon sees Titania sleeping beside Bottom. He pities her and, on undoing the spell, they are reconciled. Puck removes Bottom’s
    Zum Buch
  • The Higher Pantheism in a Nutshell - cover

    The Higher Pantheism in a Nutshell

    Algernon Charles Swinburne

    • 0
    • 0
    • 0
    >LibriVox volunteers bring you 9 recordings of The Higher Pantheism in a Nutshell by Algernon Charles Swinburne. This was the Fortnightly Poetry project for September 18, 2011.Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. He invented the roundel form, wrote several novels, and contributed to the famous Eleventh Edition of the Encyclopaedia Britannica. He was nominated for the Nobel Prize in Literature in every year from 1903 to 1907 and again in 1909. ( Summary by Wikipedia )
    Zum Buch
  • The Ballad of a Nun - A decadent poet describes a young womans struggle between religion and life - cover

    The Ballad of a Nun - A decadent...

    John Davidson

    • 0
    • 0
    • 0
    John Davidson was born at Barrhead, East Renfrewshire on 11th April 1857.  
    In 1862 his family moved to Greenock and there he began his education at Highlanders' Academy.  Davidson would now spend many years at school and the beginnings of a career in various industries before gaining employment in various schools. 
    By now literature was a large part of his activities and his first published work was ‘Bruce, A Chronicle Play’ in 1886. Four other plays quickly followed including the somewhat brilliant pantomimic ‘Scaramouch in Naxos’ (1889). 
    With his reputation gradually providing an income he was also able to explore his true medium; Verse.  ‘In a Music Hall and Other Poems’ (1891) together with ‘Fleet Street Eclogues’ (1893) were ample proof that he possessed a quite rare, genuine and distinctive poetic gift.   
    Davidson now turned further and further towards verse. In 1894 he published his most popular volume, ‘Ballads and Songs’ (1894), and this was followed by a further ‘Fleet Street Eclogues’ (Second Series) (1896) and by ‘New Ballads’ (1897) and ‘The Last Ballad’ (1899). 
    As the new century dawned Davidson was hard at work on a series of ‘Testaments’, in which he gave definite expression to his philosophy and were published over a seven year period; ‘The Testament of a Vivisector’ (1901), ‘The Testament of a Man Forbid’ (1901), ‘The Testament of an Empire Builder’ (1902), and ‘The Testament of John Davidson’ (1908).  
    However, on 23rd March 1909, with his finances in ruins, the onset of cancer and profound hopelessness and clinical depression he left his house for the last time.  His body was only found on September 18th by some local fishermen.
    Zum Buch
  • The Book Club Boyfriend Effect - cover

    The Book Club Boyfriend Effect

    Marcus Reed

    • 0
    • 0
    • 0
    The Book Club Boyfriend Effect is a sharp, warm exploration of how fictional love interests quietly shape our real expectations of romance. Starting from the familiar scene—a group of readers swooning, roasting, and dissecting the latest “book boyfriend”—it shows how those conversations become rehearsal spaces for our ideals, our secret fears, and the stories we tell about what we’d “never” tolerate. 
    The book unpacks how we co-create these perfect partners in our heads, then compare real people to carefully orchestrated character arcs, often without realizing it. At the same time, it argues that fiction can expand our sense of what’s possible: respect, consent, emotional literacy, and tenderness that we might never have seen modeled elsewhere. Instead of blaming books or glorifying fantasy, The Book Club Boyfriend Effect helps readers separate aesthetic tropes from non-negotiable values, use stories as mirrors rather than measuring sticks, and bring the best of their reading life back into their real relationships—with more honesty, less performance, and a lot more compassion for themselves.
    Zum Buch
  • Deaf Republic - A Lyric Essay - cover

    Deaf Republic - A Lyric Essay

    Ilya Kaminsky

    • 0
    • 0
    • 0
    Finalist for the National Book Award; finalist for the PEN/Jean Stein Award; finalist for the National Book Critics Circle Award; winner of the Los Angeles Times Book Prize; winner of the Anisfield-Wolf Book Award; winner of the National Jewish Book Award; finalist for the Kingsley Tufts Poetry Award; finalist for the T. S. Eliot Prize; and a finalist for the Forward Prize for Best Collection 
     
     
     
    Ilya Kaminsky's astonishing parable in poems asks us, What is silence? 
     
     
     
    Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya's girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky's long-awaited Deaf Republic confronts our time's vicious atrocities and our collective silence in the face of them.
    Zum Buch