Other books that might interest you

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  The Top 10 Poets – The...

  Langston Hughes, Paul Laurence...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we collect together poets who, by the difference in the colour of their skin, were treated with such disdain and racism that it is difficult to believe that poetry of such tenderness, beauty and authority could exist.

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  The Hoarders

  Caleb Leow

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  Caleb Leow's The Hoarders was a winner of the 2023 New Poets' Prize.
  'The Hoarders resounds with a subtle and unsettling music which creates its own complex, multilingual logic, even as Leow brings an attentive eye and an inquisitive wit to bear on a wide range of themes both personal and political. These are vivid and evocative poems which bear re-reading, and Leow is clearly a talent to watch.' - Mary Jean Chan

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  The Top 10 Poets – The Americans...

  Walt Whitman, Emily Dickinson,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we discover poets whose storied verse has captured breath and imagination during its relatively short history as a nation.   Words, themes and subjects are melded together in unique and inspiring ways, stretched across its peoples, landscapes and history in ways that only Americans can.

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  The Night Before - Beautiful...

  Edward Arlington Robinson

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  Edwin Arlington Robinson was born on the 22nd December 1869 in Tide in Lincoln County, Maine.  
  His childhood was described by him as ‘stark and unhappy’.  His name was drawn out of a hat from a fellow vacationer from Arlington Massachusetts when fellow holiday makers decided that his parents had waited long enough at 6 months to name him.  It was a name he despised and reflects the station to which his parents had placed him; their great hope at his birth were that he was a girl to complement their two sons. 
  His pessimistic mood carried him to adulthood and a doomed encounter with Emma Loehen Shepherd who constantly encouraged his poetry.  Edwin was thought too young to be her companion and so his elder, middle brother, Herman was assigned to her.  It was a great blow to Edwin and during their marriage on February 12th, 1890, he stayed home and wrote ‘Cortege’ 
  In the fall of 1891 Edwin entered Harvard, taking classes in English, French and Shakespeare.  He felt at ease with the Ivy League and made great efforts to be published in one of the Harvard literary journals.  Indeed, the Harvard Advocate published ‘Ballade of a Ship’ but then his career appeared to stall.  His father died and although he returned to Harvard for a second year it was to be his last but also the start of some life-long friendships. 
  In 1893 he returned to Gardiner Maine as the man of the household.  Herman by this time had become an alcoholic, having suffered business failures, and was now to become estranged from Emma. 
  Edwin began farming whilst he wrote and quickly developed a close relationship with Emma who had now moved back to Gardiner after Herman’s death with her children. 
  Although he proposed twice, he was rejected and in consequence moved to New York to start afresh. 
  But it was a salutary experience. Although surrounded by artists he had little money and life was difficult. 
  In 1896 he published his own book, ‘The Torrent and the Night Before’, paying 100 dollars for 500 copies.  Edwin wanted it to be a surprise for his Mother, but days before its arrival she died of diphtheria. 
  His second volume, ‘The Children of the Night’, had a wider circulation.  At the behest of President Roosevelt, whose son was an avid admirer, he was given a job in 1905 at the New York Customs Office although it appears his real job was “to help American letters”. 
  Either way his success began to widen and his influence proper.  During the 1920s he won the Pulitzer Prize for Poetry on three separate occasions. In 1922 for ‘Collected Poems’ again in 1925 for ‘The Man Who Died Twice’ and finally in 1928 for ‘Tristram’. 
  During the last twenty years of his life he became a regular summer resident at the MacDowell Colony in New Hampshire, where he became the object of fascination by several women.  But he never married. 
  Edwin Arlington Robinson died of cancer on the 6th April 1935 in the New York Hospital in New York. He was 65.

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  The Dwarves - science fiction novel

  Dr. Amr Mounir

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  “In the vast expanse of the Algerian desert, an adventurer embarks on a solitary journey to explore ancient temples hidden among the dunes. As he delves into the ruins, he uncovers engravings on the walls that hint at a civilization far more advanced than ours, one that predates history as we know it. Suddenly, he’s whisked away by unseen forces and comes face-to-face with these ancient beings. In a twist of fate, he learns the secret behind their diminished stature, as they have evolved into beings of small form but immense intellect, a stark contrast to their grand legacy etched in stone.”

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  Sensitive to Temperature

  Serena Alagappan

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  Sensitive to Temperature seeks out the precariousness and sensitivities of language, as well as the fragilities of the world it represents. These are eco-poems that experience time on a human and non-human scale, from the movements of rock to the sources of rivers.

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