Editora: Interactive Media
In an ancient grove near Antioch, Cipriano debates faith with a mysterious stranger, Lucifer. Meanwhile, noble rivals seek guidance on love from Lisandro for Justina's affections, amidst a city in turmoil. Love and faith entwine in a profound tale.
Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. The young Amelia was energetic, attractive, and an admirer of fashion. She spent much of her youth writing poetry and plays and putting on local amateur theatricals. At 18 she had published anonymously ‘The Dangers of Coquetry’. Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times. From this point on published works were far more regular. The following year her volume ‘Poems’ appeared and was again very popular. Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works. She was also keenly involved in a love of society and its attendant frills. Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery. Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems. Of particular interest was her short poem ‘The Black Man's Lament’ in 1826. Her life now was in the main spent travelling and working for charities and against slavery. She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom. Amelia Opie died on the 2nd December 1853 in Norwich. She was 84.Ver livro
Through spoken word and musical compositions, Red Corner underpins the interconnectedness of key themes: identity, sexual health, neurodiversity, queer and political issues, sexism, racism, illness, suicide, perseverance, and navigating intergenerational trauma. Be transported by Dawn's raw and vulnerable tone: a visceral and transformative experience. Accompanied by musician and songwriter Salwa. “The early chapters are spare, confessional, and often emotionally messy...strange, uncanny, and disorienting. In the first half of the collection, Web typically favours economical, lyric poetry reminiscent of Phyllis Webb’s Naked Poems, but often plays with the rhythmic and declarative registers of slam poetry, sections of dialogue that call to mind screenwriting, and prose poems. This formal elasticity builds towards the sixth chapter, Vortex, a personal essay that chronicles the poet’s journey through mental illness, sexual assault, and sexual identity. The voice in this chapter and the following—Backwards, a socially-minded section reminiscent of Karen Solie’s politically charged poetry—is confident, even strident; the path to that self-assurance has been traced in the earlier chapters, which reveal Web’s ambivalence, in terms of diagnosis, embodiment, illness, and treatment. In the final chapters, Web returns to an intimate and confessional voice that opens towards a greater sense of connectivity, community, and acceptance. RED CORNER is more than a collection—it’s a carefully mapped journey that acknowledges the difficult and essential nature of self-acceptance... Web’s first book is a great read—it’s complex, thoughtful, and engaging. The breadth and the depth of the writing in RED CORNER promises that it won’t be the last from this ambitious, brave, and introspective young writer.” —Becca Babcock, Author with Nimbus Publishing, Actor/Filmmaker, Writing Instructor and Assistant Dean of FASS at Dalhousie UniversityVer livro
“That is what you get, my friend. That… is what you get." Set in Long Island, NY, in the little town of Bay Shore at the beginning of the twentieth century, “The Rain Drinkers” is the story of a young man’s passage to adulthood. Sent to stay with an abusive relative he has never met and the man’s unfortunate young wife, the younger man is forced to learn lessons of life, friendship, love, and loss. The story touches on many topics, such as racism, immigration, and the American experience at the beginning of a new age.Ver livro
This book results from the author's effort to be open and ready for moments when words seem to come from somewhere else. Just Live is a book of poetry inspired by life and written to appreciate the simple moments in life when the Muse visits. This version of the audiobook is set to music by Dave Clo.Ver livro
Join a carnival of characters including Bez from Happy Mondays, Jorge Louis Borges, and a medieval pilgrim on a journey to buy a PlayStation, in McCabe's sixth and most daring collection. Part-written in Scouse dialect and invented languages, Hedonism offsets the comic with the elegiac in a spectral and polyphonic work exploring the intersection of grief, place, memory and imagination. This is a book where haunted pasts and futures collide; in a post-Brexit landscape, through cities both imagined and real, McCabe's poems merge through timeslips and ghostly encounters, all the time electrified by the great connector of language at its most radical and unruly. These incandescent poems surge and resist expectation and formula – declaring "can it be, after all, that hedonism is the only activism?"Ver livro
‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 1 - A Rhyme a Dozen - 12 Poets, 12 Poems, 1 Topic. Wind - An Introduction 2 - Blow Blow Thou Winter Wind by William Shakespeare 3 - Ode to the West Wind by Percy Bysshe Shelley 4 - Who Has Seen the Wind by Christina Rossetti 5 - Summer Wind by William Cullen Bryant 6 - North Wind in October by Robert Seymour Bridges 7 - Some Too Fragile for Winter Winds by Emily Dickinson 8 - The Wind That Shakes the Barley by Katharine Tynan 9 - Windy Nights by Robert Louis Stevenson 10 - Wind Over the Sea by Geoffrey Bache Smith 11 - The Winds of Fate by Ella Wheeler Wilcox 12 - The Wind's Lament by John Morris-Jones 13 - Subway Wind by Claude McKayVer livro
