Casa editrice: Grosvenor House Publishing
This is the third poetry anthology by Paul Klinger. As with the previous books, each chapter starts with one of the author's paintings, relevant to a poem title. With a portfolio of almost eight hundred paintings to date, there were plenty to choose from!
William Morris Meredith Jr. (January 9, 1919 - May 30, 2007), born in New York City, was an American poet and educator. He was Poet Laureate Consultant in Poetry to the Library of Congress from 1978 to 1980, and the recipient of the 1988 Pulitzer Prize for Poetry. In the following recordings Mederdith reads his poems "The Wreck of the Thresher," "Parents From The Cheer," "The Illiterate," and "Crossing Over."Mostra libro
The death of a mother alters forever a family’s story of itself. Indeed, it taxes the ability of a family to tell that story at all. The Accounts narrates the struggle to speak with any clear understanding in the wake of that loss. The title poem attempts three explanations of the departure of a life from the earth—a physical account, a psychological account, and a spiritual account. It is embedded in a long narrative sequence that tries to state plainly the facts of the last days of the mother’s life, in a room that formerly housed a television, next to a California backyard. The visual focus of that sequence, a robin’s nest, poised above the family home, sings in a kind of lament, giving its own version of ways we can see the transformation of the dying into the dead. In other poems, called “Arguments,” two voices exchange uncertain truths about subjects as high as heaven and as low as crime. Grief is a problem that cannot be solved by thinking, but that doesn’t stop the mind, which relentlessly carries on, trying in vain to settle its accounts. The death of a well-loved person creates a debt that can never be repaid. It reminds the living of our own psychological debts to each other, and to the dead. In this sense, the death of this particular mother and the transformation of this particular family are evocative of a greater struggle against any changing reality, and the loss of all beautiful and passing forms of order.Mostra libro
Abigail's mum is dead. But it turns out she can't afford her to be. Did you know how expensive it is to die? It's £4,000 for the funeral. Extra for flowers. And even more if you want sausage rolls. Otherwise, she'll get a council funeral and an unmarked grave. In her work as a playwright, Abigail has been asked to write about something raw, from her 'unique working-class lens'. Something that will make the audience feel gratifyingly bad about themselves. And so, to afford the funeral, she has to write about her mum. Kelly Jones's My Mother's Funeral: The Show playfully tackles the inequalities we face around death, and the cost of turning your loved ones into art. It was co-produced by Paines Plough; Mercury Theatre, Colchester; Belgrade Theatre, Coventry; Landmark Theatres and Royal & Derngate, Northampton – and premiered in 2024 at the Belgrade, before a UK tour including a run at Paines Plough's Roundabout at the Edinburgh Festival Fringe, where it won a Fringe First Award and a Summerhall Lustrum Award.Mostra libro
In this provocative & immensely irritating comic play, the Sphinx from ancient Greece is interviewed in modern times as though she were a celebrity pop star. The problem is she never answers any questions — never directly anyway. Instead she prefers just dishing the dirt on everybody. ON HOMER: “I never was exactly sure which one Homer was. I’m positive he wasn’t the blind one, though; that was just a silly story they started telling a few centuries later”. ON OEDIPUS: “Eddie was terribly conceited, you know … of course he was smart and handsome and, oh, just had a way of carrying himself that impressed everybody. In spite of his foot.” Bit by bit the Interviewer learns that what happens in Greek legend didn’t happen exactly the way Sophocles described it. Fortunately, the Sphinx offers the Interviewer another riddle … if only he could figure out what exactly it is! This witty 67 minute audio play stars Jill Brumer as the Sphinx and Neal Gage as the Interviewer. Part Tom Stoppard, part Monty Python, part Oscar Wilde, this play by Jack Matthews combines philosophical paradoxes with fast-paced verbal pyrotechnics. It offers the perfect antidote to people who remembered ancient literature as nothing but stuffy and melodramatic characters with hard-to-pronounce names. Neal Gage is a Houston actor and teacher who has appeared in several features and comic sketch videos on Funny or Die. Jill Brumer has an MFA in Media & Performing Arts and teaches theater at Houston colleges. Jack Matthews (1925-2013) was an American novelist, short story writer, essayist, playwright and former professor in Ohio. The play was first published & performed in 1992; later it was revised & expanded for the 2013 audio production.Mostra libro
Set against the backdrop of Ireland’s struggle for freedom, "Cathleen Ní Houlihan" unfolds with quiet intensity as a young man’s ordinary life is gradually overtaken by a strange and irresistible call to something greater. In the presence of a beguiling visitor whose words seem to shimmer with myth and longing, dreams of marriage and home give way to visions of sacrifice and national pride. W.B. Yeats weaves a lyrical, otherworldly tale that blurs the line between reality and enchantment, capturing the powerful sway of idealism, identity, and the mysterious forces that drive people to give everything for a cause--the cause for Ireland's freedom. Brimming with charm and mischief, "The Pot of Broth" is a delightful one-act comedy co-written with Lady Gregory in which a clever wanderer, armed with nothing but an empty pot and a silver tongue, convinces a wary country couple that he can brew a magical broth from a simple stone. As tall tales bubble up alongside the imaginary soup, the ordinary kitchen becomes a stage for trickery, laughter, and the quiet magic of believing in just a little more than what’s in front of you. Come into the Irish countryside, where even the poorest pot can cook up a most entertaining story. W.B Yeats' "Purgatory" is a grim representation of generational guilt and spiritual entrapment, as a father confronts the ghosts of his family’s past in the ruins of a once-noble home, where memory and violence echo years afterwards. Meanwhile, in "The Cat and the Moon," two beggars—one blind, one lame—make their way to a holy well where Saint Colman resides in the hopes of curing their respective ailments. But when given the opportunity of being healed or being blessed, both beggars are forced to reassess their convictions. Will they use their newfound gifts for justice, or will they accept placement in the hereafter?Mostra libro
The language of Poetry is an art that most of us attempt at some point in our lives. Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. The dreaming spires of Oxford may be one of the great educational establishments of the Centuries. But it is also a place where the Nation’s young learn much more. Within its walls, courtyards and cloisters these 10 Poets mused and illuminated on the beauty of poetry with eager yet tender words.Mostra libro
