Traducteur Alexandra Ivan
Maison d'édition: Tektime
A journey into the ancient world of Blues: how it was born, its origins, its path in the world. And then many stories and biographies about its protagonists, black and white, who helped create it and spread it to the general public.PUBLISHER: TEKTIME
Making Tutus is a practical guide to making these traditional costumes for classical ballet dancers. As with the tutu itself, the book approaches the task in three parts – the tutu plate, the bodice and the decorative sections. It shares the secrets of a leading costume-maker as it explains the challenging task of, on the one hand, creating a light and beautiful ballet outfit suitable for performance and, on the other, making a comfortable and hardwearing costume that suits a character. In doing so, it reveals the extraordinary talent and techniques required by the costume-maker.Voir livre
A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated ’90s music and changed the industry forever Fully revised and updated, with a foreword by Vivek Shraya “A fascinating, fun, and infuriating read.” — Tegan Quin, Tegan and Sara In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bonafide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records. With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Andrea offers us a revised and expanded edition of her 2015 book, providing a new perspective on the legacies of the four Canadian women who dominated the ’90s airwaves and influenced an entire generation of current day popstars with their voices, fashion, and advocacy. As the world is now reconsidering the treatment and reputations of key women in ’90s entertainment, We Oughta Know is definitively entering the chat.Voir livre
Preface Welcome to the vibrant, unpredictable world of Slab City California—a place where trials and transformation intersect amidst the desert ruins. In the season of 2024, I embarked on a journey to this otherworldly post-apocalyptic landscape, seeking refuge from the constraints of modern society and discovering profound lessons in resilience and human connection. My experiences in Slab City were nothing short of transformative. What began as a quest for escape evolved into a profound exploration of self-discovery and communal living. Here, amidst the remnants of a forgotten military base, I encountered a community unlike any other—a gathering of souls navigating their own purgatories, seeking solace and renewal in the desert expanse. As you delve into the pages of this book, you'll join me on a journey of personal evolution and collective wisdom. From the vibrant art installations of East Jesus to the camaraderie of the Oasis Club, each encounter in Slab City left an indelible mark on my spirit. The Slabbers I met—resilient, resourceful, and irreverently creative—taught me invaluable lessons about living authentically and embracing the unexpected. Through the trials and tribulations of Slab City, I discovered that true transformation begins with the courage to embrace the unknown and the willingness to connect deeply with others. This book is a testament to the enduring spirit of humanity, a celebration of unconventional living, and a reminder that amidst desolation, hope and community flourish. Join me as we uncover the secrets of Slab City, where the mundane fades away and the extraordinary emerges. May this journey inspire you to seek your own path of authenticity and resilience, wherever your adventures may lead. Let the metamorphosis begin. JasonVoir livre
It was the best of times, it was the worst of times... it was the 80's! A fictionalized retelling of somewhat real events about a boy and his band. We didn't have any money, we didn't think we had a future, all we had was the music. A coming of age tale in the era of spandex, big hair and Reganomics.Voir livre
The Wireless World sets out a new research agenda for the history of international broadcasting, and for radio history more generally. It examines global and transnational histories of long-distance wireless broadcasting, combining perspectives from international history, media and cultural history, the history of technology, and sound studies. It is a cowritten book, the result of more than five years of collaboration. Bringing together their knowledge of a wide range of different countries, languages, and archives, the coauthors show how broadcasters and states deployed international broadcasting as a tool of international communication and persuasion. Exploring the idea of a "wireless world," a globe connected, both in imagination and reality, by radio, The Wireless World sheds new light on the transnational connections created by international broadcasting. Bringing together all periods of international broadcasting within a single analytical frame, the study reveals key continuities and transformations. It looks at how wireless was shaped by internationalist ideas about the use of broadcasting to promote world peace and understanding, at how empires used broadcasting to perpetuate colonialism, and at how anti-colonial movements harnessed radio as a weapon of decolonization.Voir livre
A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity Released in 1994, The Crow first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that The Crow was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee’s performance was “more of a screen achievement than any of the films of his father, Bruce Lee.” In It Can’t Rain All the Time, Alisha Mughal argues that The Crow has transcended Brandon Lee’s death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fandom. Eric, our back-from-the-dead, grieving protagonist, shows us that there is no solution to depression or loss, there is only our own internal, messy work. By the end of the movie, we realize that Eric has presented us with a vast range of emotions and that masculinity doesn’t need to be hard and impenetrable. Through her memories of seeking solace in the film during her own grieving period, Alisha brilliantly shows that, for all its gothic sadness, The Crow is, surprisingly and touchingly, a movie about redemption and hope. About the Pop Classics Series Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.Voir livre
