Otros libros que te pueden interesar

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  The Style Formula - The Art and...

  Aricia Symes

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  If you’ve ever stood in front of a closet full of clothes and felt like you have no great outfits, you are not alone. In The Style Formula, Aricia Symes lays out her secrets to successful styling.

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  Wagadu - The Ghana Empire of...

  Rolf Hedger

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  The origins of Wagadu, known as the Ghana Empire, are deeply rooted in oral traditions, mythology, and historical developments that shaped one of West Africa’s first great civilizations. The Soninke people, the founders of Wagadu, established the empire in a region rich in natural resources, particularly gold. Over centuries, the empire grew into a powerful trading state, controlling key trans-Saharan trade routes and influencing the political and economic landscape of West Africa. 
  According to the oral traditions of the Soninke people, the empire’s foundation is linked to the legend of Dinga Cisse, a mythical leader who is said to have guided his people to the lands of Wagadu. Stories passed down through griots, the custodians of history, describe how Dinga Cisse and his descendants established a ruling dynasty that oversaw the rise of Ghana. These traditions, while not verifiable by modern historical methods, offer insights into the cultural identity and historical memory of the Soninke people. 
  Geographically, the Ghana Empire emerged in what is now southeastern Mauritania and western Mali, an area characterized by vast savannas, river systems, and gold-bearing regions. The Senegal and Niger rivers played a crucial role in sustaining agriculture and facilitating trade. The region's climate, while challenging due to periods of drought, also provided fertile lands that supported farming, livestock, and settlement growth. The natural wealth of Wagadu, particularly its gold mines in Bambuk and Bure, laid the foundation for the empire’s economic dominance.

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  Nok Civilization - The...

  Rolf Hedger

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  The Nok civilization is one of the most fascinating and mysterious ancient cultures of West Africa. It flourished between approximately 1500 BCE and 500 CE, making it one of the earliest known complex societies in sub-Saharan Africa. The Nok people are best known for their remarkable terracotta sculptures, which provide valuable insights into their artistry, beliefs, and way of life. Despite their historical significance, much about the Nok civilization remains unknown, leaving archaeologists and historians to piece together their story from scattered artifacts and excavation sites. 
  The first discovery of Nok artifacts occurred in 1928, when British archaeologist Bernard Fagg came across a series of terracotta figurines in central Nigeria. These artifacts, found near the village of Nok, revealed an advanced artistic style that was distinct from any previously known African culture. The sculptures depicted human figures with intricate hairstyles, elaborate jewelry, and expressive facial features, suggesting a highly developed artistic tradition. This discovery marked the beginning of a deeper exploration into the Nok civilization, leading to further excavations that uncovered tools, pottery, and evidence of early ironworking. 
  One of the most significant aspects of Nok’s discovery was its role in the history of metallurgy in Africa. Archaeological findings suggest that the Nok people were among the earliest in West Africa to practice iron smelting, a technological advancement that contributed to agricultural development and societal growth. The presence of iron tools indicates that they engaged in farming, hunting, and trade, supporting the idea that Nok society was well-organized and economically active.

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  Everyday Chanakya | Women in...

  Dr.Radhakrishnan Pillai

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  Due to their traditional roles, women often sideline their professional lives. Although in recent times, an increasing number of women are entering the professional sphere and taking up leadership roles. Here is a comprehensive guide for women planning to take up leadership roles.

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  Most Dramatic Ever: The Bachelor

  Suzannah Showler

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  The right reasons to fall in love with The Bachelor When it debuted in 2002, The Bachelor raised the stakes of first-wave reality television, offering the ultimate prize: true love. Since then, thrice yearly, dozens of camera-ready young-and-eligibles have vied for affection (and roses) in front of a devoted audience of millions. In this funny, insightful examination of the world’s favorite romance-factory, Suzannah Showler explores the contradictions that are key to the franchise’s genius, longevity, and power and parses what this means for both modern love and modern America. She argues the show is both gameshow and marriage plot ― an improbable combination of competitive effort and kismet ― and that it’s both relic and prophet, a time-traveler from first-gen reality TV that proved to be a harbinger of Tinder. In the modern media-savvy climate, the show cleverly highlights and resists its own artifice, allowing Bachelor Nation to see through the fakery to feel the romance. Taking on issues of sex, race, contestants-as-villains, the controversial spin-offs, and more, Most Dramatic Ever is both love letter to and deconstruction of the show that brought us real love in the reality TV era.

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  Painted People: Humanity in 21...

  Matt Lodder

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  In 1881, a writer in the Saturday Review called tattooing ‘an art without a history’. ‘No-one’, it went on, ‘has made it the business of his life to study the development of tattooing.’ Until now. 
  Painted People is a beguiling and intimate look at an untold history of humanity. 
  The earliest tattoos yet identified belonged to Ötzi, the ‘iceman’, whose mummy allows us a brief glimpse into the prehistory of the practice. We know that over the more than five thousand years since he was tattooed, countless cultures have performed this ancient practice, and people in every corner of the world have been tattooed. For the most part, these fascinating histories remain stubbornly untold, and the secrets of Siberian princesses, Chinese generals and Victorian socialites have been hidden on the skin, under layers of clothing and under layers of history. Now with access to a wealth of new and unreported material, this book will roll up its sleeves and reveal the artwork hidden beneath them. 
  In Painted People, Dr Matt Lodder, one of the world’s foremost experts on tattooing, tells the stories of people like Arnaq, who was tattooed in keeping with her cultural and religious traditions in sixteenth-century Canada, and Horace Ridler, who was tattooed as a means to make money in 1930s London. And in between these two extremes, he describes tattoos inked for love, for loyalty, for sedition and espionage and for self-expression, as well as tattoos inflicted on the unwilling, to ostracise. Taken together, these twenty-one tattoos paint a portrait of humanity as both artist and canvas. 
  Lodder's Painted People is a top-tier exploration of body art, blending science and design in a unique anthropological study. His criticism of popular views on tattooing offers a fresh perspective on this ancient practise. 
  For fans of Nick Schonberger (The Language of Tattoos), John Miller (The Philosophy of Tattoos), Trent Aitken-Smith (The Tattoo Dictionary), Caroline Vout (Exposed), and Yori Moriarty (Japanese Tattoos). 
  HarperCollins 2022

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