Other books that might interest you

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  9 Behaviors To Avoid When...

  E. Cromwell

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  Do you and your partner have the same arguments over and over again?  
    
  Have you been abused or threatened with violence by someone who is supposed to love you? 
    
  Does your significant other call you crazy or make you think you're losing your mind? 
    
  These are just a few questions you may identify with if you are in a toxic relationship or are heading towards one. Maybe you're already married or just started dating someone new. You may be looking and waiting for the right person to show up. Regardless of your situation, this book is for you! 
  In this book, you will discover red flags that your date, partner, or spouse may reveal. Recognizing red flags can help you stop a relationship before it wrecks your life. Walking away is easier early in the relationship, but leaving an abusive or highly toxic relationship is extremely important no matter how long you have been together. 
    
  This book aims to unveil toxic behaviors in relationships. Not every red flag is a deal-breaker, especially if your partner is willing to communicate and work with you to improve the situation - but ignoring red flags can be downright dangerous, so this book will show you some troubling behaviors that should set off an alarm. Expert advice and research-backed data will help you to not ignore red flags.

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  Beyond the Secret Garden - The...

  Ann Thwaite, Jacqueline Wilson

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  Frances Hodgson Burnett's favorite theme in her fiction was the reversal of fortune, and she herself knew extremes of poverty and wealth. Born in Manchester in 1849, she emigrated with her family to Tennessee because of the financial problems caused by the cotton famine. From a young age she published her stories to help the family make ends meet. Only after she married did she publish Little Lord Fauntleroy that shot her into literary stardom. 
   
   
   
  On the surface, Frances' life was extremely successful: hosting regular literary salons in her home and travelling frequently between properties in the United Kingdom and America. But behind the colorful personal and social life, she was a complex and contradictory character. She lost both parents by her twenty-first birthday, Henry James called her "the most heavenly of women" although avoided her; prominent people admired her and there were many friendships as well as an ill-advised marriage to a much younger man that ended in heartache. Her success was punctuated by periods of depression, in one instance brought on by the tragic loss of her eldest son to consumption. 
   
   
   
  Ann Thwaite creates a sympathetic but balanced and eye-opening biography of the woman who has enchanted numerous generations of children.

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  Blind Faith

  Salomea Genin

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  Salomea's Story: "Blind Faith"Born in 1932 as the child of Polish-Russian Jews in the Jewish Hospital in Berlin-Wedding, Salomea Genin fled with her family from the Nazis to Australia in May 1939. At the age of 12, she became a member of the 'Eureka Youth League' (Communist Youth Organisation in Australia). She joined the Communist Party of Australia at the age of 17, just as it was about to be banned.In 1951, she came to East Berlin as a member of the Australian delegation to the '3rd World Festival of Youth and Students' and was enthusiastic about the GDR. She left Australia to help build a better, anti-fascist Germany, but was not granted a residence permit. So Salomea Genin initially stayed in West Berlin and temporarily in England before she was officially allowed to move to East Berlin in 1963.In West Berlin, she had begun working as an informant for the GDR Ministry for State Security. She then continued this work in the GDR. In 1982 she realised: Instead of helping to make the world a better place, she had helped to create a police state. She broke with the Stasi and wanted to take her own life. In 1985, she began to talk about this with those affected.It was not until May 1989 that she found the strength to resign from the SED. Her resignation was printed in West German newspapers, including the Frankfurter Rundschau.……..1932 als Kind polnisch-russischer Juden im Jüdischen Krankenhaus, Berlin-Wedding geboren, floh Salomea Genin im Mai 1939 mit ihrer Familie vor den Nationalsozialisten nach Australien. Im Alter von 12 Jahren wurde sie Mitglied der "Eureka Youth League" (Kommunistischer Jugendverband in Australien). Mit 17 Jahren trat sie der Kommunistischen Partei Australiens bei, als diese gerade verboten werden sollte.1951 kam sie als Mitglied der australischen Delegation zu den "3. Weltfestspielen der Jugend und Studenten" nach Ost-Berlin und war von der DDR begeistert. Sie verließ Australien, um ein besseres, antifaschistisches Deutschland mitaufzubauen, erhielt aber keine Aufenthaltserlaubnis. So blieb Salomea Genin zunächst in West-Berlin und zeitweise in England, bevor sie 1963 offiziell nach Ost-Berlin übersiedeln durfte.In West-Berlin hatte sie begonnen, als Informantin für das Ministerium für Staatssicherheit der DDR zu arbeiten. Diese Tätigkeit setzte sie dann in der DDR fort. 1982 erkannte sie: Anstatt zu helfen, die Welt zu verbessern, hatte sie mitgeholfen, einen Polizeistaat zu schaffen. Sie brach mit der Stasi und wollte sich das Leben nehmen. 1985 fing sie an, darüber mit den Betroffenen zu sprechen.Erst im Mai 1989 fand sie die Kraft, aus der SED auszutreten. Ihre Austrittserklärung wurde in westdeutschen Zeitungen abgedruckt, darunter in der Frankfurter Rundschau.

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  Forgotten Authors The - Men -...

  Vladimir Korolenko, Charles...

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  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.   
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of those talents whose time has now come again.

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  Best Women’s Erotica of the Year...

  Rachel Kramer Bussel

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  There is a lot to be desired in Bussel's latest addition to the BWE series! 
   
   
   
  "Anything goes" in this wild and thrilling collection of erotic fiction. 
   
   
   
  From lesbian vampires to the ghost of Nathaniel Hawthorne, exhibitionism for a daring woman's neighbors and sexy onstage burlesque moves, the women in these stories are hot, horny, and determined to get exactly what they want. Whether they're bedding a longtime partner or hooking up with someone they've just met, they always find a way to get exactly what they want. From outlandish erotic fantasies in public and private to tender intimacies, sexual healing and hotness take many forms in these arousing tales by authors including Sally Bend, Katrina Jackson, T.C. Mill, Garnell Wallace, and more. 
   
   
   
  Edited by the award-winning Rachel Kramer Bussel, Best Women's Erotica of the Year, Volume 10 serves up twenty-one steamy adult stories that are sure to fan the flames of listeners' desires! 
   
   
   
  Contains mature themes.

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  The Divine Comedy Inferno

  Dante Alighieri

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  Inferno (Italian: [iɱˈfɛrno]; Italian for "Hell") is the first part of Italian writer Dante Alighieri's 14th-century epic poem Divine Comedy. It is followed by Purgatorio and Paradiso. The Inferno tells the journey of Dante through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm ... of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin.An initial canto, serving as an introduction to the poem and generally considered to be part of the first cantica, brings the total number of cantos to 100.

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