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  After Poems Psalms

  John Robert Lee

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  In his fifth collection with Peepal Tree Press, After Poems, Psalms, John Robert Lee achieves a sense of spirit, insight and empathy with these celebratory and contemplative poems.
  "In the way that we might look to the psalms for strength and solace, After Poems, Psalms should be received as a gift, a balm and a cause for celebration. Here is a companion to assist spirit wrestlers and lovers of poetry in their quest to identify the numinous in both the human and the natural worlds. " Lorna Goodison

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  The Slave Trade A Poem - Hugely...

  Hannah More

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  Hannah More was born on February 2nd, 1745 at Fishponds in the parish of Stapleton, near Bristol. She was the fourth of five daughters. 
  The City of Bristol, at that time, was a centre for slave-trading and Hannah would, over time, become one of its staunchest critics.  
  She was keen to learn, possessed a sharp intellect and was assiduous in studying.  Hannah first wrote in 1762 with The Search after Happiness (by the mid-1780s some 10,000 copies had been sold). 
  In 1767 Hannah became engaged to William Turner.  After six years, with no wedding in sight, the engagement was broken off.  Turner then bestowed upon her an annual annuity of £200.  This was enough to meet her needs and set her free to pursue a literary career.   
  Her first play, The Inflexible Captive, was staged at Bath in 1775. The famous David Garrick himself produced her next play, Percy, in 1777 as well as writing both the Prologue and Epilogue for it.  It was a great success when performed at Covent Garden in December of that year.  
  Hannah turned to religious writing with Sacred Dramas in 1782; it rapidly ran through nineteen editions. These and the poems Bas-Bleu and Florio (1786) mark her gradual transition to a more serious and considered view of life. 
  Hannah contributed much to the newly-founded Abolition Society including, in February 1788, her publication of Slavery, a Poem recognised as one of the most important of the abolition period.   
  Her work now became more evangelical.  In the 1790s she wrote several Cheap Repository Tracts which covered moral, religious and political topics and were both for sale or distributed to literate poor people.  The most famous is, perhaps, The Shepherd of Salisbury Plain, describing a family of incredible frugality and contentment. Two million copies of these were circulated, in one year. 
  In 1789, she purchased a small house at Cowslip Green in Somerset. She was instrumental in setting up twelve schools in the area by 1800. 
  She continued to oppose slavery throughout her life, but at the time of the Abolition Bill of 1807, her health did not permit her to take as active a role in the movement as she had done in the late 1780s, although she maintained a correspondence with Wilberforce and others.  
  In July 1833, the Bill to abolish slavery throughout the British Empire passed in the House of Commons, followed by the House of Lords on August 1st. 
  Hannah More died on September 7th, 1833.

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  The Theogony

  Hesiod

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  The Theogony "the genealogy or birth of the gods" is a poem by Hesiod (8th – 7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the Epic dialect of Ancient Greek and contains 1022 lines. 
  Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing.
  Hesiod appropriates to himself the authority usually reserved to sacred kingship. The poet declares that it is he, where we might have expected some king instead, upon whom the Muses have bestowed the two gifts of a scepter and an authoritative voice (Hesiod, Theogony 30–3), which are the visible signs of kingship. It is not that this gesture is meant to make Hesiod a king. Rather, the point is that the authority of kingship now belongs to the poetic voice, the voice that is declaiming the Theogony.

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  Then the War - And Selected...

  Caryl Phillips

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  "In much of the best contemporary poetry, beauty of thought is at least as important as beauty of language. Carl Phillips, here reading his own Pulitzer Prize-winning collection, has an ample supply of both, but it is the thinking behind each poem that makes it possible for the language to have power." - AudioFileWINNER OF THE 2023 PULITZER PRIZE IN POETRYA new collection of poems from one of America’s most essential, celebrated, and enduring poets, Carl Phillips's Then the WarI’m a song, changing. I’m a light rain falling through a vast darkness toward a different darkness.Carl Phillips has aptly described his work as an “ongoing quest”; Then the War is the next step in that meaningful process of self-discovery for both the poet and his reader. The new poems, written in a time of rising racial conflict in the United States, with its attendant violence and uncertainty, find Phillips entering deeper into the landscape he has made his own: a forest of intimacy, queerness, and moral inquiry, where the farther we go, the more difficult it is to remember why or where we started. Then the War includes a generous selection of Phillips’s work from the previous thirteen years, as well as his recent lyric prose memoir, “Among the Trees,” and his chapbook, Star Map with Action Figures.Ultimately, Phillips refuses pessimism, arguing for tenderness and human connection as profound forces for revolution and conjuring a spell against indifference and the easy escapes of nostalgia. Then the War is luminous testimony to the power of self-reckoning and to Carl Phillips as an ever-changing, necessary voice in contemporary poetry.

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  The Human Body

  Lucy Kirkwood

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  'The window for change – real change I mean – will close. It's already closing. Very soon it will be shut, and we shan't be able to get it open again.'
  1948, Shropshire: the winter is freezing, austerity is biting and Iris Elcock, GP, socialist and Labour Party councillor, is working tirelessly to implement Nye Bevan's National Health Service Act and its revolutionary promise of free healthcare for all.
  At home she is a mother, and wife to a fellow GP, an ex-Navy man scarred by the war. But a chance meeting with George Blythe, a local boy who has made it to Hollywood, turns her quiet, certain world upside down.
  A story of political and private passions, Lucy Kirkwood's play The Human Body was first performed at the Donmar Warehouse, London, in 2024, directed by Michael Longhurst and Ann Yee, and starring Keeley Hawes and Jack Davenport.
  'Kirkwood is the most rewarding dramatist of her generation'Independent

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  Sinuous Heart

  Fay van Burg

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  In our timeless, fast-paced world, Sinuous Heart delves into the haunting emotional landscapes of our relationships, both romantic and platonic. This poignant poetry collection captures the essence of loneliness that often lingers in empty connections, leaving us yearning for authenticity and companionship.  
  Through vivid imagery and heartfelt language, Fay van Burg delves into the struggles of maintaining intimacy and sincerity in a time when distractions abound, and meaningful encounters are fleeting. With lines that pulse with both pain and beauty, Sinuous Heart paints a striking portrait of the heart’s journey, a whirlwind of reality where joy and sorrow exist side by side.  
  Readers will find solace in these verses, reflecting on their own emotional battles of the shared human experience when seeking connection in a disconnected world. This collection is a testament to the strength of vulnerability. The words within are an invitation to embrace the complexity of our hearts as we, as one, navigate love, loss, and everything in between.

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