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  GLOBO ARTE AUGUST 2022 ISSUE -...

  Globo Arte team

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  Hi guys this is the AUGUST 2022 Magazine issue, which contains artists interviews to inspire artists, and so much more to help the artist in their art career,it contains artist interviews, art-related topics articles and question of the month, step of the month and social media updates

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  A View from the Bridge

  Arthur Miller

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  Italian-American immigrant life in the 1950’s textures this searing drama of love and revenge. Longshoreman Eddie Carbone is devoted to his wife, Beatrice and to his niece, Catherine. When Beatrice’s impoverished Sicilian cousins enter the U.S. illegally, in hope of finding work, Eddie gives them a helping hand. But when Catherine and one of the cousins fall in love, Eddie’s affection for his niece turns into obsession. 
   
  An L.A. Theatre Works full-cast performance featuring Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill, Amy Pietz and Don Tieri.

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  Fuente Ovejuna

  Lope de Vega, Adrian Mitchell

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  A cruel conqueror has captured the Spanish city of Fuente Ovejuna. As his reign of terror builds, the townspeople look within themselves to find the courage to overthrow him. The eminent Spanish playwright Lope de Vega based his best-known play on a historical incident that took place in 1476. Written in the early 17th century, the play remains a timely meditation on honor and selflessness in the face of oppression. 
    
   Recorded at the DoubleTree Guest Suites, Santa Monica in June 1993. 
    
   Directed by Robert Robinson 
   Producing Director: Susan Albert Loewenberg 
    
   An L.A. Theatre Works full-cast recording starring: 
   Christine Avila as Laurencia 
   Ivonne Coll as Jacinta and Queen Isabel 
   Héctor Elizondo as Commander Fernándo Gómez de Guzmán 
   Jorge Galván as Mengo 
   Carlos Gómez as Frondoso 
   Peter A. Jacobs as Captain Flores and Master Rodrigo Téllez Girón 
   Marabina Jaimes as Pascuala 
   Jonathan Nichols as Barrildo and Cimbranos 
   Al Rodrigo as Leonelo, King Ferdinand, and Soldier 
   Ruben Sierra as Esteban  
   Sam Vlahos as Sergeant, Alonso, and Alderman  
    
   Associate Producer: Robert Robinson  
   Technical Director: Raymond Guarna  
   Second Engineer: Jim Machowsky  
   Technical Advisor: Leo del Aguila  
   Music Director: Gerald Sternbach  
   Guitar performed by Ricardo Gomez

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  Oasis' Definitely Maybe

  Alex Niven

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  Oasis’s incendiary 1994 debut album Definitely Maybe managed to summarize almost the entire history of post-fifties guitar music from Chuck Berry to My Bloody Valentine in a way that seemed effortless. But this remarkable album was also a social document that came closer to narrating the collective hopes and dreams of a people than any other record of the last quarter century. In a Britain that had just undergone the most damaging period of social upheaval in a century under the Thatcher government, Noel Gallagher ventriloquized slogans of burning communitarian optimism through the mouth of his brother Liam and the playing of the other Oasis ‘everymen’: Paul McGuigan, Paul Arthurs and Tony McCarroll. On Definitely Maybe, Oasis communicated a timeworn message of idealism and hope against the odds, but one that had special resonance in a society where the widening gap between high and low demanded a newly superhuman kind of leaping. Alex Niven charts the astonishing rise of Oasis in the mid 1990s and celebrates the life-affirming, communal force of songs such as “Live Forever,” “Supersonic,” and “Cigarettes & Alcohol.” In doing so, he seeks to reposition Oasis in relation to their Britpop peers and explore one of the most controversial pop-cultural narratives of the last thirty years.

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  Time for School

  Disney

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  Growing Up Stories brings together beloved Disney characters and a ton of fun, providing a new way to teach kids about positive traits. These simple stories highlight social-emotional skills like bravery, responsibility, and honesty, making it easy for young ones to grasp these important lessons. It's the first day of school! Verdi is super excited, but Morty is feeling a bit anxious. Let's see what Uncle Mickey has to say to them.

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  Daisy Jones & The Machine We Built

  Marcus Reed

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  Daisy Jones & The Machine We Built is a requiem for authenticity in an age of performance. Behind every song lies an algorithm, behind every voice a brand. This book explores how passion becomes product, how rebellion becomes rhythm, and how the hunger for art is replaced by the machinery of attention. Daisy’s story becomes a parable for a generation that traded intimacy for influence, and creation for visibility. Through lyrical prose and cultural critique, it reveals the cost of being seen in a world that values exposure over expression — and asks whether there’s still room for truth in an echo chamber built to repeat itself forever.

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