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  The Whistler Collection Volume 2

  Black Eye Entertainment

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  The Whistler was one of radio’s top mystery programs airing from May 16, 1942 until September 22, 1955. Sponsored by the Signal Oil Company, The Whistler (Joseph Kearns, Gale Gordon, and Bill Forman) was an ominous narrator who knew the killer’s every move even before they did. The stories followed an effective formula in which a person's criminal acts were typically undone by their own missteps. The Whistler often commenting directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective. One of the show’s trademarks was the ironic twist endings that helped serve as a payoff for the listener. Radio performers heard in this collection of 12 episodes include: Joseph Kearns, Bill Forman, Lou Merrill, Gerald Mohr, Hans Conreid, Marvin Miller and Frank Lovejoy. 
  8/22/42 “Death Has a Thirst”8/29/42 “The Letter”9/5/42 “House of Greed”9/13/42 “Mirage”9/20/42 “Fog”9/27/42 “Jealousy”10/4/42 “The Urge to Kill”10/11/42 “Malice”12/27/42 “The Double Cross”1/3/43 “The Weakling”6/26/43 “The Blank Wall”8/28/49 “The Eager Pigeon”

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  Greybeards at Play - Rhymes and...

  G.K. Chesterton

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  Greybeards at Play' is a short collection of humorous poetry by celebrated British writer and social commentator, Gilbert Keith Chesterton (1874–1936). Published in 1900, it was Chesterton's first publication. These rhymes and sketches spin witty lyrics around themes such as aestheticism, the philosopher's love of nature, and ill-directed altruism, in true Chestertonian style.

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  The Emma Press Anthology of Aunts

  Rachel Piercey

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  At one remove from parental authority, aunts play a crucial role in the upbringing of children across the world. This anthology puts these women in the spotlight and explores what it means to be – and feels like to have – an aunt, historically and today. Some aunts are biological, some are chosen, but all have an impact on the way we learn to move through the world. Poets in this volume tell stories of glamorous confidants, akin to older siblings, and of older women, tough and worldly-wise, who offer their nieces and nephews a different perspective on life. Above all, the book restores their centrality to young people's development and to family life.

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  Three Plays by Edward Albee -...

  Edward Albee

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  Three acclaimed one-act plays from the early years of the author of Who’s Afraid of Virginia Woolf?. With the initial productions of The Death of Bessie Smith, The Sandbox, and The American Dream, Albee consolidated his reputation as a brilliant new talent of the New York theater scene. These three plays tackle major themes such as race relations, American family life, and the essence of theater itself—each of which still continue to resonate. Representing the bold and exciting periods in the then-young career of widely considered America’s most popular and imaginative playwrights, this edition is a must-have for theater lovers.“One of the few genuinely great living American dramatists.” —Ben Brantley, The New York Times

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  Greek Tragedies III - Aeschylus:...

  Aeschylus Aeschylus, Sophocles,...

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  This anthology collects some of the most important plays by Ancient Greek tragedians, in updated translations with new introductions. 
   
  Greek Tragedies, Volume III presents some of the finest and most fundamental works of Western dramatic literature. It draws together plays of Aeschylus, Sophocles, and Euripides from Chicago’s acclaimed nine-volume series, Complete Greek Tragedies. This third edition updates the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which they are famous. New introductions for each play provide essential information about the production histories and the stories themselves. 
   
  This volume contains Aeschylus’s “The Eumenides,” translated by Richmond Lattimore; Sophocles’s “Philoctetes,” translated by David Grene; Sophocles’s “Oedipus at Colonus,” translated by Robert Fitzgerald; Euripides’s “The Bacchae,” translated by William Arrowsmith; and Euripides’s “Alecestis,” translated by Richmond Lattimore.

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  Grand Inquisitor The (dramatic...

  Fyodor Dostoevsky

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  The Grand Inquisitor is a parable told by Ivan to Alyosha in Fyodor Dostoevsky's novel The Brothers Karamazov (1879–1880). Ivan and Alyosha are brothers; Ivan questions the possibility of a personal, benevolent God and Alyosha is a novice monk. The Grand Inquisitor is an important part of the novel and one of the best-known passages in modern literature because of its ideas about human nature and freedom, and because of its fundamental ambiguity. In the tale, Christ comes back to earth in Seville at the time of the Inquisition. He performs a number of miracles (echoing miracles from the Gospels). The people recognize him and adore him, but he is arrested by Inquisition leaders and sentenced to be burnt to death the next day. The Grand Inquisitor visits him in his cell to tell him that the Church no longer needs him. The main portion of the text is the Inquisitor explaining to Jesus why his return would interfere with the mission of the church. (Summary by Wikipedia) 
   
  CastNarrator: Ruth GoldingIvan Karamazov: om123Aloysha Karamazov: Martin GeesonThe Grand Inquisitor: Denny SayersAudio edited by Todd

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