Other books that might interest you

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  The Sun Also Rises

  Ernest Hemingway, Kate McAll

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  A group of friends decamps from 1920’s Paris for the Festival of San Fermin in Pamplona, Spain. Jake is in love with the aristocratic Bret Ashley, but Bret’s wandering eye lands on a young matador. In the week of drinking, bullfighting, and jealousy that follows, friendships will be upended and hopes for love dashed.   
   
  Recorded at The Invisible Studios, West Hollywood in April 2022. 
   
  Directed by Anna Lyse Erikson 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full-cast recording starring: 
  Geoffrey Arend as Robert Cohn 
  Seamus Dever as Bill Gorton 
  Patrick Heusinger as Jake Barnes  
  Derrick Kemp as Pedro Romero  
  Rhian Rees as Lady Brett Ashley 
  Herbert Sigüenza as Montoya and others  
  André Sogliuzzo as Mike Campbell and the Count 
  Devon Sorvari as Frances and Georgette 
   
  Senior Producer: Anna Lyse Erikson 
  Prepared for Audio by Mark Holden for The Invisible Studios, West Hollywood 
  Sound Design by Charles Carroll with Austin Halterman 
  Recording Engineer and Mixer: Charles Carroll 
  Senior Radio Producer: Ronn Lipkin 
  Foley Artist: Jeff Gardner

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  The Poetry of Dante Gabriel...

  Dante Gabriel Rossetti

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  Dante Gabriel Rossetti was born on May 12th 1828 in London, England. 
  As a youth he was "self-possessed, articulate, passionate and charismatic" but also "ardent, poetic and feckless". Like his siblings, including famed poet Christina Georgina Rossetti, he most wished to be a poet but had a keen eye as a painter, having shown a great interest in Medieval Italian art.  
  Together with William Holman Hunt and John Everett Millais they developed and founded the Pre-Raphaelite Brotherhood. It’s mission; to reform English art and return to the detail, intense colours, and complex compositions of Quattrocento Italian and Flemish art.  
  The brotherhood's magazine, The Germ, was first published in 1850 with Rossetti contributing a poem, "The Blessed Damozel", and a story about a fictional Italian artist inspired by a vision of a woman who bids him combine the human and the divine in his art. 
  Rossetti first met his future wife, Elizabeth Siddal, a model, in 1849 who was later sitting for him and involved in an intense relationship.  By 1852 they withdrew from society; totally absorbed in each other. The lovers nicknamed each other; "Guggums" and "Dove".   
  In 1861, Rossetti, together with William Morris, became a founding partner in the decorative arts firm, Morris, Marshall, Faulkner & Co. Rossetti contributed designs for stained glass and other decorative objects. 
  Meanwhile his marriage to Lizzie was troubled.  The terrible hurt of Rossetti’s affairs with other women had caused her stress leading to depression and other illnesses. She now began to take, and become addicted to, laudanum. In 1861, Lizzie became pregnant but the resultant birth was a stillborn daughter.  Lizzie’s post-partum depression was followed by an overdose of laudanum the following year.  Rossetti was devastated and, at her funeral in Highgate Cemetery, he buried the bulk of his unpublished poems with her body. 
  Poetry and painting are closely entwined in Rossetti's work. He frequently wrote sonnets to accompany his pictures, while also creating art to illustrate poems such as "Goblin Market" by his sister. 
  His personal life was closely woven into his work, especially his relationships with his models and muses.  William Morris’s wife, Jane, regularly sat for him during the next few years, and it was said she "consumed and obsessed him in paint, poetry, and life".  
  During these years, Rossetti was prevailed upon by friends to exhume his poems from his wife's grave which he eventually did, collating and publishing them in 1870.  Their eroticism and sensuality caused much offence. One, "Nuptial Sleep", described a couple falling asleep after sex. It was part of the sonnet sequence The House of Life, a complex series tracing the physical and spiritual development of an intimate relationship.  Rossetti described the sonnet form as a "moment's monument" and these were his crowning literary achievement.  
  Toward the end of his life, he sank into a morbid state, shadowed by addiction to chloral hydrate and increasing mental instability. He spent his last years as a recluse at Cheyne Walk and died on Easter Sunday, April 9th, 1882. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Bend My Light

  Alexander Gwyn

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  Twenty-three poems. Three movements. One unflinching journey from the depths to the light. 
  Alexander Gwyn's Bend My Light arrives in audio for the first time — narrated by the poet himself, layered with music and ambient sound that move the listener through descent, search, and arrival. From addiction and rebirth, to the cosmic wonder of the universe, to the quiet grace of solitude — this collection speaks to anyone who has ever searched for meaning in the darkness and discovered light on the other side. 
  Listen slowly. They were written that way.

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  And the World Spins Anyway

  George Jones

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  This a love letter to real life, however it shows up; an antidote to the highlight reel that is social media, a tribute to the unfinished, the unfiltered, the uncertain.
  In this debut collection of poetry, stories and questionable choices, Georgie Jones, with her signature wit and warmth, explores the exquisite messiness of modern existence and makes the chaos feel, somehow, like home. She can't promise any answers, but she can make you feel a little less alone in not having them.

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  Wild Seas Wilder Cities - A...

  Helen Salsbury, Richard...

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  Wild Seas, Wilder Cities is a ‘wild-seeded’ collection of short stories, poems, memoirs and environmental articles from 49 unique contributors, all concerned with showing the positive side of our relationship with the earth. 
   
  Thanks to funding from Portsmouth Creates, this audiobook features 50 different voices from across the Portsmouth community and beyond. Our readers range from teenagers to those in their nineties, including experienced actors, writers and volunteers from the public. 
   
  The many writers, poets and performers in this audiobook have given their work freely, so all profits are donated to the Hampshire & Isle of Wight Wildlife Trust for their Solent Seagrass Restoration Project. 
   
  Recorded at the award-winning Casemates Studios in Portsmouth. 
   
  Find out more at pensoftheearth.co.uk/audiobook 
   
  Reviews for the paperback: 
   
  ‘Calls to us in a rousing chorus of voices … a lyrical force for change.’ Nicola Chester, award winning author of On Gallows Down and Ghosts of the Farm. 
   
  ‘Bursting with inspiring and hopeful visions’ Carys Bray, author of A Song for Issy Bradley 
   
  ‘Mixing fact, fiction and poetry is such a good idea – we bear witness to the natural world in many ways, and the pieces come in all shapes and sizes, carrying messages of determination, love for nature, positive actions and the power of community.’ Sarah Jane Butler, author of Starling 
   
  ‘Full of love, enlightenment, practicality and poetry.’ Toby Litt, author of Patience 
   
  ‘A delightfully encouraging collection of writings on the ways we can help make the world wilder again, how we can change the narrative on climate change. Vibrant and alive, these are wonderful tales told of renaturing – of striving to support life in all its glorious forms on the earth, of restoring hope for the future.’ Dr James Canton, Director of Wild Writing, University of Essex

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  Modern Poetry - Poems

  Diane Seuss

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  Diane Seuss's signature voice—audacious in its honesty, virtuosic in its artistry, outsider in its attitude—has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft—ballad, fugue, aria, refrain, coda—and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor. 
   
   
   
  In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time's deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? "It seems wrong / to curl now within the confines / of a poem," Seuss writes. "You can't hide / from what you made / inside what you made." What she finds there, finally, is a surprising but unmistakable love.

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