Publisher: BookRix
I often imagine myself as a lone wanderer in the desert, roaming from oasis to oasis and city to city. There, he meets people, listens to their stories, possibly becomes part of them, replenishes supplies, and sets off again. While he walks alone, he thinks a lot. And he learns. When he gets to the next city, maybe he also has a story to tell.
This new and revised edition of poems about the men and women of the North features the most loved ballads by Robert Service, and is narrated by Michael Puttonen. While living in Whitehorse, Robert Service wrote The Cremation of Sam McGee, and other well-known poems. He wrote and published into his mid-eighties. He was quoted as saying, I just go for a walk and come back with a poem in my pocket.Gaiety, humor, nostalgia, and pathos fill every page, along with the genuine Service ring of virility which has made his verse loved throughout the English reading world.Show book
This is the story of Marco, a journalist who has lost his way after his wife was raped and then her suicide. Desperation and the desire for change take him to environments far from his world. He finds himself, almost unwittingly, frequenting the slums of his city and a low-class dive, The Bad Bear Tavern, where he meets a neglected humanity living on the edge of legality, made up largely of non-EU citizens. Among them, one person stands out: Igor, a cultured Hungarian who has experienced terrible events in the Middle East, where he fought as a contractor and as a volunteer alongside the Kurds against ISIS. Marco is fascinated by his personality, but he will discover something that will unsettle him and worsen his existential crisis.Show book
Ex-lovers argue about when they were happiest, police officers rewrite history, and Rasputin dances like no one's watching. Oh, and also the Queen is there. We're going to feed the present to the past. It's a kind of ritual. A kind of sacrifice. Memory always is. Everything Not Saved by Carys D. Coburn with MALAPROP Theatre was first staged at the 2017 Dublin Fringe Festival, where it won the Georganne Aldrich Heller Award for a standout Irish artist or company that demonstrates innovation and connects with audiences. It was subsequently staged at the 2018 Edinburgh Festival Fringe.Show book
Hail, The Invisible Watchman is haunted poetry—Oliver’s formal schemes are as tidy as a picket-fence and as suggestive; behind the charm of rhyme is a vibrant, dark exploration of domestic and social alienation. The poems in Hail, the Invisible Watchman are as tidy as a picket-fence—and as suggestive. Behind the charms of iambs lurks a dark exploration of domestic and social alienation. Metered rhyme sets the tone like a chilling piano score as insidiousness creeps into the neighbourhood. A spectral narrator surveils social gatherings in the town of Sherbet Lake; community members chime in, each revealing their various troubles and hypocrisies; an eerie reimagining of an Ethel Wilson novel follows a young woman into a taboo friendship with an enigmatic divorcée. In taut poetic structures across three succinct sections, Alexandra Oliver’s conflation of the mundane and the phantasmagoric produces a scintillating portrait of the suburban uncanny.Show book
A door slams, and the echoes never fade. Henrik Ibsen's A Doll's House (1879) is a play that doesn't shout—it lingers, unsettling and undeniable. Beneath the surface of a seemingly ordinary household lies a quiet storm, gathering strength with every polite exchange, every carefully placed smile. Nora Helmer is a wife, a mother, a woman adored. Her home is warm, her life is comfortable, her husband sings her praises. But when a long-kept secret begins to unravel, so does the delicate balance of her world. What happens when the roles we play no longer fit? When the words we speak don't match the voices inside us? Ibsen doesn't lecture, doesn't plead—he simply opens a door and lets us look inside. What we see is up to us. Is it a tale of liberation or betrayal? A tragedy or a beginning? More than a century later, the questions still stand, just as urgent, just as sharp. With A Doll's House, Ibsen didn't just write a play. He set a stage for countless conversations, forcing audiences to lean in, to question, to wonder. And when the final moment comes, when the door closes behind Nora, it isn't just her world that shifts. It's ours, too.Show book
Our ALLTHETIME folios present three poets across the generations in conversation with one another. Pounding beneath rib/cage is a visceral struggle for selfhood and belonging. These poems shatter through the suffocating grip of silence and constraint. These are words carved into verse as sharp as bone—voiced into the stillness of night. Within the pages of our first ALLTHETIME folio lies a collection spanning five decades. This chorus of voices across time confront unyielding questions about alienation and autonomy, reminding us that the fight remains as fierce as ever. Let these lines take root in your breath; we dare you to recite them with your whole damn chest.Show book
