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  Trailin'!

  Max Brand

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  “Max Brand", the most used pseudonym of Frederick Schiller Faust (1892-1944), is best known today for his western fiction. Faust began in the early twentieth century selling his stories to the pulp magazines, writing in many genres under numerous pseudonyms. He is probably best known as the creator of the character Destry. His novel Destry Rides Again has been filmed several times, most notably the 1939 version starring James Stewart and Marlene Dietrich. Also his character Dr. Kildare which was popularized in film and on television earned him a fortune. Faust’s novel The Untamed, the first of three novels featuring the classic western hero Dan Barry was filmed in 1920, starring Tom Mix. Faust became a front line war correspondent and died of wounds received while traveling with American soldiers in Italy, May 12, 1944.Trailin’ (1919) tells the story of Anthony Bard, a young aristocract from the east with a hunger for adventure, who sees his father murdered in the yard of their home. This starts young Anthony on a trail of vengeance that leads him to the far west. Here, Anthony, a tenderfoot with a knack for survival must track down a legendary outlaw who waits for him, not with a gun, but with a story. Along the way he braves the elements, resists a band of cold-blooded killers and finds love. A classic western revenge plot…..with a twist. (summary by Rowdy Delaney)

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  Romaine Wasn't Built in a Day -...

  Judith Tschann

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  Discover how the food we love shapes the language we use in this sharp, laugh-out-loud story of the etymology of food words. All food has a story, reaching as far back into history as language itself. Throughout time, as languages followed and reflected the tides of civilizations, food language came to represent some of the highs and lows of how humans communicate: from the highbrow "Chateauneuf du Pape," which must be pronounced with a healthy dose of snootiness; to the giggle-inducing yet delicious "nun's farts" of Jamaica (also known as "beignets"); to the fascinating travels of the word "coffee" across centuries and continents, attesting to the undying and unifying allure this drink holds for us. From Spam to amuse-bouches, ciabatta to kombucha, Romaine Wasn’t Built in a Day reveals the delightful history and stories behind the words we use for the foods we love.   In Romaine Wasn’t Built in a Day, linguist Tschann takes us on a journey from the vineyards of Avignon to the shores of Tahiti to the port of Mocha on the Red Sea coast to explore the history of the history of the words we use for the food we eat. Chock full of linguistic did-you-knows and delectable trivia, this is your go-to gift for history buffs, crossword fiends, and Scrabble diehards. This is the surprising and sometimes hilarious history of food, told through the lens of the fascinating evolution of language. All food has a story, reaching as far back into history as language itself. Throughout time, as languages followed and reflected the tides of civilizations, food language came to represent some of the highs and lows of how humans communicate: from the highbrow "Chateauneuf du Pape," which must be pronounced with a healthy dose of snootiness; to the giggle-inducing yet delicious "nun's farts" of Jamaica (also known as "beignets"); to the fascinating travels of the word "coffee" across centuries and continents, attesting to the undying and unifying allure this drink holds for us. From Spam to amuse-bouches, ciabatta to kombucha, Romaine Wasn’t Built in a Day reveals the delightful history and stories behind the words we use for the foods we love.   In Romaine Wasn’t Built in a Day, linguist Tschann takes us on a journey from the vineyards of Avignon to the shores of Tahiti to the port of Mocha on the Red Sea coast to explore the history of the history of the words we use for the food we eat. Chock full of linguistic did-you-knows and delectable trivia, this is your go-to gift for history buffs, crossword fiends, and Scrabble diehards. This is the surprising and sometimes hilarious history of food, told through the lens of the fascinating evolution of language.

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  Dark Harbor House

  Tom DeMarco

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  An island off the coast of Maine in the late 1940s 
  For Liam Dwyer, collegian and would-be poet (or at least really deep intellectual thinker), the Forsythe’s summer-long house party had charming possibilities.  At its best it might turn out as a simple little love story, with himself and the enchanting Laura as principals.  Only, nothing was ever simple with Laura. Nothing. And when he was near her, his own actions and reactions were sometimes a surprise as well:  
  He could feel Laura’s warmth through her thin dress, pressing against his side as they sat together on the pier. 
  “I . . .” he said. 
  She turned to him, batting her lashes. “Yes, Liam?” 
  Liam was beginning to sweat along the top of the lip.  He looked into Laura’s blue eyes.  And then it hit him, all of a sudden.  It hit him like a ton of bricks.  It was almost impossible to believe but it was true: Under her clothing, Laura was was wearing absolutely nothing — she was totally nude.   Nude!   He was sitting only a few inches away from a lovely nude girl.   
  “Grk,”  he said.

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  Further Foolishness

  Stephen leacock

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  Seventeen goofy stories and essays by Canadian humourist Stephen Leacock. "Professor Leacock has made more people laugh with the written word than any other living author. One may say he is one of the greatest jesters, the greatest humorist of the age." – A. P. Herbert (Introduction by TriciaG & Wikipedia)

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  Locus Amoenus

  V. N. Alexander

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  In this dark comedy, a 9/11 widow and her son, Hamlet, have retreated from Brooklyn to the idyllic rural countryside upstate, where for nearly eight years they have tried organic farming. Unfortunately, their outrageously obese neighbors, who prefer the starchy products of industrial agriculture, shun their elitist ways (recycling, eating healthy, reading). Hamlet, who is now eighteen, is beginning to suspect that something is rotten in the United States of America, when health, happiness and freedom are traded for cheap Walmart goods, Paxil, endless war, standard curriculum, and environmental degradation. He becomes depressed when, on the very day of the 8th anniversary of his father’s death, his mother marries a horrid, boring bureaucrat named Claudius. Things get even more depressing for Hamlet when his friend Horatio, a conspiracy theorist, reveals that Claudius is a fraud. The deceptions, spying, corruption, will ultimately lead, as in Shakespeare’s play, to tragedy. 
  Locus Amoenus uses hilarity and conspiracy theories to present the tragicomedy of a contemporary America that is beyond belief. An important contribution to contemporary American fiction. -William Irwin Thompson, Wild River Review 
  This is Hamlet reimagined as a truther. The protagonist isn’t just feigning madness–he’s genuinely losing his mind. -Kirkus 
  A witty novella that unflinchingly examines the dark roots of industrial agriculture, pharmaceutical conglomerates, and standardized curriculum. A brilliant modern parallel to Shakespeare’s timeless work. –Literary Fiction Book Review 
  Until now, the only 9/11 themed novel of high literary quality was Thomas Pynchon’s Bleeding Edge. Locus Amoenus is the best fictional treatment of 9/11 yet. It’s hilarious, darkly ironic, playful, deeply moving. –Kevin Barrett

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  Woodcutters

  Thomas Bernhard

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  Fiercely observed, often hilarious, and "reminiscent of Ibsen and Strindberg" (The New York Times Book Review), this exquisitely controversial novel was initially banned in its author's homeland. 
   
   
    
  A searing portrayal of Vienna's bourgeoisie, it begins with the arrival of an unnamed writer at an 'artistic dinner' hosted by a composer and his society wife—a couple he once admired and has come to loathe. The guest of honor, a distinguished actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the writer, who narrates a silent but frenzied tirade against these former friends, most of whom have been brought together by Joana, a woman they buried earlier that day. Reflections on Joana's life and suicide are mixed with these denunciations until the famous actor arrives, bringing an explosive end to the evening that even the writer could not have seen coming.

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