Verlag: Sovereign
A young priest is preparing to spend three nights alone with the corpse of a dead witch and only his faith to protect him. He is ordered to supervise the waking of the dead witch in a small old wooden church of a remote village. Join the priest on his journey in this Sovereign Classic edition of Viy.
The Velveteen Rabbit is a popular bedtime story. A little boy gets a stuffed toy, the Velveteen Rabbit. He loves him so much that the rabbit turns "real." But one day the rabbit is thrown out and a fairy comes to him. The moral of the story is: Love and connection are important to all. Recommended for age 3+.Zum Buch
Herbert George Wells (21 September 1866 - 13 August 1946) was an English writer. Prolific in many genres, he wrote dozens of novels, short stories, and works of social commentary, history, satire, biography and autobiography. His work also included two books on recreational war games. Wells is now best remembered for his science fiction novels and is often called the "father of science fiction", along with Jules Verne and the publisher Hugo Gernsback. THE COMING OF BLIRIOT: The telephone bell rings with the petulant persistence that marks a trunk call, and I go in from some ineffectual gymnastics on the lawn to deal with the irruption. There is the usual trouble in connecting up, minute voices in Folkestone and Dover and London call to one another and are submerged by buzzings and throbbings.Zum Buch
Presenting "Part One: A Voyage to Lilliput"— the most famous segment of a classic 18th century satire. Shipwrecked on an unknown island, Lemuel Gulliver finds himself not merely a fish out of water, but a very big fish in a small pond. He awakens to find himself tied to the ground by the natives of Lilliput— tiny people small enough to fit in his pocket and play hide and seek in his hair! At first suspicious, Gulliver soon earns the trust of the Lilliputian people, who enlist their newfound giant in defending them from their enemies on the bordering island of Blefufeu— residents who are also desperate to use the giant in their war against Lilliput.Zum Buch
The unnamed narrator of the story goes into the middle of the Arabian Peninsula to seek out and enter a lost city. After hearing a clanging seemingly coming from deep inside the earth, the narrator inspects mysterious carvings and ruins until nightfall. The next day, the narrator discovers a cliff riddled with low-ceilinged buildings, unfit for human use. While he attends to his suddenly nervous camel, the narrator discovers a somewhat larger temple, with altars, painted murals, and a small staircase going down. After he descends, his torch dies, and he crawls on his hands and knees until he enters a hallway with small wooden coffins containing bizarre reptiles inside of them lining the walls. The narrator notices a large amount of light coming from an unknown source. After crawling to it on his hands and knees, he sees a large brass door with a descent into a misty portal. He then hears moaning coming from the coffin passage, and feels a strong wind coming from the passage, trying to pull him down. Against all odds, he resists, and sees what appear to be reptiles with a body shaped like a cross between a crocodile and a seal with a strange head common to neither of them, involving a protruding forehead, horns, lack of a nose, and an alligator-like jaw crawling behind the lit portal. The wind dies down after the last of it flows down into the light, when suddenly the door closes behind the narrator, leaving him in the dark.Zum Buch
In its first appearance in 1892, Israel Zangwill's Children of the Ghetto created a sensation in both England and America, becoming the first Anglo-Jewish bestseller and establishing Zangwill as the literary voice of Anglo-Jewry. A novel set in late nineteenth-century London, Children of the Ghetto gave an inside look into an immigrant community that was almost as mysterious to the more established middle-class Jews of Britain as to the non-Jewish population, providing a compelling analysis of a generation caught between the ghetto and modern British life. Support Us and Donate https://manifoldmedia.net/donateZum Buch
Henri René Albert Guy de Maupassant was born on August 5th, 1850 near Dieppe in France. Maupassant’s early life was badly torn when at age 11 (his younger brother Hervé was then five) his mother, Laure, a headstrong and independent-minded woman, risked social disgrace in order to obtain a legal separation from her husband. After the separation, Laure kept custody of her two boys. With the father now forcibly absent, Laure became the most influential and important figure in the young boy's life. Maupassant’s education was such that he rebelled against religion and other societal norms but a developing friendship with Gustave Flaubert began to turn his mind towards creativity and writing. After graduation he volunteered for the Franco-Prussian war. With its end he moved to Paris to work as a clerk in the Navy Department. Gustave Flaubert now took him under his wing. Acting as a literary guardian to him, he guided the eager Maupassant to debuts in journalism and literature. For Maupassant these were exciting times and the awakening of his creative talents and ambitions. In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’) which met with a success that was both instant and overwhelming. Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique. This decade from 1880 to 1891 was to be the most pivotal of his career. With an audience now made available by the success of ‘Boule de Suif’ Maupassant organised himself to work methodically and relentlessly to produce between two and four volumes of work a year. The melding of his talents and business sense and the continual hunger of sources for his works made him wealthy. In his later years he developed a desire for solitude, an obsession for self-preservation, and a fear of death as well as a paranoia of persecution caused by the syphilis he had contracted in his youth. On January 2nd, 1892, Maupassant tried to commit suicide by cutting his throat. Unsuccessful he was committed to the private asylum of Esprit Blanche at Passy, in Paris. It was here on July 6th, 1893 that Henri René Albert Guy de Maupassant died at the age of only 42.Zum Buch
