Other books that might interest you

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  Hidden History of Boston

  Dina Vargo

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  Quirky and little-known true stories of one of America’s most historic cities.   Boston may play a big role in American history textbooks, but it also has quite a bit of forgotten past. For example, during the colonial era, riotous mobs celebrated their hatred of the pope in an annual celebration called Pope’s Night. In 1659, Christmas was made illegal, a ban by the Puritans that remained in effect for twenty-two years. William Monroe Trotter published the Boston Guardian, an independent African American newspaper, and was a beacon of civil rights activism at the turn of the century. And in more recent times, a centuries-long turf war played out on the streets of quiet Chinatown, ending in the massacre of five men in a back alley in 1991.   Author and historian Dina Vargo shines a light into the cobwebbed corners of Boston’s hidden history in this riveting read, complete with illustrations.

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  Focus - The Secret Sexy...

  Michael Gross

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  Before Instagram was an art form, fashion photographers were pop culture royalty. From the postwar covers of Vogue until the triumph of the digital image, the fashion photographer sold not only clothes but ideals of beauty and fantasies of perfect lives. Even when they succumbed to temptation and excess, the very few photographers who rose to the top were artists above all.In his follow-up to the New York Times bestselling Model: The Ugly Business of Beautiful Women, Michael Gross probes the lives, hang-ups, and artistic triumphs of more than a dozen of fashion photography's greatest visionaries: Richard Avedon, Irving Penn, Melvin Sokolsky, Bert Stern, David Bailey, Bill King, Gilles Bensimon, Bruce Weber, Steven Meisel, Corinne Day, Bob and Terry Richardson, and more. From Avedon's haute couture fantasies and telling portraits to Weber's sensual, intimate and heroic slices of life, and from Bob Richardson's provocations to his son Terry's transgressions, Gross takes listeners behind the scenes and reveals the revolutionary creative processes and fraught private passions of these visionary imagicians.

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  Lighthouses

  Victoria Charles

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  The lighthouse, an indefatigable watchman, ceaselessly guides boats to their ports.This beacon of maritime signalisation has guided sailors since antiquity.The first known lighthouse appeared on the island of Pharos, and was the remarkable Lighthouse of Alexandria; however, it seems that volcanoes like Stromboli and its frequent eruptions were possibly at the origin of this invention, as the fires guided boats to their shores. Faced with the increasing development of modern navigational aids, these lone sentinels do not hold the same functional importance today. However, this work emphasises not only their role as a major architectural development, but also the place that they hold in the cultural heritage of the world. From the Lighthouse of the Whales (France) to the Lighthouse at the End of the World (Tierra del Fuego,Argentina), and passing by the Lighthouse of Green Island (Canada) and the Bell Rock Lighthouse (Scotland), this work invites the reader to rediscover the richness of these witnesses of other times.

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  Native Guard

  Natasha Trethewey

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  Based on Natasha Trethewey’s collection of poems, The Alliance Theatre’s production of Native Guard is both an elegy to her mother and a journey into Mississippi’s Civil War history. In poetry and song, she reflects on her mother’s passing while contemplating the former slaves who became soldiers in a regiment known as the Native Guard. Trethewey’s work was the winner of the 2007 Pulitzer Prize in Poetry.This recording was produced with the generous support of The Poetry Foundation.An L.A. Theatre Works full-cast recording, starring: January LaVoy as The Poet, Thomas Neal Antwon Ghant as the Native Guard, and featuring Nicole Banks Long on vocals and Tyrone Jackson on piano.The Alliance Theatre production was originally directed by Susan V. Booth. Offsite Producer for The Alliance Theatre, Donya Washington. Composer and Music Director, Tyrone Jackson. Original Sound Design, Clay Benning. Production Assistant, Amanda Allen. Senior Radio Producer, Ronn Lipkin. Recording Engineer, Erick Cifuentes. Associate Producer and Studio Production Coordinator, Mark Holden. Directed by Rosalind Ayres. Recorded at The Invisible Studios, West Hollywood.Native Guard by Natasha Trethewey, used by permission of Houghton Mifflin Harcourt. All rights reserved. As conceived and originally produced by the Alliance Theatre, Atlanta, Georgia. Susan V. Booth, Artistic Director. Mike Schleifer, Managing Director.

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  Frida Kahlo and artworks

  Gerry Souter

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  Behind Frida Kahlo’s portraits, lies the story of both her life and work. It is precisely this combination that draws the reader in. Frida’s work is a record of her life, and rarely can we learn so much about an artist from what she records inside the picture frame. Frida Kahlo truly is Mexico’s gift to the history of art. She was just eighteen years old when a terrible bus accident changed her life forever, leaving her handicapped and burdened with constant physical pain. But her explosive character, raw determination and hard work helped to shape her artistic talent. And although he was an obsessive womanizer, the great painter Diego Rivera was by her side. She won him over with her charm, talent and intelligence, and Kahlo learnt to lean on the success of her companion in order to explore the world, thus creating her own legacy whilst finding herself surrounded by a close-knit group of friends. Her personal life was turbulent, as she frequently left her relationship with Diego to one side whilst she cultivated her own bisexual relationships. Despite this, Frida and Diego managed to save their frayed relationship. The story and the paintings that Frida left us display a courageous account of a woman constantly on a search of self discovery.

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  Scottish Artists in an Age of...

  Bill Hare

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  The visual arts throughout the post-war era have made an invaluable contribution to the cultural development of modern and contemporary Scotland. Joan Eardley, Alan Davie, Eduardo Paolozzi, Ian Hamilton Finlay, Boyle Family, Craigie Aitchison, Barbara Rae John Bellany, Alexander Moffat, John McLean, Bill Scott, Joyce Cairns, Steven Campbell, Ken Currie, Lys Hansen, Alison Watt, Douglas Gordon and Kevin Harman – these are some of the artists whose work reflects the radical and complex transformations of the post-war period. These Scottish artists not only observed and absorbed the socio-economic and technological changes taking place during this era, but also devised a wide range of innovative ways to represent and creatively re-present those changes and their powerful impact on our times. Through a compilation of in-depth interviews with the artists themselves and accompanying critical essays, Bill Hare here examines the richly diverse work of these important figures in modern and contemporary visual culture, revealing the intellectual power and artistic imagination of those who have created one of the greatest eras in the history of Scottish art.

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