Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
An Intervention - cover

An Intervention

Mike Bartlett

Publisher: Nick Hern Books

  • 0
  • 0
  • 0

Summary

A touching, funny play about what happens when you hate your best friend.
One of them went on the anti-war protest, shouted their lungs out, then got horrendously and staggeringly drunk. The other stayed at home, watched TV for a bit, and thought about the future.
Mike Bartlett's play An Intervention premiered at the Watford Palace Theatre in April 2014, in a co-production with Paines Plough.
Available since: 04/17/2014.
Print length: 80 pages.

Other books that might interest you

  • Deed - cover

    Deed

    torrin a. greathouse

    • 0
    • 0
    • 0
    DEED, the follow-up to torrin a. greathouse's 2022 Kate Tufts Discovery Award winning debut, Wound from the Mouth of a Wound, is a formally and lyrically innovative exploration of queer sex and desire, and what it can cost. Sprawling across art, eros, survival, myth, etymology, and musical touchstones from Bruce Springsteen to Against Me!, this new book both subverts and pays homage to the poetic canon, examining an artistic lineage that doesn't always love trans or disabled people back. Written in a broad range of received and invented forms—from caudate sonnets and the sestina, to acrostics and the burning haibun—DEED indicts violent systems of carceral, medical, and legal power which disrupt queer and disabled love and solidarity, as well as the potentially vicarious manner in which audiences consume art. This collection is a poetic triptych centered on the question of how, in spite of all these complications, to write an honest poem about desire. At its core, DEED is a reminder of how tenderness can be made a shield, a weapon, or a kind of faith, depending on the mouth that holds it.[sample text]from EtymythologyI'm clocked by etymology,by the way even stilettos take their namefrom a knife. The way a knife, well-honed,can strip anything to the bone. Bear with me, sometimes even the myths growblurry in the distance. The root of Artemis, goddess of the hunt, is still unknown, but likely comes from artamos—butcher. Let's call this a kind of etymythology,post hoc history; let's call Artemis the root. For her wild heart. Her failedfemininity. Goddess of gender-fuckedgirls. Crooked prayer. The word worship is shaped from two shards—meaning worth & its giving. A mouth gives faith shape like clay. I mean that to pray is to god a God. To be butch & butcher the myth of a son, was to makea goddess of myself.
    Show book
  • Rhyme A Dozen A - England - 12 Poets 12 Poems 1 Topic - cover

    Rhyme A Dozen A - England - 12...

    William Blake, Robert Browning,...

    • 0
    • 0
    • 0
    ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
     
    1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - England - An Introduction 
    2 - Jerusalem by William Blake 
    3 - Home Thoughts From Abroad by Robert Browning 
    4 - The Lambs of Grassmere by Christina Georgina Rossetti 
    5 - Happy Is England by John Keats 
    6 - This England (from Richard II) by William Shakespeare 
    7 - Daffodils by William Wordsworth 
    8 - Lines Written Beneath An Elm in the Churchyard of Harrow On The Hill Sept 2nd 1807 by George Gordon Byron 
    9 - Beachey Head by Charlotte Smith 
    10 - A Shropshire Lad XXXI - On Wenlock Edge the Wood's in Trouble by A E  Housman 
    11 - London After The Great Fire 1666 by John Dryden 
    12 - The Lament of Swordy Well by John Clare 
    13 - A Song - Men of England by Percy Bysshe Shelley
    Show book
  • The Rivals - cover

    The Rivals

    Richard Brinsley Sheridan

    • 0
    • 0
    • 0
    The Rivals by Richard Brinsley Sheridan is a classic eighteenth-century comedy of manners that skillfully blends romance, mistaken identity, and social satire into a lively and enduring theatrical work. First performed in 1775, the play is celebrated for its witty dialogue, memorable characters, and humorous exploration of love and social expectation.
    
    The story centers on a young woman whose romantic life becomes entangled in confusion, miscommunication, and the competing affections of determined suitors. One of the most famous elements of the play is the character known for his excessive romantic imagination and elaborate declarations of love, which lead to a series of comedic misunderstandings and complications.
    
    As the narrative unfolds, characters navigate a world shaped by pride, affection, and the desire for approval. Romantic intentions are frequently misinterpreted, disguises and assumptions lead to further confusion, and social expectations create additional obstacles to genuine connection. Through these intertwined situations, the play explores the contrast between appearance and reality in matters of love.
    
    Sheridan's writing is marked by sharp wit, elegant phrasing, and precise comedic timing. The play balances humorous situations with underlying commentary on human behavior, particularly the ways in which emotion and ego can distort perception and decision-making. Its characters are both entertaining and revealing, reflecting the complexities of courtship and social interaction.
    
    The Rivals remains a cornerstone of English theatre, admired for its humor, charm, and insightful portrayal of romantic confusion. Its enduring appeal lies in its ability to entertain while offering a thoughtful examination of love, identity, and the misunderstandings that shape human relationships.
    Show book
  • Traveling Salesman's Son - cover

    Traveling Salesman's Son

    William Bernhardt

    • 0
    • 0
    • 0
    In his latest collection, William Bernhardt again demonstrates that he is a true poet, one whose work accomplishes the difficult task of being both accessible and profound. He communicates with grace and illumination, avoiding the obscurity and obfuscation that sometimes causes readers to avoid modern poetry. He writes about the subjects that matter most: personal relationships, family, children, and the challenges of everyday life. Bernhardt is a poet who appeals even to those who think they don't like poetry and is cherished by those who do. 
    While addressing subjects of everlasting import, Bernhardt's poems are engaging, relevant, and sometimes playful, reminiscent of beloved predecessors such as Billy Collins and Robert Frost. Readers will be struck by the versatility of the poems and the wide range of form. Smart, lyrical, observant, and textured, these poems explain why Rilla Askew (Kind of Kin) called Bernhardt "a compelling new voice in American poetry" and R.C. Davis-Undiamo (World Literature Today) named him one of "the nation's literary treasures." 
    "William Bernhardt writes with warmth, wit, and a clear desire to commune with his reader. Whether he is working in free verse or in meter and rhyme, Bernhardt makes of poetry a way of connecting person to person. Like Montaigne, Bernhardt is a man consubstantial with his book, and the full range of human feeling is on display in these poems with great honesty and ardent empathy." —Benjamin Meyers, OK Poet Laureate, Crouch-Mathis Professor of Literature, OBU
    Show book
  • Knock-knock - cover

    Knock-knock

    Owen Lewis

    • 0
    • 0
    • 0
    Knock-knock! Who’s there? 
    Ultimately for all, it will be age. At first, it seems like a bad joke—needing a cane, memory loss, more care, forgetting even one’s own name. In Knock-knock, Lewis creates the persona of an older physician who should’ve known what’s in store. Sometimes the reality is grim, but there’s humor, love, and even romance in his inventive and poetic story-telling. “Lost-and-found / is not a planned / destination.” Yet we all eventually find ourselves there.
    Show book
  • Building Bridges - cover

    Building Bridges

    Roy Kindelberger

    • 0
    • 0
    • 0
    Building Bridges is an anthology showcasing my journey into micro poetry, featuring my previously published haiku, tanka, and tanka prose. Within its pages, I explore small moments from my own backyard and childhood, drawing inspiration from the majestic snow-covered mountains and volcanoes in the North Cascades, as well as the towering giant trees that surround me. The ever-present view of the Puget Sound, which I witness daily while teaching young students, and the rhythmic ocean waves of the Pacific blue, further contribute to the tapestry of my poetic musings. It is in those quiet moments that I find myself crafting new songs. 
      
    As a dedicated teacher, I have had the privilege of instructing students across various grades, including kindergarten, second grade, third grade, and special education. Beyond the classroom, my passions extend to writing, reading, yoga, photography, and spending time outdoors with my family. In 2013, I ventured into the realm of fiction with the publication of my middle-grade novel, 'Broken Bridges.' My writing journey has also led me to contribute to the education market and share a diverse collection of poetry and short stories. 
      
    Currently residing in Washington state, I am accompanied by my beautiful wife, Jaci, and our two beloved kitties. Together, we cherish moments with my two children and three stepchildren. To explore more of my work, please visit my writing website at https://www.roykindelberger.com
    Show book