Other books that might interest you

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  The Crucifixion of the Outcast

  W. B. Yeats

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  In The Crucifixion of the Outcast, W.B. Yeats weaves a haunting parable of injustice, piety, and the tragic fate of visionaries scorned by society. Set in a mythic version of early Christian Ireland, the story follows a devout, ragged poet who begs for sanctuary from a monastery — only to find rejection, ridicule, and ultimate martyrdom at the hands of those who claim to follow Christ. 
  This powerful tale explores the hypocrisy of religious institutions, the alienation of the artist, and the price of true spiritual conviction. Rich with allegory and poetic symbolism, Yeats paints a bleak but beautiful portrait of the eternal outcast — one whose death becomes his final and purest act of devotion. 
  Perfect for fans of literary allegory, Irish folklore, and philosophical fiction, The Crucifixion of the Outcast is both a social critique and a deeply moving spiritual meditation.

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  The Dead Smile

  F. Marion Crawford

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  Sir Hugh takes his secret to the grave with a vicious grin on his lips – a devious grin that is somehow contagious.  
  A master of the short horror story, F. Marion Crawford’s contributions to the genre of supernatural fiction are significant. His collection of short stories, Wandering Ghosts, includes tales of vampires, ghouls, the undead, and more. “The Dead Smile” was first published in this collection in 1911. 

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  The Clusterf*ck Collection

  Elliot Grey

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  The ClusterF*ck Collection is it's namesake. It's a collection of works that have no rhyme or reason. Some poems are about love and some are about healing. Some short stories are about trauma and some excerpts are more horror themed. It's a well rounded approach at giving the world a glimpse into my own. As a neurodivergent, Native American and trans author I could not be more proud to bring these parts of me to more people.

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  At the Bottom of the River

  Jamaica Kincaid

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  Jamaica Kincaid's At the Bottom of the River . . . inspired, lyrical short stories 
   
   
   
  Reading Jamaica Kincaid is to plunge, gently, into another way of seeing both the physical world and its elusive inhabitants. Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partially remembered partly divined. The memories often concern a childhood in the Caribbean—family, manners, and landscape—as distilled and transformed by Kincaid's special style and vision. 
   
   
   
  Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things—a house, a cup, a pen. Transfiguring our human form and our surroundings—shedding skin, darkening an afternoon, painting a perfect place—these stories tell us something we didn't know, in a way we hadn't expected.

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  Polaris

  H. P. Lovecraft

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  Title: Polaris 
  Author: H. P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1920 
  Public Domain: Yes 
  Series Placement: Number 43 in the Timeless Terrors series 
  Description: 
  Polaris by H. P. Lovecraft is a dreamlike descent into obsession, identity, and cosmic futility. Set beneath the eerie shimmer of the North Star, it unfolds as both a tale of ancient war and a fevered vision of a soul caught between two worlds — the waking and the eternal. 
  The narrator, haunted by dreams of a lost city beneath the Arctic light, becomes convinced he is the reincarnation of a watchman doomed to fail in his sacred duty. As memory, madness, and destiny blur, Polaris becomes a meditation on guilt and the insignificance of man beneath the indifferent stars. 
  Narrated by Amazon bestselling horror author Jonathan Dunne, this performance captures Lovecraft’s hypnotic rhythm and the slow unravelling of sanity that defines his early cosmic vision — the sense that truth may be glimpsed only in dreams, and that awakening brings no escape. While the text is in the public domain, this narration is an original performance and copyright © 2025 Jonathan Dunne. 
  Part of Timeless Terrors, a series devoted to resurrecting the masters of the macabre and uncanny, Polaris endures as an early glimpse of Lovecraft’s cosmic dread — a haunting reminder that even the stars above may whisper our doom.

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  A Cullenden of Virginia - From...

  Thomas Wolf

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  Thomas Clayton Wolfe was born at the family home, 92 Woodfin Street, in Asheville, North Carolina on October 3rd, 1900.  
  Aged 15, Wolfe began his studies at the University of North Carolina at Chapel Hill (UNC) where he enrolled in a playwriting course. Wolfe graduated in 1920 and enrolled at the Graduate School for Arts and Sciences at Harvard. Here he studied playwriting under the tutelage of George Pierce Baker. In 1922 he received his master's degree from Harvard.  
  Wolfe now began the transition from studying to commercial playwright. He went to New York in November, 1923 trying to sell his plays to Broadway.  The Theatre Guild came close to producing Welcome to Our City but in the end declined.  Wolfe now believed his style of writing was more suited to fiction.  Grasping the opportunity this afforded him he sailed to England in October 1924 to write and from there on to France, Italy and Switzerland. 
  In 1926 Wolfe began writing a novel, O Lost. This would eventually become Look Homeward, Angel. It was based on his years in Asheville. The original manuscript of O Lost was over 1100 pages. Maxwell Perkins, one of the great book editors of the age, worked at his publishers, Scribner’s and he began to focus the book, cutting and re-shaping it to center it on the character of Eugene.   
  The novel was published in 1929. It was a success.   
  Wolfe now committed the next 4 years to writing a multi-volume epic entitled The October Fair.  At Scribner’s Perkins once more decided to edit it down to a single volume; Of Time and the River.  It was even more successful than his first. It was hailed as the literary event of 1935 and cemented his reputation as one of America’s foremost novelists.  
  In 1938, after submitting his new opus, which ran to an incredible one million words, to his new editor, Edward Aswell, Wolfe left to tour the West, a part of the country he had never before visited. Whilst travelling Wolfe became ill with pneumonia and spent three weeks in a Seattle hospital. Complications arose. The prognosis was serious.  He was diagnosed with miliary tuberculosis of the brain. 
  On September 6th, he was sent to Baltimore's Johns Hopkins Hospital for treatment. The ensuing operation revealed that the disease had overrun the entire right side of his brain.  
  Thomas Clayton Wolfe never regained consciousness and died shortly before his 38th birthday on September 15th, 1938.

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