Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Tales from Shakespeare - cover

Tales from Shakespeare

Mary Lamb, Charles Lamb

Publisher: E-Kitap Projesi & Cheapest Books

  • 0
  • 0
  • 0

Summary

The following Tales in the Book are meant to be submitted to the young reader as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent are has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into our language since his time have been as far as possible avoided.

- THE TEMPEST
- A MIDSUMMER NIGHT'S DREAM
- THE WINTER'S TALE
- MUCH ADO ABOUT NOTHING
- AS YOU LIKE IT
- THE TWO GENTLEMEN OF VERONA
- THE MERCHANT OF VENICE
- CYMBELINE
- KING LEAR
- MACBETH
- ALL'S WELL THAT ENDS WELL
- THE TAMING OF THE SHREW
- THE COMEDY OF ERRORS
- MEASURE FOR MEASURE
- TWELFTH NIGHT; OR, WHAT YOU WILL
- TIMON OF ATHENS
- ROMEO AND JULIET
- HAMLET, PRINCE OF DENMARK
- OTHELLO
- PERICLES, PRINCE OF TYRE.

In those tales which have been taken from the Tragedies, the young readers will perceive, when they come to see the source from which these stories are derived, that Shakespeare's own words, with little alteration, recur very frequently in the narrative as well as in the dialogue; but in those made from the Comedies the writers found themselves scarcely ever able to turn his words into the narrative form: therefore it is feared that, in them, dialogue has been made use of too frequently for young people not accustomed to the dramatic form of writing. But this fault, if it be a fault, has been caused by an earnest wish to give as much of Shakespeare's own words as possible: and if the 'He said,' and 'She said,' the question and the reply, should sometimes seem tedious to their young ears, they must pardon it, because it was the only way in which could be given to them a few hints and little foretastes of the great pleasure which awaits them in their elder years, when they come to the rich treasures from which these small and valueless coins are extracted; pretending to no other merit than as faint and imperfect stamps of Shakespeare's matchless image. Faint and imperfect images they must be called, because the beauty of his language is too frequently destroyed by the necessity of changing many of his excellent words into words far less expressive of his true sense, to make it read something like prose; and even in some few places, where his blank verse is given unaltered, as hoping from its simple plainness to cheat the young reader into the belief that they are reading prose, yet still his language being transplanted from its own natural soil and wild poetic garden, it must want much of its native beauty.
It has been wished to make these Tales easy reading for very young children. To the utmost of their ability the writers have constantly kept this in mind; but the subjects of most of them made this a very difficult task. It was no easy matter to give the histories of men and women in terms familiar to the apprehension of a very young mind. For young ladies too, it has been the intention chiefly to write; because boys being generally permitted the use of their fathers' libraries at a much earlier age than girls are, they frequently have the best scenes of Shakespeare by heart, before their sisters are permitted to look into this manly book; and, therefore, instead of recommending these Tales to the perusal of young gentlemen who can read them so much better in the originals, their kind assistance is rather requested in explaining to their sisters such parts as are hardest for them to understand: and when they have helped them to get over the difficulties, then perhaps they will read to them (carefully selecting what is proper for a young sister's ear) some passage which has pleased them in one of these stories, in the very words of the scene from which it is taken; and it is hoped they will find that the beautiful extracts, the select passages..
Available since: 01/25/2024.
Print length: 400 pages.

Other books that might interest you

  • Because of Dads - cover

    Because of Dads

    K.E. Lewis

    • 0
    • 0
    • 0
    A joyful, humorous, and inclusive celebration of the fathers, grandfathers, and father figures in our lives. A perfect pick for Father's Day, graduation, new baby arrivals, and all of the special moments in a child's life!Because of dads, we giggle and smile and dress up and dream. Bad singing and dancing are always better with Dad around!Because of dads, we can be silly and fun and strong and brave, soaring past the bad guys and saving the day.And when life gets us down and times are tough, dads teach us patience, and dads help us up.Because of dads, we know we are loved. Above and beyond—the way only dads can.
    Show book
  • Beside Still Waters - cover

    Beside Still Waters

    Robert Sheckley

    • 0
    • 0
    • 0
    Beside Still Waters by Robert Sheckley - When people talk about getting away from it all, they are usually thinking about our great open spaces out west. But to science fiction writers, that would be practically in the heart of Times Square. When a man of the future wants solitude he picks a slab of rock floating in space four light years west of Andromeda. Here is a gentle little story about a man who sought the solitude of such a location. And who did he take along for company? None other than Charles the robot.
    Show book
  • Ten Little Princesses - cover

    Ten Little Princesses

    Mike Brownlow

    • 0
    • 0
    • 0
    Count down from ten princesses to one with help from charming princes, adorable ponies, and a fairy godmother!Ten little princesses, going to the ball,Trotting on their ponies, past the castle wall. Ten little princesses are all dressed up and excited for the special ball. But on their journey there, they run into all sorts of trouble, from a wicked witch and a spooky forest to a hungry giant and a fire-breathing dragon! How will these princesses ever get to the ball on time? Get your magic wand and glass slippers ready because with plenty of magical things to count on every page, this bouncing rhyming story will have your little one wanting to read it again and again!
    Show book
  • You Bet! - cover

    You Bet!

    Marv Alinas

    • 0
    • 0
    • 0
    A child plays with various toys and pets. This simple story for beginning readers teaches the "et" sound through rhyming text and bright, original illustrations. Additional features to aid in comprehension include a word list for review, a note to parents and educators, and an introduction to the author and illustrator.
    Show book
  • Lost Sci-Fi Books 161 thru 180 - cover

    Lost Sci-Fi Books 161 thru 180

    Isaac Asimov, Mary Shelley,...

    • 0
    • 0
    • 0
    Lost Sci-Fi Books 161 thru 180 - Twenty Lost Sci-Fi Short Stories from the 1930s, 40s, 50s and 60s and one from 1752The Sky Was Full of Ships by Theodore SturgeonHe That Hath Wings by Edmond HamiltonSmall World by William F. NolanThe Pause by Isaac AsimovThe Most Sentimental Man by Evelyn E. SmithThe Mortal Immortal by Mary ShelleyThe Moon That Vanished by Leigh BrackettChicken Farm by Ross RocklynneThe Black Ewe by Fritz LeiberFrom Outer Space by Robert ZacksMicromegas by VoltaireFinal Victim by Ray Bradbury and Henry HasseThe Last Drive by Carl JacobiThe Red Room by H. G. WellsCurse of the Blue Man by Lawrence M. JanniferThe Nameless Something by Murray LeinsterThe Gifts of Asti by Andre NortonEncounter in the Dawn Arthur C. ClarkeThe Foxholes of Mars by Fritz LeiberThe Moonlit Road by Ambrose Bierce
    Show book
  • Accept No Substitutes - cover

    Accept No Substitutes

    Robert Sheckley

    • 0
    • 0
    • 0
    Accept No Substitutes by Robert Sheckley - The Sexual Morality Act was fierce to buck, but the Algolian sex surrogate was ... er ... even fiercer! 
    Ralph Garvey's private space yacht was in the sling at Boston Spaceport, ready for takeoff. He was on yellow standby, waiting for the green, when his radio crackled. 
    "Tower to G43221," the radio buzzed. "Please await customs inspection." 
    "Righto," said Garvey, with a calmness he did not feel. Within him, something rolled over and died. 
    Customs inspection! Of all the black, accursed, triple-distilled bad luck! There was no regular inspection of small private yachts. The Department had its hands full with the big interstellar liners from Cassiopeia, Algol, Deneb, and a thousand other places. Private ships just weren't worth the time and money. But to keep them in line, Customs held occasional spot checks. No one knew when the mobile customs team would descend upon any particular spaceport. But chances of being inspected at any one time were less than fifty to one. 
    Garvey had been counting on that factor. And he had paid eight hundred dollars to know for certain that the East coast team was in Georgia. Otherwise, he would never have risked a twenty-year jail sentence for violation of the Sexual Morality Act. 
    There was a loud rap on his port. "Open for inspection, please." 
    "Righto," Garvey called out. He locked the door to the after cabin. If the inspector wanted to look there, he was sunk. There was no place in the ship where he could successfully conceal a packing case ten feet high, and no way he could dispose of its illegal contents. 
    "I'm coming," Garvey shouted. Beads of perspiration stood out on his high, pale forehead. He thought wildly of blasting off anyhow, running for it, to Mars, Venus.... But the patrol ships would get him before he had covered a million miles. There was nothing he could do but try to bluff it.
    Show book