Other books that might interest you

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  Joy Is So Exhausting

  Susan Holbrook

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  Joyfully melding knowing humour and torqued-up wordplay, Holbrook’s second collection is a comic fusion of the experimental and the experiential, the procedural and the lyric. Punch lines become sucker punches, line breaks slip into breakdowns, the serious plays comical and the comical turns deadly serious. Holbrook's poems don’t use humour as much as they deconstruct the comic impulse, exposing its roots in the political, the psychological and the emotional life of the mind. Many of these poems import shapes and source texts from elsewhere – home inspection reports, tampon instructions, poems by Lorca – in a series of translations, transpositions and transgressions that invite a more intimate and critical rapport with the written word. This is not merely a book, it is a chocolate-covered artificially intelligent virus with an impish sense of humour that will continue to replicate in your mind long after initial exposure.

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  Baby Bird: A Short Story

  Vincent Reid Bryant

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  Allison Horvath is an attorney, a wife, and a mother. This is a day in her life.

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  Disconnect - Chapter 6

  Open Boundaries

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  Chapter 6 - Disconnect - Disconnect is about the psychological action of disconnecting from everything that influences you in a negative manner. To not listen to the thoughts and voices of others who begin to steer your life, but instead, to focus on what you want and what you believe in. In short, it is the disconnection from outside influences, replaced with the connection to what's inside.

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  Fossils of a fleeting life:...

  Aninda Halder

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  Fossils of a Fleeting Life is a deeply personal poetry collection exploring love, loss, and self-reflection. Divided into three sections ”Love, Loss, and Quiet Reflections” it captures fleeting emotions through evocative verses and immersive narration. 
  For listeners who appreciate the depth of Rumi, the honesty of Bukowski, and the timelessness of Frost, this audiobook offers a meditative journey through heartbreak, hope, and the impermanence of life.

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  "Daddy": A Melodrama

  Jeremy O. Harris

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  Franklin, a young black artist on the eve of his first show, meets Andre, an older white art collector, and before long their feverish connection develops into an unbreakable bond.
  But when Franklin's mother, Zora, decides that her son is in peril, she enters into a battle of wills with Andre over the soul of the man they both call 'baby'.
  Basquiats and Birkins, gospel and pop, fantasy and reality: all collide around a Bel Air swimming pool in this deeply surreal exploration of intimacy and identity.
  "Daddy" is Jeremy O. Harris's blistering melodrama, first performed in New York City in 2019, and at the Almeida Theatre, London, in 2022, directed by Danya Taymor.

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  Deaf Republic - A Lyric Essay

  Ilya Kaminsky

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  Finalist for the National Book Award; finalist for the PEN/Jean Stein Award; finalist for the National Book Critics Circle Award; winner of the Los Angeles Times Book Prize; winner of the Anisfield-Wolf Book Award; winner of the National Jewish Book Award; finalist for the Kingsley Tufts Poetry Award; finalist for the T. S. Eliot Prize; and a finalist for the Forward Prize for Best Collection 
   
   
   
  Ilya Kaminsky's astonishing parable in poems asks us, What is silence? 
   
   
   
  Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya's girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky's long-awaited Deaf Republic confronts our time's vicious atrocities and our collective silence in the face of them.

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