Outros livros que poderiam interessá-lo

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  Pepsodent Show The - Volume 6 -...

  Staff Writer

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  The name Leslie Townes Hope is not the most familiar to us.  Born in Eltham, London on May 29th, 1903 he and his family emigrated to the United States aboard the SS Philadelphia before moving to Cleveland, Ohio. 
   
  Although he entered show business in the 1920s it was only in 1928 that he changed his name to the one and only Bob Hope. 
   
  Stints in Vaudeville and then Broadway was followed by his radio debut in 1932 and feature films in 1938.   
   
  1938 was a banner year for Bob Hope as it was also the debut season for the eventual decade running smash-hit radio show: The Pepsodent Show.  Despite the sponsors, name getting the billing this was Hope’s show.   
   
  His opening monologue was the result of his hiring from his own pocket – he had an extravagant salary from the sponsor - of a team of 8 writers to write top notch jokes and skits.  His comic timing turned him into a sensation.  The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. 
   
  Now its time to cut the talk and get ready for laughs.  It’s time for Bob Hope and his guests.

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  A House to Let

  Wilkie Collins

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  A House to Let is a short story originally published in 1858 in the Christmas edition of Dickens' Household Words magazine. Each of the contributors wrote a chapter (stories within a story, or, in the case of Adelaide Anne Procter, poetry) and the story was edited by Dickens, who also wrote the first and last chapters with Wilkie Collins. The plot concerns an elderly woman, Sophonisba, who notices signs of life in a supposedly empty dilapidated house (the eponymous "House to Let") opposite her own, and employs the efforts of an elderly admirer, Jabez Jarber, and her servant, Trottle, to discover what is happening within. (Summary by Ruth Golding and Wikipedia)

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  How to Be a Villain - Evil...

  Neil Zawacki

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  Jumpstart your evil enterprise with this deviously clever step-by-step guide to joining the forces of darkness. 
   
  Villains may never win, but they sure have more fun. Who doesn’t want to hatch a master plan for world domination or set up an evil hideout? In How to Be a Villain, Neil Zawacki answers all the most urgent questions: Should I go with a black or red theme? Do I invest in an army of winged monkeys or ninja warriors? And should I learn to play the pipe organ or just get a weird cat?  
   
  Whether readers choose to pursue a career as a Criminal Mastermind, Mad Scientist, Corporate Bastard, or just a Wanna-be Evil Genius, they are sure to find plenty of tips for getting started. Cheaper than attending the annual Bad Guy Conference and way more fun than being good, How to Be a Villain is guaranteed to elicit deep-throated evil laughs across the land.

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  Night Creeps 2

  Michael D'Ambrosio

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  In Night Creeps 2, Lamar and Johnny are once again faced with an alien insurgency as their success in Night Creeps 1 has a new race hoping to enslave humans to fight their galactic wars. Joined by new deputy Paula Mason and fiction magazine writer Sasha Bell, their biggest fear is realized when they become infected, and things aren’t what they used to be.

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  Auntie Mame - An Irreverent...

  Patrick Dennis

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  Wildly successful when it was first published in 1955, Patrick Dennis' Auntie Mame sold over two million copies and stayed put on the New York Times bestseller list for 112 weeks. It was made into a play, a Broadway as well as a Hollywood musical, and a fabulous movie starring Rosalind Russell. Since then, Mame has taken her rightful place in the pantheon of Great and Important People as the world's most beloved, madcap, devastatingly sophisticated, and glamorous aunt. She is impossible to resist, and this hilarious story of an orphaned ten-year-old boy sent to live with his aunt is as delicious a read in the twenty-first century as it was in the 1950s.

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  We Are Family

  Fabio Bartolomei

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  “Zanily inventive . . . This deeply eccentric comedy belongs in the company of the best novels about wildly precocious kids” (The Seattle Times).   Al Santamaria is a child prodigy, maybe a genius. It is not out of the realm of possibility that he, alone, will save the human race. But first, he has to solve a far more urgent problem: finding a home for his family.   He exists, like many kids, in a realm located somewhere between reality and fantasy, enjoying time with imaginary friends and wielding his magical powers. He has a wonderful relationship with his father, Mario Elvis, and his mother, Agnese, and he’s convinced he has the best family in the world.   But life isn’t all roses for the Santamaria family. They are typical of many Italian families today, whose existences seem suspended between conflicting impulses: on the one hand, delusions of grandeur and immoderate ambition, and on the other nostalgia for a past golden age and the secret wish that somebody, anybody, will come to their rescue. Big dreams, it appears, exist to be crushed.   But Al is not about to give up. He lives in a marvelous world of his own. He has the energy, imagination, and unselfconscious talents of a child. And, although he doesn’t know it yet, he is going to remain a child his entire life.   “An extended, guffaw-inducing, and sometimes tragic trip through Al’s young life. It reads like an Italian sitcom.” —Foreword Reviews   “An amazing novel: it’ll move you and make you laugh.” —Elle   “A plot shot through with the richness of Italian comedy and bright irony.” —La Repubblica

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