Translator Stefan Tobler
Publisher: And Other Stories
On its original publication in 2000, Pitch Glint was widely hailed as a landmark in German poetry. Rooted in Seiler's childhood home, a village brutally undermined by Soviet uranium extraction, these propulsive poems are highly personal, cadenced, cryptic and earthy, evoking European history with undeniable force.
Caleb Parkin's dark and mischievous second poetry collection Mingle stirs up the toxicities between landscapes, ecosystems and bodies, in poems bubbling over with hyper-wealth and haunted by tarnished ideals. Through creatures, compounds and chemicals, the poems probe what makes up our world's matter, and how we use it for good or ill. From gold to hydrocarbons, radioactive gardening to viral memes, the resulting mixture is a potent poetic cocktail… Here, intimate connections and grand narratives are unsettled; we are implicated in prickly histories and weird futures and the natural world reminds us of its unruliness – as well as our own. Reflections warp in noxious ponds and voices distort and echo in uncanny landscapes. At times hyperreal and surreal, adventurous and technicolour, Mingle fizzes with the possibilities of queered language and altered states of poetic form.Show book
Six writers, three from Việt Nam and three from Wales come together in the Room/Ystafell/Phòng to discuss their queer identities and how it has been shaped by world around them. Featuring discussion transcripts, poetry, photography, collages and prose. A man takes to the ballroom scene after months of lockdown in Há Nội, entranced by the vogue gods. An 81 year old lesbian artist writes to her ex-lovers daughter to explore her ten strange dreams. At 2am a young woman strides through Queen Street, Cardiff writing love notes to her cariad. Exploring sexuality, love and loss, language, cultural heritage, nature and joy this anthology sheds light on the queer experience in Wales and Việt Nam.Show book
Come join me in the hilarious romp that is The Tinker's Wedding by J.M. Synge, a story of two young tinkers trying to con a travelling holy man into marrying them, all while their mother is constantly trying to satiate her indomitable thirst for drink, thereby inadvertently causing more problems than the drink is worth. Blaming, miscommunication, and utter tomfoolery ensues, leading to the final culmination of each party getting ready to pounce on each other's necks and outrageously strangle each other Saturday-morning-cartoon style. Come witness both sincerity and hilarity being wrapped up in this tight but brilliantly crafted two act drama-comedy.Show book
“The speaker in Shelley Puhak’s Harbinger is no closer to knowing herself than I am, than we are, which is why we trust her. Each similarly titled poem holds a triptych mirror up to the artist and, in so doing, up to us all, so we may better see ourselves as we are. In ever-changing form.” —Nicole Sealey A stunning meditation on artistic creation and historical memory from the winner of the National Poetry Series, chosen by Nicole Sealey From “Portrait of the artist, gaslit” to “Portrait of the artist’s ancestors” to “Portrait of the artist reading a newspaper,” the poems in Harbinger reflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity. “Portrait of the artist as a young man” has long been the default position, but these poems carve out a different vantage point. Seen through the lens of motherhood, of working as a waitress, of watching election results come in, or of simply sitting in a waiting room, making art—and making an artist—is a process wherein historical events collide with lived experience, both deeply personal but also unfailingly political. When we make art, for what (and to whom) are we accountable? And what does art-making demand of us, especially as apocalypse looms? With its surprising insights, Harbinger, the latest book from acclaimed poet Shelley Puhak, shows us the reality of the constantly evolving and unstable self, a portrait of the artist as fragmentary, impressionable, and always in flux.Show book
Youth, although written over a century ago, is just as relevant to hummans today and I believe for all time. Here Conrad addresses the dimming of our mortal light, that subtle relization in all of us that we are no longer as vital as we once were. That mark in time when we acknowledge to ourselves that we are aging, Growing old, dieing.Show book
The bookshelves of British literature are incredible collections that have gathered together centuries of very talented authors. From these Isles their fame spread and whilst among their number many are now forgotten or neglected, their talents endure. Among them is one of the first published female poets, Anne Bradstreet. Born in England, she moved to America in her early years, and from there her poetic legacy spread to other conrinents.Show book
