Traducteur Stefan Tobler
Maison d'édition: And Other Stories
On its original publication in 2000, Pitch Glint was widely hailed as a landmark in German poetry. Rooted in Seiler's childhood home, a village brutally undermined by Soviet uranium extraction, these propulsive poems are highly personal, cadenced, cryptic and earthy, evoking European history with undeniable force.
A phone call can change a life. An old letter can change it more and nobody understands a broken heart like another broken heart.Wendy moved to Spain for a career opportunity and a chance to travel. But in reality she was running away from her boss, who she thought would leave his wife for her.During her travels she meets Alejandro, a kindred spirit. He has his own heartbreak. But something in Wendy opens up his heart again.After the phone rings Wendy’s life starts to unravel. Her mother is seriously ill, her brother needs her home. She is reunited with her mother who informs her of the letters. She must find them, read them, understand them. But most of all, she must forgive her mother.When Wendy reads the letters, a new story unfolds. Her dead father was not her father at all. She reads of a father she never knew – Nick Jones - alive and well and living in the West of Ireland. Wendy uncovers her mother’s secret life. A phone call to Nick, telling him of her mother’s illness, unites them in a gathering that brings comfort and intrigue.However, their emotional reunion is short lived as Wendy’s mother suffers another heart attack and dies. Alejandro arrives from Spain. Having recently found Wendy he is not about to let her go. He comforts her through her pain and shields her from the unwanted attention of her boss. Then her new found father gets a devastating phone call of his own. His wife has had a stroke and he must go to her. Wendy must cope with being abandoned again.Wendy and Nick are reunited at another funeral. Wendy supports her father and meets her half brother. Further revelations and erupting emotions follow, but this time they must remain secret forever.Voir livre
Noah and Celeste Quilter met on a blind date organised by a newspaper, fell in love, got married and had a baby. But from the very earliest days of their relationship, they were under surveillance. And when they started a fight for their future, they never guessed it would cost them their lives. In a modern world where reality is whatever we imagine it to be, how do we know the stories we tell ourselves are true? What happens when there's only one person in the whole world you can truly trust? And what if they never take the bins out? Rapture by Lucy Kirkwood is a slippery thriller about love, power and belief which premiered at the Royal Court Theatre, London, in June 2022, directed by Lucy Morrison. It was promoted under the title That Is Not Who I Am, by Dave Davidson, a pseudonym.Voir livre
LibriVox volunteers bring you 15 recordings of Adam and Eve (From “Paradise Lost,” Fourth Book) by John Milton. This was the Weekly Poetry project for Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. It was originally published in 1667 (though written nearly ten years earlier) in ten books, with a total of over ten thousand individual lines of verse. A second edition followed in 1674, redivided into twelve books (in the manner of the division of Virgil's Aeneid) with minor revisions throughout and a note on the versification; most of the poem was written while Milton was blind, and was transcribed for him.Milton first presents Adam and Eve in Book IV with impartiality. The relationship between Adam and Eve is one of "mutual dependence, not a relation of domination or hierarchy." While the author does place Adam above Eve in regard to his intellectual knowledge, and in turn his relation to God, he also grants Eve the benefit of knowledge through experience. ( Summary from Wikipedia)Voir livre
The language of Poetry is an art that most of us attempt at some point in our lives. Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. In this volume we explore the work of those poets born on this spear of land that thrusts into the Atlantic. From its sumptuous, wild landscape and ancient cultures, wise and knowing poems of beauty became embedded in our common poetical heritage.Voir livre
Norcliffe professes not to be a confessional poet; nevertheless he freely acknowledges that places and people served as prompts for the poems. New Zealand based, Norcliffe is well-travelled and his poems have international resonance. Placing Shadow Play with one other poetry collection as a finalist for the annual international Proverse Prize in 2011, the judging panel (reviewing entries with no knowledge of the writers) found an expert hand behind a wide variety of well-wrought poems on a range of topics, pleasingly interwoven with literary allusions. "Though the 'ordinary world' most of these poems inhabit is rich with the familiar—ATMs, case managers, vindaloo—what James Norcliffe finds there is far from typical. And when he turns his considerable imagination up a notch, setting a giraffe on the Russian steppe, say, or exploring the largest statue of a strawberry in the world, the results have the surprise and gleam of the truly extraordinary. Shadow Play is a treasure chest of fresh, insightful work."—Don Bogen, poet and editor of the Cincinnati Review, USA. "James Norcliffe is part bar wag, part trapeze artist, and every bit the literary raconteur. He wields his imagination like a spot welder, spraying out glowing trails of hot sparks. And yet so much in these pages happens in slo-mo, in fractured memory. There are poems for cartographers and window washers, personae poems for Hamlet, Alice in Wonderland, and sadistic Empress Dowager Cixi, love poems for books, ATMs, and vindaloo. But his great poem for the Icthyosaurus -- "not one centimetre / of human history in the / kilometres of its eyes" -- exposes the slinky sinister undertow at work. Suicide, heart attacks, suicide bombers, and auto da fe suck us in. Norcliffe pokes and prods the reader like a forensic tech and in the end his poems leave spatter patterns."—Richard Peabody, poet, novelist, and editor of Gargoyle Magazine, USA.Voir livre
Emaux et Camées by Théophile Gautier is a celebrated collection of poetry that stands as a defining work of the nineteenth-century aesthetic movement. Renowned for its precision, elegance, and devotion to artistic beauty, this volume reflects Gautier's belief in "art for art's sake"—the idea that art exists not to moralize or instruct, but to embody pure form and refined expression. The title, which translates to Enamels and Cameos, evokes miniature works of art—carefully crafted, polished, and enduring. In the same spirit, each poem in this collection is meticulously shaped, displaying Gautier's mastery of rhythm, imagery, and structure. His verses are vivid and sculptural, transforming fleeting moments into lasting artistic impressions. Like finely carved cameos, the poems capture scenes, emotions, and reflections with delicate precision. Throughout the collection, Gautier explores themes of beauty, mythology, love, mortality, art, and memory. Classical influences blend seamlessly with romantic sensibilities, creating a body of work that feels both timeless and deeply personal. Statues, paintings, landscapes, and historical figures come alive through his lyrical craftsmanship, revealing a poet deeply attuned to visual and sensory detail. Unlike more overtly emotional or political poetry of his era, Gautier's work often maintains a controlled and polished tone. His language is exacting and musical, emphasizing balance and harmony. Yet beneath the surface refinement lies profound contemplation—meditations on the permanence of art compared to the fragility of human life, and on the enduring power of beauty in a changing world. Emaux et Camées is widely regarded as one of Gautier's finest achievements and a cornerstone of French poetic tradition. Its influence extended beyond literature, shaping later movements that valued aesthetic purity and stylistic perfection. Readers encountering this collection will discover poetry that invites careful appreciation—verses that shimmer with clarity, artistry, and enduring grace. Elegant, reflective, and masterfully composed, Emaux et Camées remains a timeless tribute to the transformative power of artistic expression.Voir livre
