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  The Girl I Never Knew - Who...

  LaDonna Humphrey

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  For over two decades the identity of Melissa Witt's murderer has been hidden among the dense trees and thorny undergrowth rooted deeply in the uneven ground of a remote mountaintop in the Ozark National Forest. 
   
   
   
  Determined to find answers, LaDonna Humphrey has spent the past seven years hunting for Melissa's killer. Her investigation, both thrilling and unpredictable, has led her on a journey like no other. 
   
   
   
  The Girl I Never Knew is an edge-of-your-seat account of LaDonna Humphrey's passionate fight for justice in the decades-old murder case of a girl she never met in person. Her unstoppable quest for the truth has gained the attention of some incredibly dangerous people, some of whom would like to keep Melissa's murder a mystery forever.

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  The Murderer - Bulgakov expertly...

  Mikhail Bulgakov

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  Mikhail Bulgakov was born on 15th May 1891 in Kiev, in the Kiev Governorate of the Russian Empire, into a Russian family.  He was one of seven children. 
   
  In 1901, Bulgakov attended the First Kiev Gymnasium, and developed a keen interest in Russian and European literature, theatre and opera.  After the death of his father in 1907, his mother assumed responsibility for his education.  After graduating Bulgakov entered the Medical Faculty of Kiev University and then took up a post as physician at the Kiev Military Hospital. 
   
  At the outbreak of the First World War, he volunteered as a doctor and was sent directly to the front, where he was badly injured at least twice.  To suppress chronic pain, especially in the abdomen, he injected morphine.  It took years to wean himself off. 
   
  He now took up medical posts in various towns and in 1919, he was mobilised by the Ukrainian People's Army and assigned to the Northern Caucasus.  There, he became seriously ill with typhus and barely survived.  
   
  After this illness, Bulgakov abandoned his medicine to pursue writing.  He moved to Vladikavkaz and had two plays staged there with great success.  He wrote too for various newspapers and other outlets, but his critics were many.  And growing. 
   
  When a Moscow's theatre director severely criticised Bulgakov, Stalin personally protected him, saying that a writer of Bulgakov's quality was above ‘party words’ like ‘left’ and ‘right’.   Indeed, it is said that Stalin watched ‘The Days of the Turbins’ at least 15 times. 
   
  It was not to last and by March 1929, Bulgakov's career was ruined when Government censorship stopped publication of any of his work and plays. 
   
  In despair, Bulgakov wrote a personal letter to Stalin.  He requested permission to emigrate.  He received a phone call from the Soviet leader, who asked the writer whether he really desired to leave. He replied that a Russian writer cannot live outside of his homeland.  Stalin thus gave him permission to continue working. In May 1930, he re-joined the theater, as stage director's assistant.  
   
  During the last stressful decade of his life, and in poor health, Bulgakov continued to work on ‘The Master and Margarita’, wrote plays, critical works, stories, and continued translations and dramatisations of novels.  Many of them were not published, others were derided by critics.  
   
  On 10th March 1940, Mikhail Afanasyevich Bulgakov died from nephrosclerosis.  He was 48. 
   
  ‘The Master and Margarita’ was not published in any form until the mid-1960’s 
   
  Here Bulgakov relates a story as told by a doctor describing the terrible things that humanity is capable of doing in times of war.

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  Requiem For Olcott Beach Spirits...

  Geoffrey Giuliano

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  Geoffrey Giuliano (Jagannatha Dasa) has been a devout student of devotional yoga since the age of fifteen. He has written extensively on the subject and resided as a Vaishnava monk in India for five long years in the ancient, holy pilgrimage places of Vrndavana, Rishikesh and Puri. Here, along with master musician and composer Kurt Max, as well as close friends Richie Havens and Ben E. King, Giuliano presents what might well be considered the cream of his own unique spiritual journey and the timeless knowledge gathered along the way. Featuring: Requiem For Olcott Beach God Alone Is Hare Krsna Mantra Underhanded Fly Away Home Heartless Vrnda Puja Closer To The Edge Vaishnava KIrtan Food For All (Homes For All) Radhe Govinda Bolo All in all unique incantation of words and music to the greater truth within us all. Perfect for all university, school, and library collections as well as students of Yoga and eastern mysticism. Hare Om Tat Sat. Produced by Mangal Maharaj, Bob Gallo, Glenn Bernardis Bass Peter Cardanelli.

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  1960s Austin Gangsters -...

  Jesse Sublett

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  Timmy Overton of Austin and Jerry Ray James of Odessa were football stars who traded athletics for lives of crime. The original rebels without causes, nihilists with Cadillacs and Elvis hair, the Overton gang and their associates formed a ragtag white trash mafia that bedazzled Austin law enforcement for most of the 1960s. Tied into a loose network of crooked lawyers, pimps, and used car dealers who became known as the "traveling criminals," they burglarized banks and ran smuggling and prostitution rings all over Texas. Author Jesse Sublett presents a detailed account of these Austin miscreants, who rose to folk hero status despite their violent criminal acts.

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  When I Passed the Statue of...

  Harry Edward

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  The lost memoir of Britain's first Black Olympic medal winner—and the America he discovered 
   
   
    
  After winning Olympic medals for Britain in 1920, Harry Edward (1898–1973) decided to try his luck in America. The country he found was full of thrilling opportunity and pervasive racism. 
   
   
    
  Immensely capable and energetic, Harry rubbed shoulders with kings and presidents, was influential in the revival of Black theatre during the Harlem Renaissance, and became a passionate humanitarian and advocate for child welfare. He was present at some of the twentieth century's most significant moments, worked alongside W. E. B. Du Bois and Orson Welles, and witnessed two world wars and the civil rights movement. Yet he was frustrated at almost every turn. 
   
   
    
  Toward the end of his life he set down his story, crafting this memoir of athletics and activism, race and racism on both sides of the Atlantic. His manuscript went unpublished until now. This is the deeply engaging tale of Edward's life—and a moving testament to his drive to form a better world.

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  Heaven

  Emerson Whitney

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  Emerson Whitney writes, "Really, I can't explain myself without making a mess." What follows is that mess-electrifying, gorgeous, defiant.
   
  At Heaven's center, Whitney seeks to understand their relationship to their mother and grandmother, those first windows into womanhood and all its consequences. Whitney retraces a roving youth in deeply observant, psychedelic prose-all the while folding in the work of thinkers like Judith Butler, Donna Haraway, and C. Riley Snorton-to engage transness and the breathing, morphing nature of selfhood.
   
  An expansive examination of what makes us up, Heaven wonders what role our childhood plays in who we are. Can we escape the discussion of causality? Is the story of our body just ours? With extraordinary emotional force, Whitney sways between theory and memory in order to explore these brazen questions and write this unforgettable book.

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