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  The Piazza Tales

  Herman Melville

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  Written in seclusion following the intense negative public reaction to the publication of his novel Pierre, The Piazza Tales is Melville's accessible and entertaining collection of short stories concerning love, labor and loss. The collection includes the author's three most important achievements in the genre of short fiction, Bartleby, the Scrivener, Benito Cereno, and The Encantadas, his sketches of the Galapagos Islands. Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but settled on the definitive title after he had written the introductory story, which concerns the coincidental meeting of mutual long-distance admirers separated by a valley in the mountains.

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  Masha'allah - And Other Stories

  Mariah K. Young

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  This “beautifully written and soulful” story collection explores the lives and struggles of those on the fringes of California society (Mark Haskell Smith, author of Baked). 
   
  In Masha’allah and Other Stories, debut author Mariah K. Young brings readers deep into the unpredictable landscape of East Oakland, and the varied lives of remarkable individuals who rarely take center stage. In these nine tales, we take a ride with a hired driver who gets more than he bargains for with an unusual fare; we meet a day laborer whose search for work leads him to the edges of human sacrifice and hope; we join a plucky house cleaner named Chinta, who sets up impromptu beauty parlors in the houses she cleans. 
   
  Young’s fiction shines not only with literary power and warmth but with eye-opening freshness and honesty that cuts straight to the heart, reflecting our unflagging allegiances to love, family, luck, and hope.  
   
  Winner of the first James D. Houston Award

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  British Short Story The - Volume...

  Percival Gibbon, Radclyffe Hall,...

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  These British Isles, moored across from mainland Europe, are more often seen as a world unto themselves.  Restless and creative, they often warred amongst themselves until they began a global push to forge a World Empire of territory, of trade and of language. 
   
  Here our ambitions are only of the literary kind.  These shores have mustered many masters of literature. So this anthology’s boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English. 
   
  Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet.  And this is how we begin to differentiate our offering; both in scope, in breadth and in depth.  These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties. 
   
  Way back when it was almost immoral that a woman should write.  A few pages of verse might be tolerated but anything else brought ridicule and shame.  That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated ‘legal prostitution’.  Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands.  Here we include George Eliot and other examples. 
   
  We add further depth with many stories by authors who were famed and fawned over in their day.  Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain. 
   
  Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes.  Was this bound to happen or did a growing population that could read begin to influence rather than just accept? 
   
  Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page.  An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form.  Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D’Arcy. 
   
  Now authors began to offer a wider, more diverse choice from social activism and justice – and injustice to cutting stories of manners and principles.  From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache.  If you can imagine it an author probably wrote it.  
   
  At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience’s attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.

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  Bernice Bobs Her Hair

  F. Scott Fitzgerald

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  Bernice has rare beauty and wealth, but is undeniably socially awkward. Her cousin Marjorie does her best to make Bernice into a social vampire. Being a socialite in America in the 1920s, it seems to her that some of the more archaic feminine ideals need to go. Bernice's long, luxurious hair may need to go, too.

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  The Prophet

  Kahlil Gibran

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  The Prophet is a book of 26 poetic essays written in English in 1923 by the Lebanese-American artist, philosopher and writer Khalil Gibran. In the book, the prophet Almustafa who has lived in the foreign city of Orphalese for 12 years is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses many issues of life and the human condition. The book is divided into chapters dealing with love, marriage, children, giving, eating and drinking, work, joy and sorrow, houses, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.

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  Buffalo Wagons

  Elmer Kelton

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  Elmer Kelton's westerns are filled with authentic details and unforgettable characters. With works including The Smiling Country and Texas Rifles, he has won six Golden Spur Awards and attracted a world-wide audience of fans. By 1873, the great buffalo herds have been all but wiped out, and the hide hunters are looking for other work. So when Gage Jameson hears of one remaining herd, he sees a final opportunity to make a huge profit. But to find the buffalo, he will have to take his line of wagons deep into Comanche territory, where death lurks behind every rock. Kelton's feel for the last days of the American West is evident in each chapter of Buffalo Wagons. As Jameson and his crew journey further into danger, the growing tension is dramatically voiced by Audie Awarda-winning narrator George Guidall.

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